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Allymyr Atrero

Literary Reference Center - powered by EBSCOhost: A Note on Jane Austen - 0 views

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    Argument: Jane Austen discreetly demonstrates her moral and religious perspective in her novels. Claim: The inferiority of the heroines allow them to assume the role of the moral observer; therefore, allowing the degrees of 'self-contempt' of the characters in Austen's novels to portray a moral reflection on their flaws. Evidence: ". . . heroines come within easy reach of one of the great archetypes--Cinderella . . . What we get more of is the pains of the heroine in her role of compelled observer." http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=16242517&site=lrc-live.
Allymyr Atrero

Literary Reference Center - powered by EBSCOhost: Jane Austen for the nineties - 1 views

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    Argument: Jane Austen's novels have become popular because of their ability to transcend generations. Claim: Austen's use of irony in character development plays a significant role in the appeal of her characters. Because she highlighted their susceptibilities with moral perspectives, the characters charm the audience more than just a blantant description of a character. Evidence: "Elizabeth Bennet may be prejudiced, but she is also far more perceptive than most of the society around her. Darcy is proud, yet at the same time curiously humble." "How different, how much less effective than the slow unfolding, he almost imperceptible growth of a character like Darcy's, or Elizabeth's, or Emma's." http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=9509236170&site=lrc-live.
Julia Hahn

Literary Reference Center - powered by EBSCOhost: 'What Was He Really Like?' - 0 views

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    http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=48303388&site=lrc-live. This tells me about a couple biographies about Shakespeare so I can understand what envoked him into writing comedies and tragidies. What was he really like?
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    Julia, Please see my example below. You must include the argument, at least one claim of the article, and a quote that you intend to use as evidence for your argument in your paper.
Chelsea Elias

Literary Reference Center - powered by EBSCOhost - 0 views

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    Argument: Bram Stoker's relgious and cultural customs influence the characterization of the women in his novel Dracula; there are two types of women he writes about - the New Woman and 'classical' woman - and makes clear distinctions between the two. Claim: Stoker choses to salvage the only woman pure at heart - Mina - and condems the other women because of the characteristics associated with the New Woman, reflected in the Vampire character. Evidence: "The living woman is full of 'sweetness and purity,' while the un-dead vampire is associated with voluptuousness, carnality, and wicked desire." http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=48218147&site=lrc-live.
Chelsea Elias

Literary Reference Center - powered by EBSCOhost - 0 views

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    Argument: Bram Stoker's relgious and cultural customs influence the characterization of the women in his novel Dracula; there are two types of women he writes about - the New Woman and 'classical' woman - and makes clear distinctions between the two. Claim: Bram Stoker condems the New Woman in Dracula by making the four of five women in the novel Vampires, however, he saves the 'classical' nature of Mina harker and uses her as a key factor that leads to the death of dracula. Evidence: Bram Stoker makes the vampire women out to be savage in order to exaggerate the difference between the New Woman and more traditional female. "Accustomed to seeing themselves portrayed in literature as either angels or monsters, women may wonder why Dracula is the single male vampire in the novel while four of the five women characters are portrayed as vampires - aggressive, inhuman, wildly erotic, and motivated by only an insatiable thirst for blood." http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=6888397&site=lrc-live.
liza sejkora

Literary Reference Center - powered by EBSCOhost: Fables of the Plague Years: Postcolon... - 2 views

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    Type stuff about the resource here. 1. Argument 2. Claim 3. Quote as evidence. http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=16362490&site=lrc-live
Scott Boisvert

Literary Reference Center - powered by EBSCOhost: Introduction - 3 views

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    Argument: 1984 is a bad book, but will survive because it will always have relevance to society. Claims: 1984 has moral force as an early political warning; it is the Uncle Tom's Cabin of our time. Overall though, the book is poorly written with only the parody of the political slogans being decent aspects. Evidence: -1984's biggest reason for success is because society is moving towards the society portrayed in the book. -"Uncle Tom is a more interesting martyr than Orwell's failed martyr, the drab Winston Smith" -"Wyndham Lewis sensibly compared Orwell as a writer to H.G. Wells, but Wells was consistently more inventive and entertaining" -"A great pamphleteer, like Jonathan Swift, is a master of irony and satire. Here again, Orwell plainly is deficient. His literalness defeats his wit" -"He was a moral and political essayist who had the instincts of a pamphleteer" http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=16405585&site=lrc-live
Joyce Zhang

Literary Reference Center - powered by EBSCOhost: Jude the Obscure - 0 views

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    Argument: Thomas Hardy often wrote novels set in locations familiar to himself, allowing him to know their true culture and thus write more true, compelling, profound plots. Claim: Thomas Hardy based the locations in his novels off real locations. He channeled the reputations of the real cities in order to write his novels. The locations not only correspond with real places, but with distinct portions of the plot. Evidence: "Hardy freely constructs a partly real and partly fictional locale to accommodate a series of 'local' novels." "This village [Marygreen] is based on Great Fawley, Berkshire, where some of Hardy's ancestors are buried and where his grandmother lived." "This town [Christminster] is modeled on Oxford with its many colleges and exclusive intellectual atmosphere." "Christminster represents a typical university institution." "Village [Shaston] modeled after Shaftesbury in Dorset that Hardy uses as the backdrop for Jude and Sue's troubled reunion." http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=MOL0300100593&site=lrc-live
liza sejkora

