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An interesting study by Netpop Research entitled Social Face-Off : A Comparison of U.S. and China Social Media Use finds that people in China are more involved in every type of social media activity of which they studied.  First, some general facts about the two internet communities: of the broadband users age 13 and above, the Chinese have a much younger, more educated internet population than the U.S.  They also spend more time online per weekday.

A new study from Forrester proves that the majority of Americans are a bunch of lazy re-tweeters. Ninety-three percent of online consumers in emerging markets of China, India, Mexico and Brazil use social media tools at least once-a-month. U.S. and European consumers are far more likely to use social media as a spectator-like sport, joining it and then just watching it fly by. In the U.S., 68% of social media users are joiners, which means they maintain a profile on a social networking site and visit social networks. Only 73% are spectators, or users who mostly just read blogs, online forums, customer ratings/reviews and tweets, listen to podcasts and watch videos. This number is strikingly similar in Europe (EU-7 countries, to be specific), with 69% of users classified as spectators and 50% as joiners.

This Friday is not just any old Friday, but it is the kick off of Easter weekend.  In Christianity, of course, this weekend is the celebration of Christ's crucifixion and eventual resurrection and ascension into heaven.  Whether it was planned or a coincidence, This Week's Christiane Amanpour sat down with the Reverend Franklin Graham, son of legendary evangelist Billy Graham.  The topics of social media and the second coming of Christ were among those discussed.

As I read both Carr and Shirky over the past couple weeks-who both seek parallels between the rise of the internet and digital social media and the invention of the printing press in the 16th century-I couldn't help thinking about medieval manuscripts. Since the early 1990s, both medievalists and electronic media theorists have pointed to the hypertexted quality of medieval illuminated manuscripts in making complementary claims: medievalists to continuing cultural relevancy and electronic media theorists in continuity to literary tradition. The medieval books we admire so much today are distinguished by the remarkable visual images, in the body of a text and in the margins, that scholars have frequently compared to hypertexted images on internet "pages."

If you thought 2010 was disruptive, wait until 2011. This year we saw major game-changers emerge -- the iPad, a flurry of mobile apps, the rise of social commerce, C-Suite fixation on enterprise social-media -- and more. This coming year we'll see even more dramatic change. Keep your eyes on the following

Illac Diaz (R) and Siplicio Mondas inspect a solar light bottle installed by Philippine soldiers in a shanty town in Manila. With the help of some plastic bottles plus a social media campaign, Diaz is aiming to help a million poor people in a year.

The world in which we live would hardly be recognised by someone who lived and died half a century ago and who may have caught a glimpse of the television generation. The children born in the 90′s have only known a world where the Internet was a natural part of  their day to day lives. We now live in a society that verges on a digital tipping point that wraps and integrates our lives with the Web and it is no longer considered a luxury but a necessity in our modern lifestyle. So what is driving us to this digital dawn that is transporting us from the industrial past of the last 200 years and the TV industrial complex that emerged 50 years ago and embracing us in an information age that challenges our paradigms?

As Japan grapples with an unprecedented triple disaster - earthquake, tsunami, nuclear crisis - the Web has spawned creativity and innovation online amid a collective desire to ease suffering.

From the 1st through the 6th of February 2011, we were shooting, editing and screening an immediated autodocumentary video at the Transmediale digital art and culture festival in the House of World Cultures in Berlin. Along with events like Ars Electronica and Future Everything, Transmediale is one of the most significant media art events in Europe. We were honored to be included in the Open Zone, a space which will be open to the public, described in the festival programme as "a social experiment with different social territories that are occupied by artists and media activists". We are calling this project The Future of Art. Our goal was a short video which explores questions about the future of art, both in regard to its aesthetics, production, finance, curation, distribution and collection. In addition to conducting interviews at the festival, we were reaching out to several artists in advance of the festival over Skype. Our intention with the Skype interviewees is to extend the discourse beyond the geophysical limits of the festival by including artists who we wish could be here with us in Berlin in February.

A full hour before the formal announcement of Bin-Laden's death, Keith Urbahn posted his speculation on the emergency presidential address. Little did he know that this Tweet would trigger an avalanche of reactions, Retweets and conversations that would beat mainstream media as well as the White House announcement. Keith Urbahn wasn't the first to speculate Bin Laden's death, but he was the one who gained the most trust from the network. Why did this happen?