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Pedro Gonçalves

Young Users Hating On Brands - 0 views

  • Bad news for brands enamored with the possibility of connecting one on one with each and every consumer through the magic of social media: Young people don’t want to be friends with you.
  • just 6 percent of 12- to 17-year-olds who use the Web desire to be friends with a brand on Facebook—despite the fact that half of this demographic uses the site.
  • Among Web-connected 18- to 24-year-olds that figure does double—meaning that 12 percent of that demo is OK with befriending brands—though the vast majority of young adults are not
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  • Even scarier for brands: Young people don’t want brands' friendship, and they think brands should go away. “Many brands are looking to social media as a strong digital channel to communicate with these consumers, since it’s where 12- to 17-year-olds are spending so much time,” wrote Jacqueline Anderson, Forrester’s Consumer Insights Analyst, who authored the report. “But research shows that it is important to consider more than just consumers’ propensity to use a specific channel: Almost half of 12- to 17-year-olds don’t think brands should have a presence using social tools at all.”
  • According to Forrester’s report, they might be better off being more reactive than proactive, and they should listen. Just 16 percent of young consumers expect brands to use social media to interact with them, and 28 percent expect those brands to listen to what they say on social sites and get back to them.
  • Regardless of their willingness to interact with brands, nearly three quarters of 12-17 year olds—74 percent—use social networks to talk about products with friends and make recommendations.
Pedro Gonçalves

Tone of Voice in Branding | Verbal Identity, Naming and Internal Brand Alignment | bran... - 0 views

  • When tone of voice is consistent it allows the consumer another means of recognizing the brand and being reassured of expectations.
  • "Language is available to each of us," argues John Simmons, brand language evangelist and writer of several books on the subject. "Design is seen as a specialist life skill you have to acquire. Poor old language gets devalued because everyone does that, don't they?"
  • If a company's staff doesn't speak, write or behave in line with what the customer has been led to expect, then he will feel let down.
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  • what you're saying with jargon is: A) You belong, and B) If you don't get it, you don't belong."
  • Language takes on added importance in management consultancy, says Lambert, because the report is the only tangible evidence that a client sees of what actually might amount to significant labor.
  • There's a bias to wanting to use big words and appear intelligent—obfuscation—to not be plain and direct."
  • Even brand consultants, a group that should be advising their own clients against hot air, are guilty of using jargon and stock phrases. There's a surprising amount of brand propositions and tone of voice guidelines with "simple," "dynamic," and "fresh" principles; most are not distinctive at all.
  • The hazards of Newspeak are illustrated in the unimaginative language of brands. If your vocabulary is limited, so is your range of thought.
  • Language can be brought to life through the use of stories. A brand's story can be about how a business first started, who the people are that run it, or the idea behind a product. Stories and words feed off each other. When the language comes alive, the brand is better defined and more robust.
  • If you try to regiment a brand's language you're stultifying its development.
  • training staff to be able to recognize when a piece of writing is in line with the brand's values. This will encourage sensitivity in staff's own writing
  • staff engagement and practice. Any time that an employee spends thinking about how to correctly implement the tone of voice is time well spent toward understanding and living the overall brand
  • A good place to start might be the internal newsletter. This is usually a one-way process originating with marketing. If other staff members write it, they are actively participating in the brand, while gaining practice on their own colleagues.
  • Simmons likens his brand language teachings to a "subversive activity." Being better with words certainly makes staff more confident and empowers them to shun the self-imposed Newspeak of management jargon. But this approach is also encouraging staff to put their personality into their writing and the organizations they write for. This not only gives writing a renewed status in brands, it unleashes a voice for staff too.     
Pedro Gonçalves

How to Build an Unforgettable, "Smashable" Brand Identity (Hint: It's Not the Logo) | F... - 0 views

  • Today, what counts far more than a puma, a monkey, or a snarling aardvark is the cross-sensory experience your brand offers
  • I'm talking not only the emotion, beliefs, and desires your brand evokes, but its feel, touch, sound, smell and personality, of which the logo is just one small part
  • Whether it's a soda can, a car, a doll, a fragrance, a smartphone, or laptop, your brand needs to be smashable, e.g., instantly identifiable via its shape, design, copy, contours, and even navigation. Aside from adolescents, who are always on the lookout for the coolest logos to set them apart from, or help them gain traction with, their peers, today for most consumers the logo comes in near-to-last place to other considerations.
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  • when we see a logo, our defenses go up and stay up. We fear we're being played, or manipulated
  • The term "smashable" dates back to 1915, when the Coca-Cola company asked a designer in Terre Haute, Indiana, to design a bottle that consumers could still recognize as a Coke bottle, even if someone flung it against a brick wall and it shattered into a hundred pieces. Coke is a smashable brand.
  • still hiding the brand logo, eyeball your copy, your graphics, whether your pages are spare or dense-looking. Do all these things convey what your brand represents? Does your brand have a personality anymore, or is it standing shyly and stiffly against the wall, hoping no one notices it now looks (I hate to tell you) like every other brand out there?
Pedro Gonçalves

