It is here that we find the basic difference and juxtaposition between his film aesthetics and those of Pasolini and Fellini. Pasolini raises the language of film to that of literature, writing, with its syntax, semiotics, etc. Fellini’s method, where each scene is put together in the same way as a painting is on canvas, was even more unacceptable to Tarkovsky. What will you have if, instead of a figure drawn on canvas by the artist we see a live actor? This is a surrogate painting, a “live picture”.
c newsom on 09 Apr 09Drawings, prints, literature - it's all here. Very difficult to categorize, but there is a lot of stuff here. The blog is no longer active but is still online for the moment. If this is your kind of stuff, download the whole site and archive it somewhere. Most of the reproductions are hi-res.
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