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And now last but not least, here we have the fifth piece of this 5 piece series, each one a distinct color variation off of the image theme. I created The Many Eyes of Izzaac Variation 5 with my usual mixture of filtering, layering, and color enhancing in Photoshop. KPT filter, and fractal generator, "FraxPlorer" was heavily involved in that process. And in the end Izzaac's portrait would not be complete without the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
I created this image through a complex combination of Photoshop filtering and layering, after initially rendering the base image with the 3D fractal program, XenoDream. The final work of art bears little resemblance to that base image. Among other filters and effects, I used Kaleidoscope 2.1 by Mehdi, set to 20 mirror petals, and the KPT Gradient Lab. The end result almost looks like an elaborate symbol of an esoteric secret society. Sitting back and meditating on it, I found myself seeing it as symbolic of the complex web of the Cosmic Collective Consciousness. In ancient Greek philosophy the Nous was thought to be the Cosmic Mind, or Primary Intellect. Thus, that of a Noedic nature is akin to this Cosmic Mind, this web of intellect interconnecting all conscious beings throughout the entire Universe. Out of all of these considerations, I ultimately came up with the name for this work of postmodern contemporary abstract fractal art, "Mandala of the Noedic Web". It is here presented at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
And lastly, I created the base image from which this work of art was derived, using the KPT filter and fractal generator, "FraxPlorer". Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series of 4 color variations by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1307 emerged. I later gave it the more specific name, "Spirals of Spirals of Variation 4". It is the Second of this 4 color variation series, Spirals of Spirals of. This piece of postmodern contemporary fractal abstract art, Spirals of Spirals of Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
And now for the last of this series, and as per my usual procedures, I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 6 piece fractal abstract art series, the sixth of which I initially saved among my Abstract Images as Abstract Image 1290. I later renamed this one specifically "Triple Compressed Variation 6". This piece of postmodern contemporary fractal abstract art, Triple Compressed Variation 6, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
And now, lastly with Ebullient Intersections Variation 8, like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the eighth of which I initially saved among my Abstract Images as Abstract Image 1272. I later renamed this one specifically "Ebullient Intersections Variation 8". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Finally for the eighth and last of this series, I once again followed the same basic procedures as with this entire series, and as with many of my postmodern contemporary fractal abstract art pieces, I started with my usual KPT filter, "FraxPlorer". Making use of that and other tools, I created this series of images utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the eighth of which I initially saved among my Abstract Images as Abstract Image 1264. I later renamed this one specifically "Ebullient Expulsions Variation 8". This piece of postmodern contemporary fractal abstract art, Ebullient Expulsions Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Finally we reach the eighth and last piece in this particular series, and again, like all the others of this series, I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects in Photoshop. Among the steps of this process, I used Mehdi's Kaleidoscope set to 6 petals. It is using the petals set to 6 that makes this image into a hexagram. The end result was this series of eight color variations. This one I initially named Abstract Image 875, then later gave the entire series the final name, "Luminous Hexagram". eighth in this series, this piece of postmodern contemporary fractal abstract art, Luminous Hexagram Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
And now for Ebullient Intersections Variation 4, as with all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the forth of which I initially saved among my Abstract Images as Abstract Image 1268. I later renamed this one specifically "Ebullient Intersections Variation 4". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
And again, like I've been doing with my last few posts, this is yet another example of one of my older works that I have brought forward and published for my Bubblews audience. Also again, like my other recently published images, this is another postmodern contemporary abstract fractal art image I created using the fractal generator software, Vchira, with post work in Photoshop. This one is the forth variation from the Ambrosia Rising image series theme. The post work that I did on "Ambrosia Rising Variation 4" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As has been the pattern of my last few posts, this postmodern contemporary abstract fractal art piece is another example of an older work of mine that I am now bringing forward and publishing for my Bubblews audience. In "Spirals Within Spirals" the same or at least similar patterns have a tendency to repeat, as is often found within fractal images. In this image we see spiral patterns within spiral patterns in an echoing display of fractal manifestation. I created this image with a combination of the programs XenoDream and Photoshop. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Again, like my last few posts, this is another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, using the fractal generator software, Vchira, with post work in Photoshop, I created this first in the themes and variations on Ambrosia Rising base image. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Once more, like I've been doing with my last few posts, this is another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, this is yet another example of an image I created using the fractal generator software, Vchira, with post work in Photoshop. This too, is another variation, the third in the themes and variation series of Ambrosia Rising Variations. The post work for Ambrosia Rising Variation 3 included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
gain, like my last few posts, this is another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This image is the second variation on Ambrosia Rising themes and variation series. The post work for Ambrosia Rising Variation 2 included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Once again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, I used the fractal generator software, Vchira, with post work in Photoshop. By that means I created this first in the themes and variations on the Horns of Hathor base image. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Once again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This work of postmodern contemporary abstract fractal art is the second variation on the Horns of Hathor themes and variation series. The post work on "Horns of Hathor Variation 2" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
And again we have here another example of one of my older works that I brought forward and publish for my Bubblews audience. Like my other recently published images, I created this one using the fractal generator software, Vchira, with post work in Photoshop. Also like the others, the post work on "Pastel Blooming Variation" included creating the digital frame, some filtering, and with this one, a great deal of layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. This piece is similar to "Psychedelic Blood Blooms", using some of the same layers blended in different ways thus yielding these very different pastel tones. It is more than just a color variation, for there are also differences in the shapes and forms, as well as the orientation.
Playing around with one of my favorite fractal generators, Vchira, I created this work of postmodern contemporary fractal art. I sat back and looked it over well, and the first thing that came to mind was, "It's a fractal UFO". So, I titled it "Fractal UFO, Dude!" As post work, in Photoshop, I did my usual filtering, layering, and color enhancing. Additionally, I added both the digital frame, and the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.