5 Ways To Foster Fanatical Brand Advocates | Fast Company - 0 views

  • Zappos, Trader Joe's, Amazon.com, Method, Red Bull, The Body Shop, Google, and SodaStream all built their brands without advertising. Their brand advocates are their marketing department. "We've built this entire business, and an entire category in fact, on the power of our brand advocates," says Kristin Harp, U.S. marketing manager at SodaStream, which turns tap water into sparkling water and soda.
  • the three most powerful social media companies--Facebook, Twitter, and LinkedIn--never spent a dime on advertising or paid people to recommend them. They didn't need to. Advocates used social media to recommend them to their friends.
  • You may spend millions of dollars on elaborate marketing campaigns. But there is nothing more powerful than a trusted recommendation from a brand advocate.
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  • In today's world, it's advocates--not advertising's "Mad Men"--who have the power.
  • The biggest reason brand advocates are so powerful is a single, five-letter word: Trust. Nine of 10 online consumers say recommendations from friends and family members are the most trusted form of advertising worldwide. Only about 2 of 10 trust online ads.
  • Advocates' recommendations are the number-one influencer of purchase decisions and brand perceptions in nearly every product category from smartphones to software, hotels to housewares, cars to computers, financial services to fitness memberships.
  • In the old days (pre–social media), advocates' reach was limited to their immediate circle of family and friends. Recommendations were made over the water cooler at work or over dinner with friends. Now, empowered by social media (Facebook, Twitter, LinkedIn, YouTube, blogs, Foursquare, online reviews, and more), advocates collectively reach millions of buyers with trusted recommendations.
  • When you create and engage an advocate, you've identified a renewable marketing asset you
Pedro Gonçalves

Simon Anholt on Brand Bulgaria - NATION BRANDING - 0 views

  • According to Anholt, a country has a good and strong brand image if people in other countries feel happy that it exists. If people know that Bulgaria exists but are not grateful that it exists, then something needs to be done.
  • “There are at least 25 things that excite people all over the world such as poverty, climate change, education, women’s rights, children, crime, terrorism,” said Anholt, adding that the country can choose one of these things, focus on it, to try to change it, thus making itself important for the rest of the world. As an example, he mentioned South Korea’s nation branding efforts, which include improving its image by spending more money on international financial assistance for poor countries.
  • “This is real politics, real innovation, not something dreamed up by PR agencies,” said Anholt. He warned that inventing a logo or slogan in order to advertise Bulgaria will not be enough and that it will not change people’s perceptions across the world about Bulgaria.
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  • Much more important than advertisements, he considers relevant news events to be of interest to people and more likely to make them pay attention to the country. “The promotion of individual sectors is different from building the complete image of a country and the two should not be confused. Effective tourism promotion can help improve the country’s reputation indirectly, because it encourages more people to visit; if they have a good experience, they can then become positive advocates for the country,” said Anholt. He advised the government not to spend taxpayers’ money simply on providing yet more information about Bulgaria, because “we live in an information age” and this can be found easily on the Internet. “The challenge is to get people interested in accessing the information”,
Pedro Gonçalves

A Successful 21st-Century Brand Has To Help Create Meaningful Lives | Co.Exist: World c... - 0 views

  • "People want lives that count, resonate, and matter in human terms--and it’s the failure to live that way that leads them to mistrust institutions, instead of respect, adore, and maybe even love them."
  • an increasing group of companies is striving--intentionally or not--to focus on improving lives.
  • The fact is that most people don’t care about brands. People surveyed wouldn’t care if 73% brands they used disappeared from their life, a number that remains nearly the same as in last year’s findings.
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  • It’s important to remember that these brands aren’t necessarily brands that make the planet or society better. A brand can improve a person’s life with great environmental costs, for instance. But that’s becoming less and less true
  • "Let’s say that you can deliver higher individual well-being--but only by amping up your value chain’s carbon intensity. That’s not really a strategy that’s competitive in 21st-century terms--it’s just another empty tradeoff, that’s going to come back to bite you in the end in both ways, when carbon costs rise, and when people realize those costs must be paid for you to positively impact their lives." Managing those trade-offs successfully may be what makes a truly long-lasting and meaningful 20th-century brand.
  • your customers, are beginning to take a quantum leap into what I call a human age--an era where a life meaningfully well lived is what really counts."
Pedro Gonçalves

