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James Granderson

Ainu History and Culture - 0 views

  • The Ainu believe that gods or their incarnations are found in every phenomenon and object, including natural phenomena from the sun, moon, thunder, wind, water and fire, to animals, plants, and implements that are related to human life. On every occasion, prayers are offered and various ceremonies observed. There is the house guardian, the god of fire, the god of windows, the god of the hearth, the god of entrances, the god of yards, the mountain god, the sea god, the lake god, the river god, the nursing god, the hunting god, animal gods of bears and owls, and the gods of pots, mortars and boats. Thus, numerous gods usually guard man and provide food, while at times disciplining him harshly. These gods, however, are not absolute beings. Man is able to argue with them when they commit errors regarding man. Gods are of help to man and therefore are appreciated by him, while man is also expected to serve gods. Gods and man exist in a relationship of mutual assistance.
  • The gods also disguise themselves as animals, plants and objects : for example, they pretend to be bears by wearing bear skins and bestowing food, animal skins, daily utensils such as pots and bowls, and boats. On the other hand, through ceremonies, man offers wine, dried salmon, and "inaw," sacred shaved stick, which are supposed to delight the gods. In addition to the above gods, there are also evil gods and other malevolent deities who cause man disease and mishap.
  • There are various ceremonies throughout the year, including ceremonies to send back spirits, a religious ceremony for ancestors, a ceremony for the completion of new house, and a ceremony to launch the year's first fishing of salmon and shishamo smelt. Sending spirits back, the most frequent of these ceremonies, treats and sends back the gods, who disguise themselves as animals, plants and objects, descend to the human world and supply food and other daily necessities. The ceremonies include "iyomante," "hopunire" and "iwakte," of which "iyomante," a ceremony for the sending back of the spirits of bear cubs is the most important.
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  • The "iwakte" also is a ceremony to send back the spirits of disused daily necessities and festival-related articles which have become unusable from damage or age. The sending back of spirits of small animals, such as squirrels and hares also was called "iwakte" in some districts. Ash from a hearth and the bran of millet including yard millet were gathered at a certain site and returned to the divine world.
James Granderson

