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Mid Centry Modern touch inspirations for your thoughts! Nice photo and ideas!

Articles by Paul Rand on design from 1949 to 2008.

The link has changed - it's now: http://www.paul-rand.com/site/thoughts/

The artist was born in Bremen Germany on December 24, 1952. Freelance artist since 1980. Several artshows of his work in and outside his homecountry. Siegfried Zademack's surrealistic visionary paintings make recipients and reviewers wonder. The arrangement of his pictorial thoughts immensely exceeds a realistic reproduction. His pictures allow us to slip in metaphysical dimensions, between humorous irony and the unfathomable deepness of our souls. The semantic sources of this art are equally past and present. The quotation from art history stands alongside the Coca-Cola bottle. His true teachers were the masters of the earl and late Italien Renaissance up to the Mannerists. The syntax of his work is completely determined by that of the ciassical masters. What is astonishing is that, in adoptingit for his own pictorial inventions, he employs such perfect techniquie - though this is indispensable, in view his objectives. His figural inventions are clearly sculptured, but his iconology presumes considerable knowledge of art history and politic. In some of his pictorial quotes, we detect the difference to the Surrealist approach: it is the historical angle, which was yet possible and this is the present-day aspect - in manneristic periods. Descartes had seen this without making an issue of it: mundus est fabula, the world is a grand fable, a never-ending story in which we are forever entangled. lf we live from, stories, there are no sharp borderlihes between periods, for history is then the present, and anything we do now is already the future. This is the link between Boltraffio's Madonna and the American Way of Life, which makes no distinction betweeh the classics and Coca Cola.

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Here Peter Doig talks about LSD, fame and why the prices of his art make him feel physically sick. -ian

I borrowed a book of van Gogh's letters from a local library, and what can I say, I'm not only totally fascinated by him, but feel so bad when reading the last letter he wrote his brother before his death. His artwork and writing both are greatest treasure an artist can't live without! Ian

I wanna share this article simply because I'm still waiting for a congratulations letter from the organization of a visual art competition I participate. I don't want this preperception (or illusion) of winning the 1st prize ruin the pleasure of making art.
- Ian

I bring you 35 examples of amazing business cards under different categories and present them in a little different way.

That's a great collection. Bantjes' is genius like all of her work. Ian - I like the combination of light and dark in yours. It has a very contemporary feel, but I also see some influences like Art Nouveau at work in it. Do you like Art Nouveau?

To cewsom: I do like Art Nouveau, especially the organic patterns. Glad that like this design (I put lots of thoughts in this, obviously), just like most of my customers. :P The combination of light and dark, including the colors, helps to create a certain mood. I hope it arouses some excitement without being excessive and over dispersive. Actually this design is based on my latest digital work, in which I tried to adopt and experiment some elements (colors, curves, etc.) I never used before.

Borrowed this book from a local library a couple of weeks ago. To be honest, it's a bit shocking to me 'cause this book offers a new and quite thought-provoking perspective that helps me to interpret art in a way I have never imagined. Here is another website that gathers few paragraphs from the last chapter about how publicity disguises itself in the form of art and influences our daily life physically and mentally.

This is a great book and it's stood the test of time quite well. Another book I read recently called Do Good Design by David Berman reminded me of Berger's book. In many ways they are very similar but Berman's book focuses entirely on graphic design and directly challenges designers to take responsibility for the culture they create. http://www.davidberman.com/social/dogood.php