Group items tagged

This article was basically an interview that talked with suzeeinthecity, a blogger whom I already have talked about in a previous blog. She talks about womens role in the graffiti art revolution and that they do not have a different message than men, but their presence on the street is what is important.

In this article, Barbara Pollack tells the reader about Ganzeer, an Egyptian artist who was influential in the days of the January 25th revolution. Ganzeer has had the government single him out and labeled him "a recruit of the Muslim Brotherhood." This forced him to move for a long stay in the United States where he continues to work at bringing awareness to Western people and hopes to change the way America supports the Egyptian government.

When the people of Cairo took to Tahrir Square in January 2011 to oust Egypt's longtime ruler, Hosni Mubarak, the streets exploded with murals and graffiti that both mirrored the revolutionary spirit of the movement and propelled it forward. A young graphic designer joined the fray, working under the pseudonym Ganzeer, or "bicycle chain."

When the people of Cairo took to Tahrir Square in January 2011 to oust Egypt's longtime ruler, Hosni Mubarak, the streets exploded with murals and graffiti that both mirrored the revolutionary spirit of the movement and propelled it forward.

A woman who was in labor was denied by the hospital. The hospital denies this and says they are trying to make the hospital look bad. 

This article, written by Joana Saba, talks about Aya Tarek's life and explores her reasons for becoming a part of the art scene in Egypt. While Tarek did not originally consider herself (or her art) a part of the revolution, she discuss how her ideas of politics has changed and how it can be as simple as "walking down the street."

Another article addressing the recent destruction of Libyan oil fields, the Wall Street Journal points a more direct finger at the Islamic State. This article suggests that militant groups do not have the expertise to take advantage of the oil fields themselves,; therefore, they destroy the oil fields in an attempt to keep rival political factions from using the oil fields to their advantage.

This artifact is a picture of an article titled "The Writings on the Wall," a piece about Hend Kheera, an Egyptian street artist, who grew in popularity during the revolution. She speaks about the focus of her work and what it means for the future.

In this Wall Street Journal opinion article, the authors tackle a controversial law that Netanyahu proposed. The law would officially declare Israel as a Jewish state and de-list arabic as the official language. As the authors declare, they are very much pro-Israel, but are ashamed of the law.

Alaa Awad is a prominent Egyptian street artist who has focused and specialized on women and the Port Said massacre. He was one of the collaborating artists on the famous mural on Mohamed Mahmoud Street, which depicts beautiful, unclothed, ancient women climbing a ladder that represents the revolution.

This was an article that talked about how the Egyptian media, in particular the Al Kahera Wal Nas TV Network, was accusing the Finish artist Sampsa and Ganzeer of spreading terrorism through their street art and were part of the muslim brotherhood. Sampsa was forced to leave the country and Ganzeer was forced into hiding.

By Reem Abdellatif, freelance journalist It wasn't easy growing up as a teenage Muslim girl, with a father who thought he owned your body just because he put a roof over your head or food on the table. Not just that-this was a Muslim man who perverted the teachings of his own religion to justify. A very recent article.

Young boys are asked why they think women get harassed in the streets. The answers are shocking.