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scripture was not determinative—but rather more often justificatory—of political positioning… Nonetheless, it was highly relevant and influential, because many Ennahda members and leaders weigh questions of political maneuvering through the lexicon of scripture. Finding justification in scripture is therefore very important for Ennahda members; even if those justifications are themselves often context-dependent and subject to choices made by key leaders

This does not mean that religion does not matter—it does play a role at the level of the base and even amongst leadership circles, especially when it comes to carrying out da’wa (proselytization), implementing projects to ‘Islamize’ society from below, creating the political conditions which will nurture the kind of stability in which campaigns for more ‘religiosity’ can be initiated.

scripture provides the resources and rhetoric with which Islamists construct their high-level worldview and distinguish themselves from other political competitors

I view Islamist parties, especially, as responsive to the kinds of institutional structures and broader culture frames they encounter (and seek to shape). If I take the question as extending beyond parties to broader Islamist movements [i.e. the haraka, it becomes a little harder to say. It seems possible that scripture plays a larger role for other Islamist organizations, in terms of attention to charitable practices, public morality, and personal piety

two powerful ayatollahs in Iran would like to see the project nipped in the bud, saying Sufism is a deviation from Shiite Islam and any attempt to promote or spread it with a movie would be "haram"

The country’s culture minister, Abbas Salehi, a cleric who doesn’t wear a turban, told reporters after the Sept. 25 Cabinet meeting that while the opinions of marjas — the highest Shiite authorities — should be respected, “the country has its own laws.” This was taken to mean that the making of the film would not be prohibited because of the objections. So far, there are no indications that the movie is being obstructed by Tehran.

Members of the hadith current have issued fatwas against mystics repeatedly. For example, a summit in Qom in 2007 declared Rumi a heretic.

Part of the opposition to the film is based on the fact that it is a co-production with Turkey. A group of experts and journalists stated their opposition to the Rumi and Shams movie owing to the presence of a Turkish producer behind the film, implying that the two countries — both of which claim the heritage of Rumi — have different interpretations on the life and works of the mystic poet.

“Drunk on Love” is not the only controversy in Iran over films that deal with religious figures. In September, member of parliament Ali Motahari called on authorities to permit the movie “Hussein Who Said No” to be screened in cinema and theaters across the country. The movie, which has been banned for seven years, narrates the story of battle of Karbala in the year 680, where the third imam of the Shiites, Hussein ibn Ali, and 72 male companions were killed by Caliph Yazid ibn Muawiya’s army. “The main obstacle [in the way] of receiving the screening permit has been the portrayal of the face of ‘Abbas’ that I believe has no religious problem,” Motahari wrote on his Instagram page Sept. 23. Motahari said Abbas ibn Ali — the half-brother of Hussein — is not one of the sacred Shiite imams, which means the portrayal of his face should not be prohibited.