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Joanne S

Welcome | Australian Memory of the World Program - 0 views

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    * The UNESCO Australian Memory of the World Program http://www.amw.org.au/
Joanne S

Quihampton, W. (2011). Re-imagining Libraries: Delivering services in a digital world. ... - 0 views

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    National and State Libraries Australasia vision for the future Quihampton, W. (2011). Re-imagining Libraries: Delivering services in a digital world. Presented at the ALIA Information Online, Sydney, Australia. Retrieved from http://conferences.alia.org.au/online2011/papers/paper_2011_A14.pdf
Joanne S

Lankes, D. (2014). 3. The Mission of libraries: expect more than books. In Expect More:... - 0 views

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    Lankes, D. (2014). 3. The Mission of libraries: expect more than books. In Expect More:demanding better libraries for today's complex world. Medium. Retrieved from https://medium.com/p/c9efcfa6bd24 (To jump to this chapter easily, use F to "find" the search string "expect more than books" and go to the second occurrence)
Joanne S

Tyacke, S. (2001). Archives in a wider world: The culture and politics of archives - 0 views

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    Tyacke, S. (2001). Archives in a wider world: The culture and politics of archives. Archivaria, 52: 1-25. Sarah was the 'Keeper of the Public Record' in the UK.
Joanne S

Library 2.0 and User-Generated Content What can the users do for us? - 0 views

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    Danowski, P. (2007). Library 2.0 and User-Generated Content What can the users do for us? In World Library and Information Congress: 73rd IFLA General Conference and Council. Durban, South Africa: IFLA. Retrieved from http://archive.ifla.org/IV/ifla73/papers/113-Danowski-en.pdf
Joanne S

Schmidmaier, D., & Doherty, A. (2005). Pay equity for the library profession: a State L... - 0 views

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    Schmidmaier, D., & Doherty, A. (2005). Pay equity for the library profession: a State Library of New South Wales perspective. In Libraries - a voyage of discovery. Presented at the World Library and Information Congress: 71th IFLA General Conference and Council, Oslo. Retrieved fromhttp://archive.ifla.org/IV/ifla71/papers/179e-Schmidmaie_Doherty.pdf
Joanne S

M. Piggott (2012) "Themes in Australian Recordkeeping, 1788 - 2010", Chapter 2, Archive... - 0 views

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    M. Piggott (2012) "Themes in Australian Recordkeeping, 1788 - 2010", Chapter 2, Archives and societal provenance : Australian essays, Chandos Publishing. http://link.library.curtin.edu.au/p?pid=CUR_ALMA51110902610001951  Subjects: Archives -- Australia -- History ; Libraries and society -- Australia ; Archives -- Collection management -- Australia ; Archives -- Australia ; Libraries -- Australia ; Records -- Australia -- Management Description: "Records and archival arrangements in Australia are globally relevant because Australia's indigenous peoples represent the oldest living culture in the world, and because modern Australia is an ex-colonial society now heavily multicultural in outlook. Archives and societal provenance explores this distinctiveness using the theoretical concept of societal provenance as propounded by Canadian archival scholars led by Dr Tom Nesmith. The book's seventeen essays blend new writing and re-workings and combinations of earlier work and comprise the first text to present a societal provenance perspective to a national setting. The book is divided into four sections. The first part looks at the historical context of archives in Australia; the second part covers the institutions involved in the Australian archival story; the third part discusses the formation of archives; and the fourth part considers the debates surrounding archives in Australia. The book concludes with a consideration of the notion of an archival afterlife." --backcover. 
Joanne S

Infographic - Wikipedia, the free encyclopedia - 0 views

  • present complex information quickly and clearly
  • Information graphics or infographics are graphic visual representations of information, data or knowledge.
  • While the art form of infographics has its roots in print, by the year 2000, the use of Adobe Flash-based animations on the web has allowed mapping solutions and other products famous and addictive by using many key best practices of infographics. With the rise of HTML 5 as an alternative to Adobe Flash in the early 2010s there is an increasing number of infogratphics being built in HTML 5
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  • Likewise, their use in television is relatively recent. In 2002, two Norwegian musicians of Röyksopp issued a music video for their song "Remind Me" that was completely made from animated infographics. In 2004, a television commercial for the French energy company Areva used similar animated infographics. Both of these videos and their high visibility have helped the corporate world recognize the value in using this form of visual language to describe complex information efficiently.
Joanne S

Amanda Palmer: The art of asking | Video on TED.com - Topic 1.1: Music: I Want My MP3 - 0 views

    • Joanne S
       
      Topic 1.1: Music: I Want My MP3 (Breathes in, breathes out) So I didn't always make my living from music. For about the five years after graduating from an upstanding liberal arts university, this was my day job. I was a self-employed living statue called the 8-Foot Bride, and I love telling people l did this for a job, because everybody always wants to know, who are these freaks in real life? Hello. I painted myself white one day, stood on a box, put a hat or a can at my feet, and when someone came by and dropped in money, I handed them a flower and some intense eye contact. And if they didn't take the flower, I threw in a gesture of sadness and longing as they walked away. (Laughter) So I had the most profound encounters with people, especially lonely people who looked like they hadn't talked to anyone in weeks, and we would get this beautiful moment of prolonged eye contact being allowed in a city street, and we would sort of fall in love a little bit. And my eyes would say, "Thank you. I see you." And their eyes would say, "Nobody ever sees me. Thank you." And I would get harassed sometimes. People would yell at me from their passing cars. "Get a job!" And I'd be, like, "This is my job." But it hurt, because it made me fear that I was somehow doing something un-joblike and unfair, shameful. I had no idea how perfect a real education I was getting for the music business on this box. And for the economists out there, you may be interested to know I actually made a pretty predictable income, which was shocking to me given I had no regular customers, but pretty much 60 bucks on a Tuesday, 90 bucks on a Friday. It was consistent. And meanwhile, I was touring locally and playing in nightclubs with my band, the Dresden Dolls. This was me on piano, a genius drummer. I wrote the songs, and eventually we started making enough money that I could quit being a statue, and as we started touring, I really didn't want to lose this sense of direct connection
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