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John Fenn

The Art of Fieldwork via Rhizome - 4 views

ran across this project/post earlier in the year, and really appreciate the multimodal approach to documentation & interpretation. As I look over it again, I'm thinking we should talk about the rel...

fieldwork art archivist performance

started by Rosalynn Rothstein on 04 Apr 12 1 follow-up, last by John Fenn on 10 Apr 12
John Fenn

On Digital Ethnography, What do computers have to do with ethnography? (Part 1 of 3) | ... - 1 views

ethnographymatters.net/...rs-have-to-do-with-ethnography

ethnography digital

shared by John Fenn on 07 Dec 12 - No Cached
  • John Fenn on 07 Dec 12
     
    Editor's Note: While digital ethnography is an established field within ethnography, we don't often hear of ethnographers building digital tools to conduct their fieldwork. Wendy Hsu wants to change that. In the first of her three-part guest post series, she shows how ethnographers can use software, and even build their own software, to explore online communities. By drawing on examples from her own research on independent rock musicians, she shares with us how she moved from being an ethnographer of purely physical domains to an ethnographer who built software programs to gather more relevant qualitative data.
John Fenn

Rhizome | The Art of Fieldwork - 4 views

rhizome.org/...artist-ethnographer

ethnography art mimetic inquiry post read this week8 interpretation methods

shared by John Fenn on 10 Apr 12 - No Cached
  • The role of “artist in residence” on a scientific expedition is a malleable one, without clearly defined parameters, thus Ga decided that her project would be to become the ship’s archivist, attempting to capture the various facets of life aboard the Tara
    • John Fenn
      John Fenn on 10 Apr 12
       
      An ethnographic flavor emerges here...esp. the "facets of life" element.
  • Ga is one of a number of younger contemporary artists whose work is tied to a kind of artistic fieldwork, investigating aspects of their lives and interests by merging the apparent objectivity of documentary forms and anthropological research with a plainly subjective, flexible approach, drawing on multiple methodologies and discourses.
    • John Fenn
      John Fenn on 10 Apr 12
       
      use of "apparent" and "plainly" modifiers here stand out to me as rhetorical valuation of practices (anthropology vs. art)
  • her work as “performative investigations,”
  • ...2 more annotations...
  • ry, and animation, the project equally reflects Jordenö’s concern with the implications of her anthropological approach and her own shifting relationship to the subjects of her inquiry:
    • John Fenn
      John Fenn on 10 Apr 12
       
      something ethnographers in the anthropological tradition have been doing for some time...though mainly in print.
  • For a younger generation of artists, for whom the use of technology is natural and the Internet an inextricable part of information gathering, the ability to adopt these various strategies and roles is greatly enhanced by the accessibility of information: in an Internet age, the barriers to research begin to collapse.
    • John Fenn
      John Fenn on 10 Apr 12
       
      what happens with this sentence if we swap in "ethnographers" for "artists"?
  • Savanna Bradley on 30 Apr 12
     
    An admittedly vague response: http://roundtable.kein.org/files/roundtable/Foster.pdf see page 305, "...a kind of ethnographer-envy consumes artists..."
  • Savanna Bradley on 30 Apr 12
     
    This is also kind of interesting: http://www.lindalai-floatingsite.com/content/video/data/unpublished/Excitable-Speech_Cinderella/index.html ; the person putting together this site has a number of 'ethnographic' videos, which she accompanies with a section entitled "Concept/artist statement", suggesting the ethnographer as an artist...
flrdorothy

BBC News - A 13-year-old eagle huntress in Mongolia - 0 views

www.bbc.com/...magazine-26969150

photojournalism Digital ethnography Photography anthropology

shared by flrdorothy on 18 Apr 14 - No Cached
  • flrdorothy on 18 Apr 14
     
    Great example of using digital tools to conduct ethnography. Notice that not only does the photographer/travel writer show his pictures to the source community on his laptop, but he's staged a photo of that. The documentarist's relationship with his subjects becomes part of the story selected by the BBC writer for our consumption. I've been trying to puzzle out why that is. Does today's BBC readership want or expect reassurance of ethical cultural fieldwork? Does that picture demystify our exotic "13-year-old eagle huntress," or does it reinforce a contrast between the modern and the traditional in Mongolia? I'd be very interested in your thoughts.
  • emknott on 23 Apr 14
     
