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Fawcett, Hilary. "Fashioning The Second Wave: Issues across Generations." Studies in the Literary Imagination. March 1975-2010. Hilary Fawcett discusses fashion and how it effected women rights. The styles of the nineteen-seventies greatly influenced the women's rights movement. Fawcett also explores the connection between fashion to how women are percieved; she describes the fashion of her generation in the 1960s and 1970s, to the style and fashion of young girls now. This article will help me describe styles from the seventies and compare them to styles today. It will also help me explain the amount of respect clothing can give off to the public, when women are wearing different trends.

"Now & Then Great Fashion" People 7. October 2009: 103-104. This magazine article is an interview with many famous fashion designers, discussing the trends of the seventies and the trends of today. It discusses fashion worn by some of the first ladies in history, and then mentions today's first lady, Michelle Obama. This article will help me a lot because it has fashion designers opinions on different trends throughout generations.

This article might be useful for those seeking to do a study of the evolution of punk. From the OhioLINK abstract: This article examines how older fans of punk rock articulate their continuing attachment to the music and its associated visual style.While sociological research on popular music audiences is well established, little attention has been paid to the articulation and management of fan practices of individuals beyond the age of 30. Based on ethnographic interviews conducted with older punk fans in East Kent, England, the article begins to redress this oversight in studies of popular music audiences.This involves an assessment of both the way in which articulations of punk style transgress with age from the visual to the biographical and how older punks develop particular discursive practices as a means of legitimating their place within a scene dominated by younger punk fans.

Uniquely situated at the heart of African-American youth culture, hip-hop is about music, style and voice. In many ways hip-hop is also about political action. Any discussion of hip-hop culture and rap music lends itself to examinations of rap as a means of protest among inner-city African-American youth. But the resistive benefits of rap music are not limited to its African-American listeners as can be seen by its widespread popularity among youth of all different races, classes and nationalities. As the cultural and political voice of an entire generation of youth, hip-hop has become a means of political action for its artists and fans. In addition to its prominent resistive role, political action in the hip-hop community includes political deliberation and direct uses of hip-hop to increase political awareness and to organize collaborative action. (From the OhioLINK abstract.)