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Two models of consciousness are contrasted with regard to their treatment of subjective timing. The standard Cartesian Theater model postulates a place in the brain where "it all comes together": where the discriminations in all modalities are somehow put into registration and "presented" for subjective judgment. In particular, the Cartesian Theater model implies that the temporal properties of the content-bearing events occurring within this privileged representational medium determine subjective order. The alternative, Multiple Drafts model holds that whereas the brain events that discriminate various perceptual contents are distributed in both space and time in the brain, and whereas the temporal properties of these various events are determinate, none of these temporal properties determine subjective order, since there is no single, constitutive "stream of consciousness" but rather a parallel stream of conflicting and continuously revised contents. Four puzzling phenomena that resist explanation by the standard model are analyzed: two results claimed by Libet, an apparent motion phenomenon involving color change (Kolers and von Grunau), and the "cutaneous rabbit" (Geldard and Sherrick) an illusion of evenly spaced series of "hops" produced by two or more widely spaced series of taps delivered to the skin. The unexamined assumptions that have always made the Cartesian Theater model so attractive are exposed and dismantled. The Multiple Drafts model provides a better account of the puzzling phenomena, avoiding the scientific and metaphysical extravagances of the Cartesian Theater.

"The central "Cartesian" claim Dennett targets is that there is a specific location in the brain "arrival at which is the necessary and sufficient condition for conscious experience" (p. 106). His argument consists mainly in denying that there's always a fact of the matter about when, exactly, an experience occurs, if one considers events at very small time scales (on the order of tenths of a second). He appears to draw from this argument what seems to be the fairly radical anti-"Cartesian" conclusion that there are, in general, no definitive facts of the matter about the flow of conscious experiences independent of the changing "narratives" we construct about them." The Splintered Mind

"The multiple drafts model of consciousness (Dennett, 1991, 1996, 1998, Dennett and Kinsbourne, 1992) was developed as an alternative to the perennially attractive, but incoherent, model of conscious experience Dennett calls Cartesian materialism, the idea that after early unconscious processing occurs in various relatively peripheral brain structures "everything comes together" in some privileged central place in the brain-which Dennett calls the Cartesian Theater --for "presentation" to the inner self or homunculus. There is no such place in the brain, but many theories seem to presuppose that there must be something like it." (Dennet & Akins, Scholarpedia)

"Dennett has various targets in his book; they all seem to get lumped together, but in fact some seem distinct from others. Here are three that it might be useful to distinguish." Curtis Brown