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This is an RSA animation of a lecture given by Sir Ken Robinson, a proponent of creativity and innovation in education (see http://sirkenrobinson.com/skr/who for more information about him). This is an interesting and often humorous look at some general trends in modern public education. Though there is nothing that directly relates to teaching writing, there is much here that may contribute to the topic of failure, and to the importance of learning in social contexts. Robinson concludes that collaboration is the stuff of growth, it is our natural learning environment.

In "Exploring the Impact of a High-Stakes Direct Writing Assessment in Two High School Classrooms," Ketter and Pool (2001) use a case study to examine the effects of standardized direct writing assessments on instruction and on student affect. They used surveys, interviews, student work, case notes, and curriculum plans to closely examine how teachers and students in two Maryland high school classrooms were impacted by the state's high-stakes writing assessment. The two classes were designed for students who had previously failed the Maryland Writing Test, with the specific intention of helping those students to pass the direct writing test, which is required for high school graduation. Over half of the students in the two classes were identified as members of families of low socio-economic status. Ketter & Pool found that the primary factor negatively influencing instructional methodologies and student and teacher affect is the failure of instruction and assessment to address "how differences in discourse styles embedded in communities have a powerful effect on how children see their world and communicate about it with others" (369). In this way, students from non-mainstream culture are marginalized by the school system. Ketter & Pool recommend that school and community stakeholders work together to devise teaching and assessment practices that "take into consideration the rich variety of American culture and the complexity of literacy instruction that result[s] in a student's ability to make meaning" (386).

The link I've included is to the stable URL, which only displays the first page. Sorry -- you will have to log in to JSTOR to read the entire article.

For me, it started with some initial ideas from David Orr's book Ecological Literacy, and along with it the argument in his other book Earth in Mind: that all education is environmental education, and the purpose thereof is to increase ecological literacy. What this article sets out to do is to provide a more general understanding of what ecological literacy is (a blend between ecological thinking and environmental literacy). Learning appears in a fusion between three big learning domains: behavioural, affective and cognitive learning, and such a learner is called an authentic learner. An authentic learner is one who "can not only identify relevant dilemmas but also appreciate how their understanding of a scientific concept can influence their decision. The difficult fulfilment of students who face today's education is the highly fragmented status of disciplinary studies (the so-called academia). Ecological literacy sets out not only to introduce students to ecological concepts, but to push them so far as to recognise their place within the current ecosystem. Ecological Misconception Ecology is a strictly inter-disciplinary field of study, which draws concepts from Biology, Physics, Chemistry, Geology. Misconception appears when there is a misconnection between the seemingly holistic view of the general concepts, or a failure to express the necessary link between related concepts. Where does writing come in? Writing, according to the authors, is a reflective process. Students are first introduced to the concepts relevant to an ecological discussion. They are then asked to write three iteration essays to demonstrate their understanding along with their ability to make connections within the given concepts. Since it is important that students go through an extensive study just to recognise their place within the current ecosystem, personal reflection through writing is an essential tool not only to "show", but to connect, and make connections (writing discou

This source details the author's experience of teaching a course called 'Experimental Writing' to college seniors. Using several chapters from the book Free Play by Steven Nachmanovitch, the instructor introduces the topic of play as an important element of the course. Having read the book myself I think that it is a worthy read, and it has influenced my approach to academic projects by widening my perception of my action as not just reactionary study toward a grade, but play within a field offered by the instructor where success and failure are accepted as process and there is no fixed upper limit to achievement. In other words the writing is can be thought of as a kind of 'funktionslust' a pleasure of doing, not simply an action toward an objective. To create motivation within students requires that they let go of the dire seriousness that school is associated with; school is something to be completed out of necessity not something that can offer individuals new insight to themselves, or the aspects of themselves that have been suppressed by conformity and fear. The author does not entirely endorse the use of Nachmanovitch's text in 'traditional writing classes' because the text discourages many of the elements that are at hand in the traditional approach to teaching (like writing for a letter grade). I chose to be an English major because I felt the most freedom of expression within my English classes; I was offered a choice of what topics to engage with. But increasingly specific expectations from teachers handcuffed my raw creativity. Even so, I think that an increased degree of freedom within writing classes would boost student enthusiasm. The question then is how do we increase the freedom of expression for students of basic writing, where there are necessary modes of measure for the articulation of the chosen subjects (other than simply allowing them to choose their subjects)? To what degree does the rubric shape student identity by for

Franci Washburn argues the importance of a student using the ellipsis correctly. However, the focus isn't just on this seemingly simple and low-priority aspect of writing, she focuses on the fact that students who use the ellipsis correctly tend to be paying attention to the smaller details in writing and are more apt to be critical thinkers. She uses this example for noting the huge importance of paying attention to small details "Often, it isn't a major, glaring error that loses an investor a million dollars in the stock market but rather the failure to read the fine print on a stock prospectus . . . " She's right! It is incredibly important to pay attention to details or read the fine print; this seems to be a skill that is becoming more and more rare. Even though this is a short article, it had a pretty big impact on me. I've always been baffled when instructors tell their students that grammar doesn't matter (yes, even English professors have said this). I think that paying attention to grammar and punctuation helps a student to learn to look at details. However, having said this, I do believe that when revising a first or second draft of a paper the correction of grammar and punctuation should be held off because the content of the paper and the expression of thoughts and ideas are what should be focused on.