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in title, tags, annotations or urlWhat Does Islamo-Gauchisme Mean for the Future of France and Democracy? - 0 views
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From within the government, however, those who speak the most of Islamo-gauchisme are seldom academics. The real fear is that universities—the prime institutions that give a platform and even legitimacy for new ideas, if not critical thinking—end up legitimizing criticism of the status quo. To publicly speak of the realities of racism, to expose France’s colonial legacy and role in slavery, to question the roman national or official history of France for its white male-centered narrative is way out of line for some.
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The emergence of academics from the descendants of slaves and post-colonial immigration is seen as a threat, not as a chance to strengthen French academia in an ever-more globalized world.
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if the French Republic does not recognize race, it does treat people according to their race.
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So Why Did I Defend Paul Bowles? | by Hisham Aidi | The New York Review of Books - 0 views
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Long a sanctuary for Spanish and French writers, American writers began visiting Tangier in the late nineteenth century: Mark Twain on his way to Jerusalem in 1867, the painters Louis Comfort Tiffany in 1870 and Henry Ossawa Tanner in 1912, and Edith Wharton in 1917. In 1931, when Bowles first visited, the American artists living in Tangier were primarily black: Claude McKay, Anita Reynolds, Juice Wilson, Josephine Baker. These African-Americans came to Morocco from Paris, where they had formed a community after World War I, and as the Harlem Rennaissance spread to France. Upon arrival, Bowles began to socialize with both McKay and Anita Reynolds. Like the other Americans, he had also discovered North Africa through France. In high school, he had read Marcel Proust, Comte de Lautréamont, and André Gide—the latter’s accounts, in particular, of his travels and sexual trysts in Algeria and Tunisia had conjured North Africa in Bowles’s teenage imagination.
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in December 1923, France, Spain, and the United Kingdom signed the Tangier Protocol in Paris, setting up a new administration and placing the city at the center of a 150-square mile International Zone overseen by a committee of nine Western powers. The city was henceforth governed by a court that included French, Spanish, and British judges, along with the mendoub, the Moroccan sultan’s representative. It is this international period, from 1923 to 1956, especially postwar, that has shaped the image of Tangier as a free port, a tax haven, and a place of international intrigue and excess.
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His first novel, The Sheltering Sky, told the story of an American who flees the numbing modernity of New York and meanders through the Algerian desert, only to disintegrate psychologically. Published in the fall of 1949, it became a bestseller and made Bowles a household name. Three more novels and a handful of short stories set in Tangier followed.
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The Turbulent World of Middle East Soccer: Countering Extremism: Jihadist Ideology Reigns Supreme - 0 views
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By James M. Dorsey Edited remarks at India Foundation conference, Changing Contours of Global Terror, Gurugram, Haryana, 14-16 March 2018
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Al Qaeda produced the counterterrorism industry in the context of a response that was focussed on law enforcement, security and military engagement. To be sure, that has produced significant results. It has enhanced security across the globe, stopped plots before they could be executed, driven Al Qaeda into caves, and deprived the Islamic State of its territorial base. All of that, however has not solved the problem, nor has it fundamentally reduced the attraction of religiously-cloaked extremism.
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the call for a counter-narrative has produced an industry of its own. Like the terrorism industry, it has vested interests of its own: its sustainability is dependent on the continued existence of perceived real threats.
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Imperialist feminism redux - Saadia Toor - 0 views
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In the 19th and early 20th century, the civilising mission through which colonialism was justified was supported by western feminists who spoke in the name of a ‘global sisterhood of women’ and aimed to ‘save’ their brown sisters from the shackles of tradition and barbarity. Today, this imperialist feminism has re-emerged in a new form, but its function remains much the same – to justify war and occupation in the name of ‘women’s rights’ . Unlike before, this imperialist feminist project includes feminists from the ‘Global South’. Take, for example, the case of American feminists, Afghan women and the global war on terror (GWoT).
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there was one claim that proved instrumental in securing the consent of the liberals (and, to some extent, of the Left) in the US – the need to rescue Afghan women from the Taliban. This justification for the attack on Afghanistan seemed to have been relegated to the dustbin of history in the years of occupation that followed, reviled for what it was, a shameless attempt to use Afghan women as pawns in a new Great Game. As the United States draws down its troops in Afghanistan, however, we have begun to see this ‘imperialist feminism’ emerge once again from a variety of constituencies both within the United States and internationally
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how easily liberal (and left-liberal) guilt can be used to authorise terrible deeds
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Updated with Audio: Secular Good, Muslim Bad: Unveiling Tunisia's Revolution | Religion Dispatches - 0 views
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Nobody expected Tunisia—“modern,” “secular,” and among the most “Westernized” of Arab nations—to throw off its nauseating government; in 2008’s Press Freedom Index, Tunisia ranked 164th out of 178 countries. Culturally, Tunisia appeared to have gone in all the right directions, so why had it politically failed? And why didn’t we expect it? It’s because of this mind-map: If an Arab/Muslim is culturally Western, he is naturally in favor of democracy; if culturally other, he is some kind of authoritarian.
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We still can’t seem to get past this confusion of personal belief with political order, especially since Islam is such a visible religion, and our idea of religiosity assumes that what is visible cannot be uncoerced (and uncoercive)
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How do we even determine religious reasons?
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Let's Talk About Sex - 0 views
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To begin with, it is purportedly about how sex shapes the world’s politics. But with the exception of one article that urges US foreign policy makers to understand women as a foreign policy issue and a target of their “smart-power arsenal,” its focus is almost exclusively on Iran, the Arab world, and China. Thus “the world” is reduced for the most part to Arabs, Iranians, and Chinese—not a coincidental conglomeration of the “enemy.” The current war on women in the United States is erased.
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A naked and beautiful woman’s flawless body unfolds a niqab of black paint. She stares at us afraid and alluring. We are invited to sexualize and rescue her at once. The images reproduce what Gayatri Spivak critiqued as the masculine and imperial urge to save sexualized (and racialized) others. The photo spread is reminiscent of Theo van Gogh's film Submission, based on Ayyan Hirsli Ali’s writings, in which a woman with verses of the Quran painted on her naked body and wearing a transparent chador writhes around a dimly lit room. Foreign Policy’s “Sex Issue” montage is inspired by the same logic that fuels Submission: we selectively highlight the plight of women in Islam using the naked female body as currency. The female body is to be consumed, not covered!
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We would suggest, as many have, that oppression is about men and women. The fate of women in the Arab world cannot be extracted from the fate of men in the Arab world, and vice versa. El Tahawy's article conjures an elaborate battle of the sexes where men and women are on opposing teams, rather than understanding that together men and women must fight patriarchal systems in addition to exploitative practices of capitalism, authoritarianism, colonialism, liberalism, religion, and/or secularism.
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