    I think--looking at both articles--that it reinforces the "us" and "them" quality of the work. The idea that the US has that says, "Duh, girls can totally do that too" against the extraordinary existence of a huntress. --I was briefly skimming over the comments in other article and noticed this gem... "I raised my son and daughter on a ranch in Wyoming, USA, and I remember once when a Mongolian diplomat came to their "sister country" Wyoming to visit. I took my 9 year old daughter and he talked to her through a translator about horse races and archery. She was enthralled, since she'd been riding horses nearly since she was old enough to walk. Your story of the eagle hunters, and the young girl and her father, is very powerful." ...which I think illustrates the point. The way this girl's mother talks about "horse races and archery" like they are a totally foreign concept added the fact that she felt the need to add the bit about talking through a translator.
John Fenn

The EVIA Digital Archive Project - 2 views

www.eviada.org

archive tools digital culture video week8

shared by John Fenn on 10 Apr 12 - No Cached
  • Rosalynn Rothstein on 24 Apr 12
     
    The website contains the following statement under the heading "Intellectual Property and Ethical Issues": "Ethical considerations are handled primarily by individual depositors, based on (a) their arrangements with their primary consultants regarding consent and permission and (b) their concern for materials they do not wish to make public. While guidelines for ethical ethnographic research behavior have been around for many years, the methods of gathering permissions for recordings have varied widely in the decades since video technology has been employed as part of fieldwork" This seems to bring to light the concerns being presented when dealing with materials recorded over a large time period, where ethical considerations chanced considerably. This might be a good project to talk about when we are discussing the ethics of digitization.
Kelly Heckman

Periscopic Play: re-positioning "the field" in MMO studies - 9 views

I agree the argument has overtones of the emic/etic perspectives I believe in this instance there is a difference. When one leaves to study a culture in Cameroon, one can become "awed" by the cultu...

methods research MMO games ethnography read this week7 week8 article PDF

started by Kelly Heckman on 13 Apr 12 2 follow-ups, last by Kelly Heckman on 16 Apr 12
anonymous

Tyler Horan "Ditch the Notebook: Ethnographers' Digital Toolkit" - 4 views

www.tylerhoran.com/?p=337

digital ethnography tools media week6

shared by anonymous on 23 Apr 12 - No Cached
  • anonymous on 23 Apr 12
     
    One perspective on which digital tools are most effective (and practical) for ethnographic fieldwork.
  • John Fenn on 08 May 12
     
    Pretty convincing post about the potential for using the ubiquitous smartphone and cloud-based tools in ethnographic settings...but there are some assumptions, as well as some breaks with "tradition" (a few obvious, a few not so much...). I've been using my iPhone in a few ways that parallel the systems Horan has developed, and would be happy to explore some of these tools/apps/affordances...
  • Rosalynn Rothstein on 08 May 12
     
    I agree with some of his techniques, although I still find hand written field notes to be useful. You might be more inclined to write certain things down in the field rather than speak them out loud to be recorded in front of the people you are working with. I also was interested in his section on "local currency." ("Local Currency Whether we want to admit it or not, money talks. Obviously, one should adhere to the local customs regarding the proper use of money in every situation, but spending money can gain you access to areas of life that may otherwise be closed off to you. Generosity in time and money goes a long way, so remember to bring cash to gain access to people and places that you may be unfamiliar with.") This section seems to leave out the fact that spending money in a way which is not culturally appropriate can be as detrimental in certain cases, as it is helpful in other situations.
John Fenn

