CCACAPTIONING

Thread started Nov 10, 2011. In the private CCAC google group, hence only viewable to members who are signed in.

About http://artsbeat.blogs.nytimes.com/2011/11/10/theater-talkback-the-writings-on-the-wall/

November 10, 2011, 12:00 pm Theater Talkback: The Writing's on the Wall By BEN BRANTLEY. " ... my greatest exposure to supertitles comes from seeing plays that were performed entirely in languages other than English. One of the privileges of having my job and being in New York City is that so many productions from all over the world visit here. (...) without supertitles I would have missed what was being said altogether in productions that were performed in Russian, Belarussian, German, Japanese, Greek, Arabic and Zulu, among others. Though they serve the same function, supertitles in the theater are different in their effect from subtitles in film. A movie (or television or computer) screen is a self-contained space, and the subtitles generally appear within that frame. Even if I haven't seen a foreign film in a while, I find that when I do, it's only a matter of minutes before I make the adjustment that allows me to feel I'm "listening" directly as I read. Supertitles for plays are usually projected on separate screens, above or to the side of the stage. And if the stage is large, your eyes are forced to leave the live action to read the words. (...) You are forced, in these cases, to make a choice between word and image, which isn't really fair to a work of theater that is ideally a melding of both. (I don't have that problem with opera, partly because a single sentence - like "I love you" - may be stretched out and repeated to cover acres of music.) And of course when certain infelicities of translation occur, you can be jerked abruptly from the internal reality of the play. ..."

Mentioned by Lauren Storck in a Google group discussion.

"Open captioning is visible to all and cannot be turned off. Closed is when you or someone else must find the control and turns it on, be it for videos online, movies/cinema, theater, other media.. Problems with closed captions (compared to open captioning For all) include the following: a. It's often very difficult to find how to turn on the cc - systems vary so much online. b. Millions do not know it's there at all. c. We have a huge issue of communication access for all across the country (and globally). We suggest continuing education and advocacy for inclusion of much more captioning universally (e.g. on all videos online). d. An argument for closed captioning reminds us of the folks who complain loudly (we are told) in the cinema when captioning is showing - we say, get used to it. Focus on the communication that works for you - speech, text, whatever. e. Use the language you need and prefer; it's nice to have a choice, so many do not have any choice - they have no cc at all for much online. --"

Re a and b: on YouTube, closed captioning autostarts with the video. In platforms for making closed captions and subtitles - DotSUB, UniversalSubtitles, Overstream - the player very clearly announces the closed captions / subtitles in other languages. Re e.: isn't there even less open captioning online. And from a volunteer captioner's view point, it's way easier to produce closed captioning than open captioning (Claude)

Message in the private http://groups.google.com/group/ccaxslc?hl=en group: you have to be subscribed and logged in to view it.

Message in the http://groups.google.com/group/ccaxslc?hl=en private group. You have to be subscribed and logged in to view it

about http://closedcapp.com/

"From John Waldo and the WA-CAP in Washington State. An excellent illustration of the sort of captioning inclusion we need in many forms of transportation - ferries, trains, buses, airplanes, cruise ships - copied with permission from this important advocacy site online. (...) Installation of the visual paging system is being done to resolve a lawsuit that the Washington State Communication Access Project (Wash-CAP) brought against WSF in 2008. The suit was quickly resolved in the form of an agreed order signed by the court. WSF has been working promptly and diligently to implement the terms of that order, and deserves our commendation and thanks."

Originally published at http://www.hearinglosslaw.com/2010/11/articles/washcap-1/washington-state-ferries/ferry-system-to-install-messagedisplay-system/ - check hearinglosslaw.com for further bookmarking.

"CCAC Letter for distribution. If you copy and use this, please credit this website and the CCAC. Below the letter is more information about why captioning is needed in this "category of life." For immediate distribution (March 2011) (...) Due to the importance of this assistive technology, the American with Disabilities Act (ADA) recognizes CART as an auxiliary aid that is considered an effective communication access for those who depend on it. Not only is it an effective assistive technology for those with hearing loss, but also, captioning is useful for people who are learning "English as a second language, children learning how to read and visual learners". (...)"

The Innovate blog has disappeared, but the post is still available at http://innovateblog.wordpress.com/2008/12/05/three-video-captioning-tools (without pictures, unfortunately)

"US OPEN TENNIS - SEPTEMBER 2011 - FIRST TIME INCLUSION OF CAPTIONING (...) Closed-captioning is required for television programming in the United States. If a sporting event is shown in a noisy bar, gym or other public venue, oftentimes the audio is muted, and all patrons, even the hearing patrons, benefit from the closed-captioning. In a stadium or arena, once again, all patrons can benefit from open captioning displayed on the ribbon board or giant video boards. The acoustics in some stadiums make it difficult to understand the announcements. This is particularly important if there is an emergency. With the Baby Boomers reaching retirement age, the hard-of-hearing population is increasing. Many people with age-related hearing loss do not consider themselves hard-of-hearing and are not aware of services offered. If captioning were available everywhere for everyone, nobody would ever be left out of the conversation again! Prepared for the CCAC by: Jennifer M. Bonfilio, RMR-CBC-CCP | President of Operations | Coast 2 Coast Captioning"

"WHY CART FOR…COURTS, JUSTICE An article from the NCRA Journal of Court Reporting from years ago, by Deanna Baker CCAC: This gives us a wonderful first hand report of the experience of a CART professional. We can all imagine how important the "language of real time text" was for the person who required it. The CCAC aims to add first hand reports from "consumers" also. (...)"