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Accurate information about the 1918 flu is difficult enough to come by in most countries, but in colonies like Kenya, the archival record is especially complicated. Much of what exists is the perspective of colonial officers constructing a racist political state. So the archives talk about how black people resisted many of the efforts at quarantine, portraying them as irrational when in fact barring movement was one way the British created pools of forced labor.

Al Jazeera English has carved a global niche for deepening reporting from places outside centers of power, and Africa Is a Country publishes critical takes on key issues. But digital archives are notoriously transient and even the most visible websites can disappear with the flick of a switch.

When the official record of a community’s history tells them that their ancestors did nothing when faced with near certain death, they tend to believe it and act like its true

A 2019 article estimated that at the Kenyan Coast—the most urbanized and settled region of the fledgling country—the Spanish flu killed 25.3 of every 1,000 people, less than the international average but one of the most deadly recorded outbreaks in the territory.

The relative weakness of African media outlets means that the complexities and nuances of what is happening away from power is rarely described, let alone analyzed

Ethnic cantonment was the cornerstone of colonial oppression in Kenya, and severe punishments for leaving designated ethnic areas were a crucial part of turning free black men and women into prison labor.

European colonizers brought with them rinderpest, commonly known as cattle plague, which destroyed much of the indigenous cattle population, and jiggers, a small flea-like pest that burrows into feet, crippling the infected person and sometimes leading to gangrene. Bruce Berman and John Lonsdale, two historians specializing in Kenya’s colonial era, estimate that the Maasai community, one of the most militant groups resisting the British in East Africa, may have lost up to 40 percent of its population. The pandemics and outbreaks in that first decade of the 20th century decimated populations and made it impossible to mount any coordinated military resistance.

the record describes ignorant Africans disregarding the interventions of noble Europeans. Resistance to quarantine and enforced cantonment is framed as a rejection of public health initiatives, not part of a broader resistance to the restrictions on freedom of movement placed on the African population

The consequences of these incomplete archives still reverberate anywhere governments are drawing lessons from colonial public health practices. The violence in countries like India, Kenya, South Africa, Uganda, and other settler colonies echoes the violence of the colonial state in part because the successor independence governments read the violent colonial interventions as logical and necessary. The archive presents violent policing response as a natural and necessary part of a public health crisis response, and the successor governments don’t question that.

The illusion that some violence is necessary to achieve public health goals because the “native” is inherently resistant to logic is inherited from colonizers and sustained because the archive is rarely critically interrogated.

variolation, a precursor to modern-day vaccination in which healthy people were exposed to the blood of infected people to develop resistance to it, was recorded in Kenya, South Sudan, Nigeria, and other parts of the continent. Community health systems existed and were often strong, but the colonizing forces had no interest in them, as they were keen to promote the idea of superior European health systems

This is the task for journalists covering Africa and Covid-19: Hold space for communities that those in power would rather not hear. It is a tremendous challenge. Very few African countries have media markets that can pay for quality, independent investigative and documentary journalism. Many are dependent on Western donor governments to sustain their public health coverage, and this tips the scale in favor of stories that make those organizations look good. Other outlets operate as PR vehicles for their home governments and by extension for the countries that are their strong allies. Few foreign outlets are interested in true partnership with African journalists, and for the few critical journalists the erosion of press freedom across the continent is devouring whatever space they have to work.

In the 1920s, people in the Belgian Congo could receive the death penalty for reading the Negro World

Garvey preached to Black Americans that their history did not begin with enslavement and that they came from a great civilization. “I am the equal of every White man,” Garvey said. “Always think of yourself as a perfect being.”

Garvey caught the attention of J. Edgar Hoover, a lawyer in the Department of Justice, who would quickly rise to director of the FBI, a role in which he became known for his racist pursuit of Black civil rights leaders. The first Black undercover agent hired by the FBI was assigned to spy on Garvey.“Mr. Hoover, in his role as director of investigations on ‘Negro Activities,’ became obsessed with extinguishing the flames of the man who had become known as the ‘Negro Moses,’ ”

As Garvey preached about the importance of Black economic independence, he opened several businesses, including the Black Star Line shipping and passenger company, which he said would help facilitate the travel of Black people to Africa. It was one of the first Black-owned shipping companies in the world.

“It was the audacity of founding the Black Star Line that drew the attention of federal investigators. And ultimately, the company’s financial downfall led to Garvey’s prosecution for mail fraud in a trial replete with reversible errors and questionable evidence.”

“Marcus Garvey was targeted because of political and social efforts, not because of anything to do with the Black Star line.”Garvey was convicted of defrauding one investor out of $25, Pierce said, and “for that, he got five years in prison.”

on Nov. 18, 1927, Coolidge commuted Garvey’s sentence. Nine of the 12 White jurors who voted to convict Garvey said they supported the commutation of his sentence. Garvey was released from the penitentiary and deported to Jamaica. He later traveled to London, where he died in 1940.

On Feb. 23, 2021, Rep. Yvette D. Clarke (D-N.Y.) introduced a resolution expressing “the sense of the House of Representatives that Marcus Garvey should be recognized as a leader in the struggle for human rights and that the President should take measures to exonerate him of charges brought against him.”

Clarke said in an interview that she believes Garvey should be exonerated — a legal process that would clear him of wrongdoing. “A pardon implies guilt,” Clarke said. “The real transparency comes from looking at the records of J. Edgar Hoover and looking at his history and past with respect to the Black community.”

“When it comes to Marcus Garvey, not just an individual was harmed, not just a family was harmed, but millions of people around the world are harmed by the destruction of the social justice movement. The U.S. government played a role in the false conviction of Marcus Garvey.”