Lessons In Brand And Social Media Storytelling - PSFK - 0 views

  • Of course then there are the brands that step into social media like a wolf in sheep’s clothing. They crash our Facebook pages and pose as the tragically hip ordering the latest cocktail infusion at our neighborhood bar. When it comes to “being real or personable”, too many brands come off as cheap polyester versions of Leisure Suit Larry.
  • We’re sick of the self-promotional ego machinations. The brands we love, come with a personality, authenticity, and unique point of view.
  • marketers are often too busy chasing the dragon of aggregate click-throughs and response rates to really take notice of whether they’re actually connecting with people.
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  • The fastest way to translate a new idea into mainstream success is to tell a story that is bigger than your products.  A story that’s not just about the offering, but a story that’s about an ethos, a lifestyle, a way to be in the world.
  • Brands are like people. They are a character for us to have a relationship with. Audiences project all sorts of expectations onto your brand, based on the various dimensions of that implied relationship
  • share content, ideas, and resources that others will greatly appreciate. Or just make people smile and laugh on a regular basis like Mailchimp with its hilarious mascot. The key is to establish a connection. The more your story can become their story, the less you need to sell anything. What do people respond to? Find out.
Pedro Gonçalves

5 Insults That Global Brands (And Their CMOs) Must Overcome | Co.Create: Creativity \ C... - 0 views

  • Content and brand stories should not be conceived of in a sequential manner but rather as an ecosystem and constant narrative.
  • There has never been a greater need for brands to craft little jewels of content that can sparkle and seduce the most discerning of consumers. Brands that learn to tell their brand story in bite-sized, mobile friendly chunks in the fragmented world of social media will engage consumers.
Pedro Gonçalves

Why Brands Should Be Human on Social Media - 0 views

  • when a user comes across your Twitter handle or Facebook feed, she doesn't suddenly transform into a "professional-only" mode that consumes, filters and reacts to content based 100% on her company and career. No, her professional persona may take center stage, but her entire thought process is also influenced by the less apparent parts of her personality: the fact that she's a parent, enjoys rock climbing, is coming off a rough week or lives in a city. As marketers, we need to embrace this fundamental nature of user behavior; namely, that people act, engage, and respond not solely as professionals, but as nuanced human beings.
  • If connection needs to take place at a human level, then our brands must also become human
  • Being a humanized brand means learning the art of authenticity. It means being genuine, being passionate about whatever it is your brand is and does. Just like in everyday life, people respond most to others who are perceptibly and consistently real. And that's why it's an art, not a formula. Authenticity, in the long run, can't be manufactured or faked.
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  • Being human in social media, then, involves identifying all aspects of that personality — even the less obvious or less corporate ones — and embracing them as a whole. From there, the surface symptoms we referenced at the beginning of the column — tone, language, aesthetics — will be easier to define.
Pedro Gonçalves

How GE Branded My Unborn Baby | Co.Design | business + design - 0 views

  • For a logo to hijack our brains and hearts through pre-attentive processing (those things we see in the corner of our eye), we require multiple exposures to the stimulus. Chatterjee has found this unconscious, positive association to occur within 23 exposures, but she believes it could probably happen in even fewer. “When consumers process any stimulus--a logo is a brand stimulus--implicitly it only creates a weak memory trace. The weak memory trace by itself can’t really change behavior, Chatterjee explains. “But over multiple exposures, those weak memory traces start to become stronger.” “The consumer is unaware that those memory traces exist. Let’s take John and Jane Doe looking at an ultrasound. They’re looking at a picture, they’re oohing and ahhing, showing it to their friends, talking about it, putting it in a scrapbook. They’re focusing on the baby. They may not even know it’s an ultrasound made by a GE machine, but they see it multiple times.” “Then, maybe they’re buying a new house, and so they’re buying appliances, they go to a big-box store, they’re looking at multiple brands. It is quite conceivable they will be more attracted to the GE brands."
  • for this long con to work, the logo has to be identical everywhere I see it.
  • The other catch, maybe the most important catch of all when working in unconscious branding, is that the consumer can’t recognize they’re being manipulated, or very bad things happen.
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  • "The thing about unconscious branding is that when you become cognizant that your buttons are being pushed, you’ll reject the advertisers," Van Praet says.
Pedro Gonçalves