Methods for Shaping Society | DMLcentral - 1 views

dmlcentral.net/...methods-shaping-society

methods digital read this week9

shared by John Fenn on 08 May 12 - No Cached
  • Research methods are routinely understood as objective techniques for getting to know the world. Yet they may be more influential and socially significant than this, particularly as more digital methods are being developed and deployed. So what, too, do digital methods do?
    • John Fenn
      John Fenn on 21 May 12
       
      post focused on 'digital media and learning' field, but how might these questions apply to "ethnography"?
  • However, underpinning the technicality of methods is the assumption that they are able to capture and represent the world just as it is. Methods are understood rather like a photographic device that can capture, freeze-frame and reproduce a facsimile of reality. As researchers, we can say we've done a good job if our methods have been up to the job of capturing a picture of an objective reality as it really is—or at least pretty accurately so.
  • But much the same can be said of anthropological ethnographers returning from fieldwork. Their fieldnotes, photographs, dictaphone recordings, transcripts and video data are much like the neuroscientist's CAT and PET scans. They represent a reality—a human brain, a culture, whatever—that has been recorded and made presentable enough for interpretation. But are research methods really so objective? Or do they do other things?
  • ...11 more annotations...
  • It is that our research methods may in some important ways fabricate the very things we want to observe.
  • Methods are not neutral or innocent tools but necessarily construct, shape, configure, frame and make up the social worlds they study—methods help create society.
  • in 18th and 19th century map-making and census-taking, as well as popular contemporary methods such as sample surveys and focus groups, and the emergence of new digital methods in the 21st century.
    • John Fenn
      John Fenn on 21 May 12
       
      implication/application for this line of inquiry re: digital ethnography (across the many manifestations we've encountered thus far...)? Also, how do methods of "analysis" figure in to this conversation?
    • Mara Williams
      Mara Williams on 29 May 12
       
      One way into this may be to carry out the author's exercise on the subject of the focus group (social, able to make choices, able to be influenced, likes sandwiches) on the subject of digital research. The piles of ideological baggage from the offline world are still in place - but what changes online? I'm really struggling with this one - maybe it's the water I'm swimming in - but I'm finding it difficult to describe (with any degree of texture) my online activity as separate from offline life.
  • Such details demonstrate the importance of recognizing the social life of methods. These are not neutral tools but politically charged instruments.
  • Methods are also social, however, because they in turn help to shape that social world—or, as it's put in the social life of methods program, methodologically speaking “what you see is what you get.”
  • Important questions are raised for research in digital media and learning by these insights. Newer forms of digital methods are now being developed and deployed that will enable researchers to make data on learning in new kinds of ways.
    • John Fenn
      John Fenn on 21 May 12
       
      To the point of questions/applicability around 'digital ethnography'...
  • open source social analytics are all beginning to change the ways in which learning can be tracked, recorded, visualized, patterned, documented and presented
  • Is this a big deal? If methods allow us to know more, then doesn't that mean we can intervene more effectively to improve learning? Isn't making new social worlds an admirable aim? Maybe so
    • John Fenn
      John Fenn on 21 May 12
       
      the ethical dilema...and not necessarily a 'new' one when it comes to ethnographic work; but what changes with the "digital"?
  • Perhaps the key point to be made about many such digital methods is that they generate transactional data without the awareness or intervention of research subjects—we are being aggregated as research data based on our transactions online without even thinking about it.
  • Digital media and learning research traces learning processes as they occur in new digital and networked spaces where they are inseparable from transactional data.
  • Yet one risk, as we have seen, is that the rise of digital methods has begun to emphasize transactional data over human participation in research
    • John Fenn
      John Fenn on 21 May 12
       
      Is this where "ethnographic" attention or impulse can fit?
    • Mara Williams
      Mara Williams on 29 May 12
       
      That seems to be the argument - though it could be clearer. Transactional material != social and human activity. Perhaps an integrated approach that combines the transactional traces with stories from "actual" humans.
  • Mara Williams on 29 May 12
     
    I really like this piece! I'm not super familiar with DML as a field, but the author's attention to the world-making capabilities (and not even capabilities - it's built in or "politically preloaded") of research methods. The post provides a clear defense against those who would argue that research is just objectively recording the world. At the same time, it doesn't slip into a poststructuralist wormhole about meaning. There's an attention to politics here that 's fruitful [Ah! but politics in general.. What are this author's projects' politics? What departmental/ disciplinary political fights shape the ground on which DML research takes place?]
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