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Handmade Leather Flip Flops We make Bosa Handmade Leather Flip Flops 248 by inspiring from civilizations set up in Aegean Region for centuries. The simplicity of leather and detailed craftsmanship make them unique Flip Flops. Bodrum Flip Flops are the most popular handmade sandals in summer because of their craftsmanship and quality of the leather Stylish and elegant forms, engravings with beads are the main reasons why the handmade leather sandals are most desirable sandals. You wear them for years they will not be deformed. Because they are durability and quality. They are %100 natural leather and handmade. You can choose the sole if you would like to wear with strong leather sole or flexible rubber sole. You can customize your handmade leather Flip Flops. Contact for Camel Flip Flops options. We make camel sandals as special custome made Flip Flops. All of Bosa Bodrum Sandals are completely handmade leather flip flops using high quality genuine leather. Feel the comfort and be chic. Beside our handmade Flip Flops are stylish comfortable sandals, we also design them chic and cheap options available for your sophistication. Why Handmade Leather Flip Flops Bodrum Sandals? %100 handmade and high quality genuine leather Bodrum sandals are custom made sandals after your purchase. No chemical use. Our artisan makes in hand your leather sandals in 3 days for you when we see your purchase. And the forth day your handmade leather sandals will be shipped to your address. Making with the inspiration of civilizations in Aegean Region, Bosa Bodrum sandals have detailed hand work on high quality genuine leather sandals. Aesthetic pleasure and comfort come together on our leather sandals. We have handmade sandals, flip flops, gladiator sandals, ankle wrap sandals in black, tan, brown or camel sandals with different patterns for every sophisticated women. You can express your style and you can combine your clothing, summer dresses, jeans and shorts with our handmade

Handmade Leather Bodrum Sandals Mens We make Bosa Handmade Leather Bodrum Sandals Men by inspiring from civilizations set up in Aegean Region for centuries. The simplicity of leather and detailed craftsmanship make them unique sandals. Bodrum sandals are the most popular handmade sandals in summer because of their craftsmanship and quality of the leather Stylish and elegant forms, engravings with beads are the main reasons why the handmade leather sandals are most desirable sandals. You wear them for years they will not be deformed. Because they are durability and quality. They are %100 natural leather and handmade. You can choose the sole if you would like to wear with strong leather sole or flexible rubber sole. You can customize your sandals. Contact for Camel sandals options. We make camel sandals as special custome made sandals. All of Bosa Bodrum Sandals are completely handmade sandals using high quality genuine leather. Feel the comfort and be chic. Beside our handmade sandals are stylish comfortable sandals, we also design them chic and cheap options available for your sophistication. Why Handmade Leather Bodrum Mens Sandals? %100 handmade and high quality genuine leather Bodrum sandals are custom made sandals after your purchase. No chemical use. Our artisan makes in hand your leather sandals in 3 days for you when we see your purchase. And the forth day your handmade leather sandals will be shipped to your address. Making with the inspiration of civilizations in Aegean Region, Bosa Bodrum sandals have detailed hand work on high quality genuine leather sandals. Aesthetic pleasure and comfort come together on our leather sandals. We have handmade sandals, flip flops, gladiator sandals, ankle wrap sandals in black, tan, brown or camel sandals with different patterns for every sophisticated women. You can express your style and you can combine your clothing, summer dresses, jeans and shorts with our handmade leather sandals for a fresh look. Our

This gallery presents you with pieces of artwork that are guaranteed to make you think and reflect on your construct of the world around you. Ugliness is beauty as much as beauty is ugliness

Welcome to a complete brief case full of surprises!\nCreative and conceptual t-shirt designs, prints, cards & photography from South Australian contemporary artist & graphic designer Nick Griffin.\n\nSouth Australian artist and graphic designer Nick Griffin is the manager and sole producer of work for the online gallery "The Grina Gallery". He is also the director and lead designer for Nick Griffin Design, an advertising and graphic design agency based in Adelaide. His work is highly influenced by his experiences as a sufferer of Bipolar, his work enriched with deep meaning and contemporary themes. Nick believes art is not necessarily about creating beautiful images, but rather visual imagery that evokes emotion and reaction in the viewer.

Like my last few posts, we have here yet another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, I created "Psychedelic Blooming Variation" using the fractal generator software, Vchira, with post work in Photoshop. And also like the others, the post work on "Psychedelic Blooming Variation" included creating the digital frame, various filtering tricks, and a considerable amount of layering effects, as well as my usual final step of adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. This piece is similar to "Psychedelic Blood Blooms", "Pastel Blooming Variation", and "Vivid Blooming Variation" using some of the same layers but blended in rather different ways. This brought about these somewhat psychedelic color and form combinations. It is more than just a color variation, for there are also differences in the shapes and forms, due to the various layer blending approaches.