Religion and expressive culture - Ainu - 0 views

  • An important concept in the Ainu belief system is the soul, owned by most beings in the Ainu universe. According to tradition, the soul becomes perceptible when it leaves the owner's body. For example, when one dreams, one's soul frees itself from the sleeping body and travels, even to places where one has never been. Likewise, a deceased person may appear in one's dreams because the soul of the deceased can travel from the world of the dead to that of the living. During a shamanistic performance, the shaman's soul travels to the world of the dead to snatch back the soul of a dead person, thereby reviving the person nearing death.
  • This belief underlies the Ainu emphasis on proper treatment of the dead body of humans and all other soul owners in the universe
  • Without proper treatment of a dead body, its soul cannot rest in peace in the world of the dead and causes illness among the living to remind the Ainu of their misconduct. Shamans must be consulted to obtain diagnosis and treatment for these illnesses.
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  • The soul has the power to punish only when it has been mistreated. Deities ( kamuy ), in contrast, possess the power to punish or reward at will. Some scholars believe that among the Ainu nature is equated with the deities. Others claim that only certain members of the universe are deified.
  • The Ainu consider all animal deities to be exactly like humans in appearance and to live just like humans in their own divine country—an important point in Ainu religion.
  • Evil spirits and demons—called variously oyasi, wenkamuy (evil deity), etc.—constitute another group of beings in the universe who are more powerful than humans. They exercise their destructive power by causing misfortunes such as epidemics. The smallpox deity is an example. Some of them are intrinsic or by definition bona fide demons, whereas others become demons. For example, if a soul is mistreated after the death of its owner, it turns into a demon. The Ainu devote a great deal of attention to evil spirits and demons by observing religious rules and performing exorcism rites. Human combat with demons is a major theme in Ainu epic poems
  • Shamanism is not an exclusively male role. Sakhalin Ainu shamanism differs considerably from Hokkaidō Ainu shamanism. Among the Sakhalin Ainu, with regard to the symbolic structure, the shamanistic ritual represents the process of cooking, a role assigned to women in Ainu society. Shamanism is highly valued among the Sakhalin Ainu, and highly regarded members of society of both sexes, including heads of settlements, may become shamans. Although shamans sometimes perform rites for divinations of various sorts and for miracles, most rites are performed to diagnose and cure illnesses. When shamans are possessed by spirits, they enter a trance and the spirit speaks through their mouths, providing the client with necessary information such as the diagnosis and cure of an illness or the location of a missing object.
  • Among the Hokkaidō Ainu, shamanism is not highly regarded and shamans are usually women, who collectively have lower social status than men.
  • Male elders must consult a shaman before they make important decisions for the community.
  • Among the rich and varied Ainu religious beliefs and practices, the bear ceremony is perhaps the most important religious ceremony among both the Sakhalin and Hokkaidō Ainu, for whom the bear represents the supreme deity in disguise.
  • The bear ceremony combines deeply religious elements with the merriment of eating, drinking, singing, and dancing. All participants don their finest clothing and adornments. Prayers are offered to the goddess of the hearth and the deity of the house, but the major focus of the ceremony is on the deity of the mountains, who is believed to have sent the bear as a gift to humans. After the bear is taken out of the "bear house," situated southwest of the house, the bear is killed. The Sakhalin Ainu kill the bear with two pointed arrows, while the Hokkaidō Ainu use blunt arrows before they fatally shoot the bear with pointed arrows, and then strangle the dead or dying bear between two logs. Male elders skin and dress the bear, which is placed in front of the altar hung with treasures.
  • The mythic and heroic epics are long and complex; some heroic epics have as many as 15,000 verses. While the mythic epics relate the activities of deities, the heroic epics are about the culture hero who, with the aid of the deities, fought demons to save the Ainu and became the founder of the Ainu people. Among the Hokkaidō Ainu, the culture hero descended from the world of the deities in the sky and taught the Ainu their way of life, including fishing and hunting and the rituals and rules governing human society. Some scholars contend that the battles fought by the culture hero are battles that the Ainu once fought against invading peoples.
James Granderson

Ainu History and Culture - 0 views

  • Village Location A village is called "kotan" in the Ainu language. Kotan were located in river basins and seashores where food was readily available, particularly in the basins of rivers through which salmon went upstream. A village consisted basically of a paternal clan. The average number of families was four to seven, rarely reaching more than ten. In the early modern times, the Ainu people were forced to labor at the fishing grounds of the Japanese. Ainu kotan were also forced to move near fishing grounds so that the Japanese could secure a labor force. When the Japanese moved to other fishing grounds, Ainu kotan were also forced to accompany them. As a result, the traditional kotan disappeared and large villages of several dozen families were formed around the fishing grounds.
  • Housing Kotan houses were made of cogon grasses, bamboo grass, barks, etc. The length lay east to west or parallel to a river. A house was about seven meters by five with an entrance at the west end that also served as a storeroom. The house had three windows, including the "rorun-puyar," a window located on the side facing the entrance (at the east side) , through which gods entered and left and ceremonial tools were taken in and out. The Ainu have regarded this window as sacred and have been told never to look in through it. A house had a fireplace near the entrance. The husband and wife sat on the fireplace's left side (called "shiso") . Children and guests sat facing them on the fireplace's right side (called "harkiso"). The house had a platform for valuables called "iyoykir" behind the shiso. The Ainu placed "shintoko"(hokai) and "ikayop" (quivers) there.
  • Outbuildings Outbuildings included separate lavatories for men called "ashinru" and for women called "menokoru", a "pu" (storehouse) in which food was stored, a "heper set" (cage for young bear) , and drying-racks for fish and wild plants. An altar "nusasan" faced the east side of the house (rorunpuyar). The Ainu held such ceremonies there as "lyomante. " a ceremony to send the spirit of a bear to the gods.
James Granderson

