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Nele Noppe

Sexual Assault (in comics) Awareness Month: Rape in the Gutters - 0 views

  • Sexuality is not a black-and-white matter; neither, therefore, is consent. There are infinite shades of gray between consent as defined in the Antioch Policy and the legal and medical definitions of sexual assault. Although we can agree on certain terms and definitions for sexual violence, those definitions are far from universal, and they’re thick with semantic subtleties and qualifiers.
Nele Noppe

thingswithwings: a few words on warnings - 0 views

  • So his intention was to play this scene of assault, with no warning, in the public space of a classroom. Now, this is a class that also teaches Irreversible and Demonlover and other films that involve pretty graphic scenes of rape and assault, but I think there's a difference between being told to watch Irreversible on your own at home, and coming into class, sitting around with a bunch of half-strangers, and being surprised by an out-of-context rape scene.
  • One thing that I really like about fandom is that we're different from the publishing world, from the academic world, from the world of boyfans even, in that we try really hard to take into consideration the needs and squicks and concerns of the reader.
  • Professional publishing is about getting people to buy books, and professional publishing is about the rights of the author - so, in the first place, we're often lied to about what a novel will contain, and even when we're not, we're not warned, because the rights of the author to surprise the reader - the rights of his inviolable artistic vision - are more important than the rights of the reader to tailor her reading to her own desires.
  • ...1 more annotation...
  • The author knows more about how we ought to read, what we want to read, than we do, and will control the reading process. Our only option if we don't like it is to throw the book down halfway through - which, as we've learned recently, apparently deprives us of the right to say we didn't like it.
Nele Noppe

Man on Man: The New Gay Romance ... written by and for straight women - 0 views

  • As for why a straight woman writes gay romance, Penley suggests, it has to do with body politics. Women’s bodies are a political and social battleground. Women are told how to behave, and whether or not they can abort fetuses. They are held to impossibly high standards of beauty. Maybe they write with men’s bodies, she theorizes, because those bodies aren’t as problematic as their own. Maybe men’s bodies are just easier. Linda Williams, a Berkeley professor who wrote the first serious book about porn film, Hard Core: Power, Pleasure, and the “Frenzy of the Visible,” suggests a similar freedom — specifically, one from worry. When women watch straight pornography, there’s always the problem of who’s on top, or who’s on the bottom. “On the other hand,” Williams says, “if you’re watching two men having sex, you don’t have to worry about a woman being mishandled, or abused or overpowered.”Or it could simply be a fantasy of abundance. “If you presume that these women are heterosexual,” Williams adds, “and their own desire is for men, then you’ve doubled the pleasure.”Another prevailing belief is that the pleasure these women derive from reading erotic romances about two men has less to do with the sex than with the romance. The main pleasure comes from the romantic story, i.e., the plot. And the plots are essentially female. The sex is just the cherry on top.
  • The results for men, Bailey says, were as expected. Their arousal was “category-specific.” Men were turned on, in other words, only by the categories of people they prefer to have sex with. The women, however, had a different, far more surprising pattern of arousal: It didn’t matter whether the women said they were gay or straight, they were turned on by all the films. Bailey concluded that men’s and women’s brains are likely organized differently.As you might guess, Bailey is a controversial figure. That study, published in the journal Psychological Science, as well as his other research concerning the etiology of sexual arousal, has been attacked by everyone from The Washington Times and conservative congressmen to gay activists. (Bailey was also one of the first researchers to suggest that homosexuality is substantially genetic.)But why should a woman be turned on by a variety of stimuli any more so than a man? It may not make sense politically, but one of Bailey’s co-researchers, Meredith Chivers, might have found an answer by pushing the reasoning even further. She speculates that women’s genitals tend to lubricate in the presence of sexual cues as a defense against rape. Ancestral women whose bodies didn’t automatically lubricate during unwanted vaginal penetration might have sustained more serious injuries and would not have survived to pass the trait along to offspring. Becoming physically (if not mentally) aroused by a whiff of sex in the air, in other words, is evolutionarily adaptive for women. Which is not of course the same thing as pleasure. On that score, Bailey’s findings are reinforced by Abramson’s scientific experiments on masturbation from the early ’70s. He showed his subjects films of people masturbating to orgasm. As in the other studies, straight women were aroused equally by both genders. Abramson concluded that women are equally adept at imagining themselves as either the pleasurer or the receiver.
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