Are Advertising Agencies Like Thinkmodo Pushing the Limits Too Far | Adweek - 0 views

  • many execs say it's impossible to draw direct correlations between stunts and sales. Most clients seem satisfied with generating high levels of social sharing, with online views providing substantial savings compared to paid media. "From our perspective ... it will more than pay for itself in earned media and 'share of conversation.' That, in turn, translates into brand worth, which in turn drives sales," says Thomas Moradpour, vp, global marketing at Carlsberg. "We won’t be able to track a direct bump—too many variables—but we’ll measure the impact on brand health and equity through our brand trackers in all of our key international markets."
  • many execs say it's impossible to draw direct correlations between stunts and sales. Most clients seem satisfied with generating high levels of social sharing, with online views providing substantial savings compared to paid media. "From our perspective ... it will more than pay for itself in earned media and 'share of conversation.' That, in turn, translates into brand worth, which in turn drives sales," says Thomas Moradpour, vp, global marketing at Carlsberg. "We won’t be able to track a direct bump—too many variables—but we’ll measure the impact on brand health and equity through our brand trackers in all of our key international markets."
  • marketers are staging "pranks on steroids," upping the ante in almost every imaginable way and probing darker territory—with the sponsor's name attached. Scenarios that trade on fear, death and danger test the limits of personal privacy and social acceptability. The genre, he says, represents "the dark side of the constant drumbeat to enhance consumer engagement."
Pedro Gonçalves

How Many Lives Does A Brand Have? | Fast Company - 0 views

  • Almost all these "classic" brands fell out of favor many years ago, often being reduced to a single retail outlet. Yet in a country like China, where heritage, authenticity, and many things European are highly desirable, their obscurity didn’t matter. The simple fact that they were all founded in Europe in another historical time was enough for the brand-obsessed citizens to dig deep into their wallets, and spend big.
  • I asked a Chinese client who manufactures one of the largest clothing lines in the country when he thought it would be a good time for the company to adopt an international name. After all, very few people outside of China would be able to read, let alone pronounce the name. He looked at me, and with all seriousness replied, "It’s time for the Westerners to learn some Chinese." His is not an isolated attitude; rather it’s a widely held sentiment amongst Chinese senior management
  • In the same way that China has spent decades selling cheap non-branded labour to the world, when they decide to focus on creating strong international brands, it will undoubtedly be done the Chinese way. When it happens, it will be happening on their terms, regardless of whether you want it or not. 
Pedro Gonçalves

Wolff Olins - 0 views

  • Launch? Here’s an age-old concept that is being re-shaped in the era of the proto-brand.  As social media and technology open up development, co-creation will become the normative process for many brands.
  • As the speed and quantity of new offers being thrown at us increases, our attention spans become shorter and we’re more easily distracted.   In this 21st century business environment, brands cannot rely on the one-liner.
  • In the world of open, brand is more valuable than ever.  More than what you can offer is the outcome of the way you act: trust, equity, and loyalty. Open up to people, and you gain empathy, support, and forgiveness.  Close the door to them, tell the same jokes over and over, and soon you’ll be looking at a theater of empty seats.
Pedro Gonçalves

Wolff Olins - 0 views

  • “If too many people can buy it, the brand loses its exclusivity.”
  • Despite the ubiquity of digital and social media, the in-store experience is still integral to producing individualized experiences for high-wealth customers. “Even though the products are available to view online, it is not the same as the experience of seeing them in person,”
  • Digital and social media can amplify in-store experience for high-wealth customers, but shouldn’t necessarily be seen as a substitute.   
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  • The challenge for luxury brands is in evoking an aura of desirability across broad audiences, while curating individualized experiences for their core customer base.  Luxury brands have to develop strategies that promote both accessibility and exclusivity. Digital and social media can help increase awareness of and perpetuate the myth surrounding the brand, but they must be carefully curated in order to maintain an impression of exclusivity. Furthermore, these channels should be viewed in the context of the store experience. 
Pedro Gonçalves

Eye Candy: 6 Trends Driving Digital Marketing - The Deutsch Blog - 0 views

  • Brands need to become curators of content—and conversation. We all know content is the buzzword of the week. But how do we curate the conversations that are happening around or brands?
  • The biggest question we must ask is: how do we become interesting to our consumer?
  • Big data leads to little decisions. Big data is all the rage, and rightfully so: with integrated data streams, you can know your customers as a whole. However, David argues that, when done right, it should be used to help consumers make personalized decisions.
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  • “Brands have moved away from being a curator of content to a curator of conversation.”
Pedro Gonçalves

