Group items tagged

Robbins, Daniel J. "Sources of Cubism and Futurism." Art Journal 41.4 (1981): 324. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. This article discusses the similar origins of both futurism and cubism. These two movement have many similar techniques in their art so it only makes sense that they would sprout from a common seed. The seed that is discussed it that of symbolism and how it started these two movments.

Leland, John. "Still Rotten After All These Years." Rolling Stone 1028 (2007): 71-116. Academic Search Complete. EBSCO. Web. 16 Nov. 2010 This article discusses the career of one John Lyndon, the lead singer of The Sex Pistols. He nor any of his band expected the band to become what is did: a symbol,famous, and the father of punk music.

The book on surrealism shows an organized look at some of the most popular paintings from the period. these are made easy to understand by the author who provides background infomation on each painting. these paintings are also presented in alphebitical order and occur in a timeline so you can see when they were painted. there is a breif introduction on the history of the movement in the beginning of the book. i think this is a good source because it describes what the symbolism of these famous paintings mean.

Danto, Arthur. "Andy Warhol." Yale University Press (2009): Ohiolink. Web. 16 Nov. 2010. Arthur Danto sees Andy Warhol as the "Artist of the second half of the 20th century," and the "artist laureate of the American soul." He describes how Andy Warhol drew/painted many symbols of post war America and describes Andy Warhol's work in two levels: "the level of fears and agonies, and the level of beauties. The level of plane crashes, suicides, accidents, executions; and the level of Marilyn, Liz, Jackie, Elvis, Jesus, radiant with glamor and celebrity." Warhol moved from commercial art to pop art. Danto explains how Warhol's art relieved anxiety in American society and culture."He was moved by the same things that his audience was moved by," states Danto.

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 1 Nov. 2010. This articles is a close study of specific patterning in Van Gogh's drawings. It is able to provide new insight into patterns he uses. Due to a direct expression of nonverbal meaning. The article takes a look at his articulation of pattern through form, plus a close reading of the letters he wrote about the difficulties he encountered because of his unique vision. It concludes that Van Gogh's unique and personal perceptual style served his developmental needs. While also contributing to both his mental instability and his artistic greatness.

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." \n American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. In "Pattern as Inspiration and Mode of Communication in the works of Van Gogh" it talks about how his black and white paintings still convey meaning. Van Gogh is an impressionist and has the talent of using line and shapes in order to evoke an emotional response. Van Gogh was interested in ideas rather than images, which inspired many of his pieces of work. The history of his life is shown and describes who he is and his work. In the beginning of his life Gogh did not know he wanted to be an artist, but later traveled and studied art.

Force, William Ryan. "Consumption Styles and the Fluid Complexity of Punk Authenticity." Symbolic Interaction 32.4 (2009): 289-309. Academic Search Complete. EBSCO. Web. 26 Oct. 2010. The article presents a study which explores on the authenticity practices of a local punk scene, and demonstrates how punk authenticity is constructed and maintained in everyday living. It discusses the role of presenting consumption styles as a set of authenticity practices with three identified consumption styles which include the open talk and interaction that publicized the possession of punk goods, the apparent stylized presentation of punk appearance in references to what seemed to look, and the repeated display of knowledge about punk subculture. It mentions that the study has observed the punk scene at sites in southeastern city with establishments that host punk performances, and with art shows and parties that are attended by punk community. (From the EBSCO abstract.)

Manthorne, Katherine E. "Roy Lichtenstein (1923-1997)." American Art 11.3 (1997): 78. Academic Search Complete. EBSCO. Web. 15 Nov. 2010.

Martínez-Herrera, Ma José, Antonio G. Alcántara, and Lorena García-Fernández. "Dalí (1904-1989): Psychoanalysis and Pictorial Surrealism." American Journal of Psychiatry 160.5 (2003): 855. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. This article admires Salvador Dali as an artist and his own stand and outlook on the artistic movement of Surrealism. His art was a great contribution to this movement as a whole. Not only is there an admiration for his artwork, but also his ambition.