And we have yet another example of one of my older works that I brought forward and publish for my Bubblews audience. Also like my other recently published images, I created "Vivid Blooming Variation" using the fractal generator software, Vchira, with post work in Photoshop. Furthermore like the others, the post work on "Vivid Blooming Variation" included creating the digital frame, some other filtering, and a great deal of layering effects, not to mention adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. This piece is similar to both "Psychedelic Blood Blooms", and "Pastel Blooming Variation", using some of the same layers blended in different ways. This brought about these very different vivid hues and tones. It is more than just a color variation, for there are also differences in the shapes and forms, due to the various layer blending approaches.

Public art projects are manned with an intention of eliciting some cultural feedback and significant finsings in the ethos of a city and its peple. Is this truly accomplished? Check out Baptiste Debombourg's work at Nantes and leaev us your views…

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

created Quetzalcoatl Blossom Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 956, I later renamed it Quetzalcoatl Blossom Variation 3. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 954, I later renamed it Quetzalcoatl Blossom Variation 1. Through further layering and color effects, I explored this basic image theme in 8 variations. As the name states, this is the first variation of this series. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this postmodern contemporary abstract fractal art image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 8 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 961, I later renamed it Quetzalcoatl Blossom Variation 8. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Just like the rest of the series, Quetzalcoatl Blossom Variation 8 is presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Just like the other images in this series, I created Quetzalcoatl Blossom Variation 6 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 959, I later renamed it Quetzalcoatl Blossom Variation 6. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress.

I created Quetzalcoatl Blossom Variation 5 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 958, I later renamed it Quetzalcoatl Blossom Variation 5. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress.

Like the other images in this series,I created Quetzalcoatl Blossom Variation 7 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 960, I later renamed it Quetzalcoatl Blossom Variation 7. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. As with the rest of this series, Quetzalcoatl Blossom Variation 7 is presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

At the time of the original writing of this piece It was December 21, 2012, and at that time, as well as now, the world continued and even still continues to exist. I knew it would. In order to commemorate the fact that the world continues to exist on December 21, 2012 and beyond, I created a special work of art on that very day, December 21, 2012. I created it using the KPT fractal generator filter, FraxPlorer, one of my favorite tools for creating my fractal abstract art; that and a few other filters, layering and color enhancement effects. At first, I gave it the temporary title, Abstract Image 1043, but quickly renamed it "A New Day Shines", for this commemoration. It is presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And again, like with many of with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This work of postmodern contemporary abstract fractal art is the third variation on the Horns of Hathor themes and variation series. The post work on "Horns of Hathor Variation 3" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Best south american art and cuban art by famous south american and cuban artists. Pan American Art Projects specializes in art of the Americas with the mission to build a bridge between North and South American cultures by presenting and exhibiting artists from both regions. We deal with emerging to established artists, as well as secondary market paintings, sculpture, and works on paper.

Most famous Chilean artists Alfredo Jaar and Roberto Matta's Chile art, pictures and paintings. Pan American Art Projects specializes in art of the Americas with the mission to build a bridge between North and South American cultures by presenting and exhibiting artists from both regions. We deal with emerging to established artists, as well as secondary market paintings, sculpture, and works on paper.

Enjoy the fun of tagging, without trashing anybody else's property or getting arrested. Use simulated spraypaint, rollers, brushes and a paintball cannon on a simulated white wall, save your masterpiece and compare it with the virtual vandalism of others. While I haven't seen anything measuring up to the quality of one of the murals under the Illinois Central Gulf / Metra Electric tracks on the South Side, yet, I also haven't heard of anybody getting rolled over by the El after slipping while using this program, so there is that. People seem to love it. Now, if only we could find ways for them to get virtually stoned, virtually burn down buildings and get into virtual fights, while settling for the use of virtual weapons and virtual gasoline before going to their virtual homes to make virtual babies before they virtually turn 13, Mom's old neighborhood would be a lot more pleasant on the weekends. Not that any ambivalence about the concept of this page, or suggestion that it makes light of a practice that is intimately connected with gang territoriality (with its impressive body count), should be read into that. Pshah. Englewood is lovely this time of year. We are where we are, and I suppose that's what we get to laugh about, for better or worse, even if an eyebrow or two has to go up along the way.