Literary Reference Center - powered by EBSCOhost: Love in the Time of Cholera - 3 views

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    This is where I as a researcher would put the main arguments proposed by the criticism, the main claims made by the author, and any potential pieces of eveidence I may want to remember for my research paper. At minimum, you would have one each. http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=MOL9820000155&site=lrc-live
Scott Boisvert

Animal Farm Satire - 0 views

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    Argument: Animal Farm is a modern satire. Claim: -The novel satires Russia's perversion of socialism -The animal's revolt is a symbol for any modern revolution -Any revolution is ultimately self-defeating Evidence: -"The use of multiple historical references gives a universal quality to this work." -"The rise of a ruling class of intellectual workers, the development of a leader figure, the use of scapegoats, and, above all, the rewriting of history and the misuse of language for party purposes, all figure in this satire" http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=MOL0089900020&site=lrc-live
Lorynn Cancio

Moral Deterioration of Anthony and Gloria: F. Scott Fitzgerald - 2 views

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    Argument: The moral characters of a young couple disintegrate as they wait to inherit a vast fortune. Claims: It is ironic how Anthony and Gloria only had to expect to get money to be corrupted by it. They are selfish and self-indulgent, both of which contributed to their attachment to greed, excess, and alcohol. Fitzgerald's disapproval of their actions is clearly evident throughout the book. Evidence: "As they move through their pointless round of pleasures, they demand wilder and stronger stimulation, but this only contributes to their downward spiral." "Quite a few of the pleasure-seeking, carefree antics of Anthony and Gloria-at least in the earlier sections of the novel-are based on escapades of Fitzgerald and his wife." "The third-person narrator veers between bemused appreciation of Anthony and Gloria as unapologetic hedonists and hardly veiled disapproval of their waste of talent and lives." http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=MOL9830000741&site=lrc-live
jamara

The Lady from the Sea - 8 views

The Ibsen Hero Argument: There are three different heroes in Ibsen's plays. There is the literary hero, the modern hero, and the Ibsen hero. Claim: The Ibsen hero is a tragic hero. Evidence: "Th...

Kimberly Farley

Literary Reference Center - powered by EBSCOhost: BARBARA KORTE ON NARRATIVE PERSPECTIV... - 0 views

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    Argument: Salinger's switches between "internal/ external focalization" as a tool to limit the reader from delving into the fictional world of the character.
    Claim: The writing creates a sense of urgency for the reader for internal focalization and the opposite for external.

    Evidence: "... The Catcher in the Rye: there the use of "internal focalization" puts the reader into Holden Caulfield's mind, creating the impression of a subjective or a "figural" perspective."
Allymyr Atrero

Literary Reference Center - powered by EBSCOhost: Jane Austen - 1 views

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    Argument: Jane Austen relied on familiar experiences rather than render characters and situations out of unrealistic circumstances. Claim: Austen's sickly condition towards the end of her life influenced her creation of the imperfect, yet tangible heroines. The frail Fanny and the plain Elizabeth both share uncanny abilities to make profound observations of the society. Evidence: "She was struck down, however, with a deilitating and crippling illness ." ". . . she did not attempt a scope which might have been above her powers . . . She also had observed that the real dramas of life were played out in the everyday world of ordinary people." http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=MOL0260000110&site=lrc-live.
Tyler McKinney

Literary Reference Center - powered by EBSCOhost: Michael Crichton - 0 views

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    Argument: Crichton is superior storyteller, but not a creator.
    Claim 1: Crichton uses old plots and themes.
    Evidence: "Terminal Man", "Next", "Andromeda Strain", "Jurassic Park" are all based off of works by other authors.
    Claim 2: Crichton uses literary elements in tandem with "hard" science to write well.
    Evidence: He integrated Chaos Theory into "Jurassic Park". Archetypes are prevalent in his works, as well as allusions. The Greek notion of Hubris-extreme pride-manages to work its way into most of his stories.
Tyler McKinney

Literary Reference Center - powered by EBSCOhost: Culture and authority - 0 views

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    Argument: I might be mistaken, as I have not read all 80 pages of this magazine, but the argument for pages 79-80 is certainly that people enjoy literature they perceive to be real. Good writers give their plots 'Authority'.
    Claim 1: Crichton demands 'moral attention' by using scientific facts.
    Evidence: The Velociraptor of "Jurassic Park" is considered an accurate representation of a predator, and after the publication of the novel, the dinosaur entered popular culture.
Kelyne Kenmogne

Literary Reference Center - powered by EBSCOhost: The Fountainhead - 2 views

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    This Article is about the techniques Rand uses in the fountainhead to reveal her ideas.
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    Kelyne, your annotation must include at minimum: the argument, one claim, and one quote that you think you will use as evidence for your argument. I am thinking you are just putting the bookmark here and will edit your annotation later.
Kimberly Farley

Literary Reference Center - powered by EBSCOhost: `The Holy Refusal': A Vedantic Interp... - 0 views

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    Argument: Salinger's greatest struggle has been his search for right living and how to define the right path through his art. Claim: Salinger's characters have a great dissastisfaction with those around them. Evidence: "Salinger's art, especially the later fiction, is an attempt to dramatize his own version of right living. Ultimately his 'silence' becomes the culminating gesture when his life becomes the message, a testament of the values his art hitherto professed. "
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