“There’s this conceit,” he says, “that archaeologists - gung-ho western, bearded, white, elite, cis-gendered, ostensibly heterosexual - go to Egypt and ‘discover’ Ancient Egypt because the people, ordinary Egyptians, are too stupid.” He adds: “Ancient Egypt was never ‘lost’.”

The “standard colonial narrative”, he says, portrays Egypt as “brilliant - a proto-British empire”. Egyptologists used terms like ‘empire’ and ‘viceroy’ to describe the government of the Pharaohs. Students were taught that “the Ancient Egyptians had a ‘Viceroy of Nubia’ - where the hell is the term ‘viceroy’ coming from?” Price asks. “It’s from the British experience of empire”. This explains why many British academics put Egypt on a pedestal as the greatest of all ancient civilisations.

in the imperial age when Britons were travelling to India they would go through the Suez Canal. “You might take a few days and go and visit Egypt. So it’s colonial high noon,”

British archaeologist Howard Carter led the dig that opened Tutankhamun’s tomb in 1922 - an event which turbo-charged interest in Egyptology and had a huge cultural impact on world, even leading to the creation of movies like The Mummy starring Boris Karloff in 1932. “Some early exhibitions quite literally feel like the spoils of empire,” says Price. “In some cases, it’s literally the spoils - like the Rosetta Stone which was seized from the French.”

Price has little time for the use of the word ‘woke’ as an insult, as to him it simply means trying to do the right thing professionally. He adds that he feels “fortunate” that Manchester Museum, where he works, is also having the same “conversations” about confronting the legacy of the past.

“the British and French cooked up a system” called ‘finds-division’ or ‘partage’. “Notionally,” he says, “the best 50% of things that come out of the ground go to the National Collection in Cairo, but then up to 50% of what is thought to be ‘surplus to requirements’ or duplicate can leave with archaeologists. So that’s how Manchester has 18,000 objects from Egypt and Sudan - mostly through finds-division.

It was legal between the 1880s and 1970s, but it was at a time when mostly the Egyptian government was controlled by the British and French, and the Egyptian government had to repay the massive debt of building the Suez Canal.

“some people will tell you, some well known Egyptologists, that you should burn copies of ‘A Thousand Miles Up the Nile’ because it contains racist material. But the society is actually working on a critical re-edition, where there’s a new introduction to put the book in context. I firmly believe, and the trustees firmly believe, you can’t just bury the past. You’ve got to try and face it and constructively critique it. I’m not arguing for cancelling anyone. I’m not arguing for trying to ignore it. I’m saying ‘let’s have a conversation’.”

Unlike many nations which had art looted by western powers, Egypt “isn’t particularly interested” in the repatriation debate except when it comes to “a few very exceptional objects like Nefertiti’s Bust and the Rosetta Stone”. Price adds: “Repatriation can sometimes be a bit of an echo chamber for western [people]. It doesn’t necessarily relate always to the concerns of indigenous groups, or people who live in places like Egypt.”

There’s a funny attitude, where Scots kind of distance themselves and say, ‘oh well, you know, we were colonised first. The English came in, and we’re the victims’. Based on my work on the history of colonialism in Egypt, Scottish people are more than well-represented. They are disproportionately represented in the cogs of the imperial project with Scottish diplomats, engineers and soldiers … There’s a sense that empire was ‘done to’ Scotland, when in fact Scotland ‘did’ empire to other people … We put this stuff on the English and say it was the English … Scots appear surprisingly commonly in the imperial machinery in Egypt.

Price is chair of the board of trustees with the Egypt Exploration Society (EES) - an organisation, he says, which is “doing a lot of work of self-criticism, self-reflection and self-critique”. The EES, which was established in 1882 at the height of empire and just prior to the British invasion, is now “attempting to unpack colonialism in Egypt”.

British egyptology is “more open” to change, Price says than most other western nations with a history of the discipline. “We’re on the winning side of the argument. The tide has turned. You cannot pretend you can enjoy your secluded cocktail terrace in the middle of Cairo and not expect to hear critical evaluation of colonial experiences.”

Most of the workers who built the pyramids weren’t slaves - they were paid for their efforts, he points out. The slave stories of the Bible, though, lead to “another form of colonialism - Orientalism”, which depicts the rulers of the east as either exotic and mysterious or brutal and cruel. The notion of “the Oriental despot comes from the Bible: Pharaoh as a despot … The way in the Bible, that the pharaoh is cast as a baddie, reverberates”.

Price is also incensed by the current pseudo-science trend for conspiracy theories claiming that aliens built the pyramids - the type of unfounded material aired on over-the-top documentaries like ‘Ancient Aliens’. “It’s racist,” he says, “very racist.” He notes that there’s a hashtag on Twitter called ‘CancelAncientAliens’. The wild alien theory is “based on the assumption that ancient people were too stupid to have [built the pyramids] themselves and so it had to be some outside force. So to be clear in the interests of global parity and justice: the ancient Egyptians were an African people who built absolutely stunning monuments. Get over it.”

There is no simple answer, or history - and I think we insult museum audiences if we assume they want an overly simplified story. ‘Ancient Egypt’ is undoubtedly one of the most popular parts of a museum. By asking questions about how colonialism formed our idea of what ‘Ancient Egypt’ was, not just how it got to be in cities like Glasgow and Manchester, I think we can begin to address questions of global inequality.

“Egypt more than Greece, Rome or other parts of the world, has existed as both ‘Oriental other’ and ‘western ancestor’ - that is why the colonial dialogue is so intense - and Egyptology is, in a sense, the exemplary ‘colonial discipline’, just as the British Consul Lord Cromer [consul-general in Egypt from 1883] said Egypt should be the exemplary colony.