Nostalgia Resonates for Marketers From Jack Daniel's to Old Navy | Adweek - 0 views

  • those connecting to the past resonated strongly with consumers and shot to the top of its Brand Power Index (BPI)
Pedro Gonçalves

The End Of Advertising As We Know It--And What To Do Now | Co.Create: Creativity \ Cult... - 0 views

  • a 365 idea--one that can create 365 days of connection between a brand and people
  • Creativity and innovation are about finding unexpected solutions to obvious problems or finding obvious solutions to unexpected problems
  • We should use our creativity to provide better businesses and solutions rather than constantly trying to disrupt what people are doing.
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  • As we forge ahead into the post-digital, all-mobile era, 360 degrees of integrated campaigns to tell brand stories via media disruption may no longer be as effective--and quite frankly, as necessary--as we thought.
  • Brands should aim to solve real problems by providing connected services over 365 days and by inventing new businesses that benefit people, not just the brand.
Pedro Gonçalves

The "Story Button" In Your Brain: Neuroscience Study Sheds Light On Brand/Human Love | ... - 0 views

  • The tests showed that brands outperformed people where a person’s relationship to a product was tied to a story--such as the subject who loved his watch, which was handed down from his father, more than his girlfriend, or the man whose life-long love of the Seattle Seahawks measured as stronger than his love for his toddler. In all, three of the eight test subjects showed more love for brands than people. “The product they loved more, they loved for a reason,”
  • it was telling that when the product beat the person there was always a sense of connection that was driven by story.
Pedro Gonçalves

Branding Israel - Israel Opinion, Ynetnews - 0 views

  • Research has shown that a very limited, in many ways distorted, image of Israel and its people has been allowed to shape the standard perceptions in the United States and other Western countries.   This is in part because of the relentless circulation of a false view by Israel’s antagonists. It is also in part because of media outlets that find pictures of armed Israelis in uniform and of a concrete wall between Jerusalem and Bethlehem - and, let it be said, of black-clad bearded men in prayer next to the Western Wall - to represent the “typical” Israel. And it is in part because the friends of Israel and those making Israel’s case have not been fully conscious of the problem or of ways to address it.
  • Consider, for example, the passage in Carlyle’s epoch-defining essay “Characteristics” (1831,) which proclaims: “The healthy Understanding, we should say, is not the Logical, argumentative, but the Intuitive; for the end of Understanding is not to prove and find reasons but to know and believe.”
  • In his preceding sentence, Carlyle says: “As in the higher case of the Poet, so…in that of the Speaker and Inquirer, the true force is an unconscious one.” Applying these concepts, it can be suggested that, while charges regarding Israeli “apartheid” can be rebutted by logical arguments disproving the accuracy of such terminology, the impression of Israel that branding is meant to reverse is of a harsh, brutal land whose residents are unwelcoming and utterly without feeling.
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  • Other countries engage in nation branding to advance trade, tourism, and the like
  • material ends like those are secondary for the Brand Israel effort.
  • At its core, it has the higher goal of enabling its audience to really “know” Israel and to connect with its ultimate reality. That is a goal worth aspiring to both for the general populations of those countries to which Israel is reaching out, whose sympathetic connection is so important, and also for the Jewish community, and especially its younger generations, whose connections with Israel are of such centrality for the future of the Jewish people and cannot be taken for granted.
Pedro Gonçalves

Another Attempt to Change Brand Israel | Center for Media and Democracy - 0 views

  • The British "country brand capital development" firm Acanchi is crafting a "new image" for Israel. "Our research shows that Israel's brand is essentially the [Israel-Palestine] conflict," explained Israeli Foreign Ministry official Ido Aharoni. "Even those who recognize that Israel is in the right are not attracted to it, because they see it as a supplier of bad news." Israel previously worked with the ad firm Saatchi & Saatchi and U.S. political consultants James Carville and Stanley Greenberg to address its image problem.
  • The rebranding effort began after September 2001, when government officials realized "Israel had an opportunity to escape its image as the main source of conflict with the Islamic word," because the "war on Islamic terror" had "gone global," reports Haaretz.
  • The Israeli government hired Acanchi in August 2008. Acanchi founder Fiona Gilmore recently toured Israel, as her firm prepares to "launch the new brand." The firm will highlight "Israel's scientific and cultural achievements." Acanchi "has helped to rebrand locales ranging from Lebanon to Northern Ireland."
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