Religion Among the Ainu People of Hokkaido Japan | Suite101 - 0 views

  • The Ainu believe in many divine beings “kamuy” who are contrasted with the humans “Ainu.” All things have spirits and the Ainu are surrounded by gods which they pray to and which look after them. Among the Ainu, many natural phenomena are considered divine, having a spirit, such as fire, wind, and water. There are gods of objects like boats and pots, and gods of plants like mushrooms and mugwort. There are gods of mountains and lakes, gods that protect the house, and animal gods like foxes and owls. The bear is the god of the mountains who is like a human in appearance in his own divine land, but then he appears to the Ainu in the guise of the bear in the Ainu land, bringing gifts of meat and fur. Another important deity among the Ainu is the goddess of the hearth (fire) or “Grandmother Hearth” who is a symbol of the Ainu universe. There are also goddesses of the sun and moon, and sea animal and fish deities.
  • The Ainu believe that they have spirits which are immortal, and that the good Ainu will rise to the land of the gods in the hereafter. If they have not been good, they will go to a hell, which is described as a volcano. After a time in heaven, the spirits are reborn to earth, and the cycle goes on.
  • The bear represents the chief deity, the deity of the mountain, in the disguise of a bear. It is the most important symbol among the Ainu. The Sending of the Bear Ceremony serves to send the soul of the bear-god back to the divine home of the bear with gifts, prayers and invitations to return to the Ainu. The Ainu explain that It is not a sacrifice of the bear, as the bear is god. It is a religious obligation to hold the ceremony to send the bear back to its home through ritual. The bear can can thus be reborn and give the Ainu the valuable gifts of meat and fur once again.
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kirkch01

Ainu History and Culture - 0 views

  • Marriage The Ainu people had various types of marriage. A child was promised in marriage by arrangement between his or her parents and the parents of his or her betrothed or by a go-between. When the betrothed reached a marriageable age, they were told who their spouse was to be. There were also marriages based on mutual consent of both sexes. In some areas, when a daughter reached a marriageable age, her parents let her live in a small room called "tunpu" annexed to the southern wall of her house. The parents chose her spouse from men who visited her.
  • The age of mdrriage was 17-18years old for men and 15-16 years for women, who were tattooed. At these ages, both sexes were regarded as adults.
  • When a man proposed to a women, he visited her house, ate half a full bowl of rice handed to him by her, and returned the rest to her. If the woman ate the rest, she accepted his proposal. If she did not, and put it beside her, she rejected his proposal. When a man became engaged to a woman or they learned that their engagement had been arranged, they exchanged gifts with each other. He sent her a small engraved knife, a workbox, a spool and other gifts. She sent him embroidered clothes, coverings for the back of the hand, Ieggings, and other handmade clothes. According to some books, many "yomeiri" marriages, in which a bride went to the house of a bridegroom with her belongings to become a member of his family, were conducted in the old days. The yomeiri marriage was conducted in the following manner. A man and his father brought to the house of a woman betrothal gifts, including a sword, a treasured sword, an ornamental quiver, a sword guard, and a woven basket (hokai). If they agreed to marry, the man and his father would bring her to their house or the man would stay at her house for a while and then bring her to his house. At the wedding ceremony, participants prayed to the god of fire. Bride and bridegroom respectively ate half of the rice served in a bowl, and other participants were entertained.
kirkch01

The Ainu: Beyond the Politics of Cultural Coexistence | Cultural Survival - 0 views

  • In 1899 the Japanese parliament enacted the Hokkaido Former Aborigines Protection Act, a law designed to achieve the assimilation of the Ainu population of northern Japan. The paradoxes of this piece of legislation are evident even from its title. The phrase "former Aborigines" was supposed to emphasize the fact that the Ainu were now citizens of a rapidly modernizing Japan, destined to merge their identity with that of the majority population. Yet, by singling the Ainu out as former Aborigines, and subjecting them to patronizing and oppressive assimilation measures, the Protection Act in fact helped to ensure the survival of prejudice and discrimination against the Ainu within the modern Japanese state.
  • The Hokkaido Former Aborigines Protection Law was to survive for almost a century. Although some of its most unpopular sections were repealed in the 1930s, it was not until May 1997 that it finally disappeared from the Japanese statute book, to be replaced by a new Ainu Cultural Promotion Law.
  • 1997, indeed, marked something of a watershed in relations between the Ainu people and the Japanese state. In the same year, a district court in the northern island of Hokkaido ruled that the government had failed to respect Ainu cultural heritage and sacred sites when it expropriated land belonging to two Ainu residents for the construction of a dam in the village of Nibutani. The compulsory acquisition of the land had therefore been illegal.
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  • The Colonization of Ainu Moshir Until the middle of the nineteenth century, "Ainu moshir" ["the land of the Ainu"] covered most of the island of Hokkaido, as well as the southern half of Sakhalin and the islands of the Kuril Archipelago (which are now part of the Russian Federation). Earlier, Ainu occupation had extended further south, into the main Japanese island of Honshu. During the seventeenth and eighteenth centuries, Ainu society felt the growing impact of the gradual northward expansion of the Japanese state. Japanese merchants established trading posts along the Hokkaido coastline; exchanging goods like rice and ironware for fish and seaweed, and for the Chinese brocades which Ainu traders bought from the Asian continent. Gradually, however, the Japanese presence became more intrusive, provoking several waves of armed resistance from the Ainu. The last major conflict, the Battle of Kunashir-Menash, took place in 1789. Until the middle of the nineteenth century, most Ainu people continued to speak their own language and maintain their own spiritual and material traditions, even though a growing number were persuaded or forced to work for Japanese-run fishing enterprises.
  • While asserting Japan's right to independent nationhood, Japanese scholars adopted notions of "progress" and "civilization" which defined the Ainu as "prehistoric hunter gatherers," destined either to extinction or to assimilation into the majority population. As in other parts of the world so too in Hokkaido, the land occupied by the original inhabitants was seen as "terra nullius" to be claimed by the state and distributed to colonial settlers. Ainu were required to adopt Japanese names and speak the Japanese language. Ainu communities were also often moved to remote areas to make room for new Japanese towns and villages. By the early 1880s, the Ainu population of Hokkaido, officially estimated at around 17,000, was already vastly outnumbered by a Japanese settler population of approximately 250,000. (It is worth observing though that given high levels of intermarriage, adoption, and social prejudice, official counts of the Ainu should always be treated with some caution.)
  • The Ainu, however, have never been passive victims of colonization. By the early twentieth century, a number of Ainu leaders were voicing resistance to the prejudice that they were experiencing in Japanese society. One of the more interesting instances of protest took place in 1927 when Kaizawa Hiranosuke, an Ainu villager from Nibutani, wrote to the government demanding the right for Ainu and other Indigenous people to be represented at the Congress of Asian Peoples in Nagasaki, an event being organized to promote Japan's status as a leader in the Asian struggle against colonialism.
  • It was not until the 1950s and 1960s that Ainu activists began to place growing emphasis on the maintenance or revival of disappearing craft skills, rituals, and modes of Indigenous knowledge.
  • Among them was Kayano Shigeru, who put together the large collection of Ainu artifacts now displayed in the Ainu Cultural Museum at Nibutani.
  • In 1987 Ainu representatives participated for the first time in the deliberations of the UN Working Group on Indigenous Populations. Interaction with Indigenous peoples worldwide gave encouragement to the Ainu cause, and promoted renewed debate amongst activists about issues such as Indigenous knowledge, resource rights and self-determination.
  • So began a prolonged campaign, which led to the passing of the 1997 Cultural Promotion Law.
  • So far, the law's most obvious result has been to focus attention on the fundamental question, "how and by whom is `Ainu cultural heritage' defined?" The whole notion of "cultural heritage," as embodied in the new law, implies notions of continuity rather than change, stability and order rather than conflict.
  • But as Ainu commentator Tahara Ryoko points out in a recent collection of essays on the new law, "Ainu culture is not limited to language or ceremonies or dance. It is Ainu life itself. Whatever happens every day within the household is Ainu culture."
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