The Austen Project pairs six bestselling contemporary authors with Jane Austen's six complete works: Sense & Sensibility, Northanger Abbey, Pride & Prejudice, Emma, Persuasion and Mansfield Park. Taking these well-loved stories as their base, each author will write their own unique take on Jane Austen's novels. The Austen Project will launch with the release of worldwide bestseller Joanna Trollope's reimagining of Sense & Sensibility in October 2013, and will continue with Val McDermid's reworking of Northanger Abbey in Spring 2014 and Curtis Sittenfeld's Pride & Prejudice in Autumn 2014.
La Jane Austen Society of Italy promuove in Italia la conoscenza e lo studio di Jane Austen, la sua vita, la sua opera e tutto ciò che è legato ad essa, attraverso qualunque attività utile a realizzare tale scopo, nel nome dell'arricchimento culturale personale e condiviso.
Il primo blog italiano interamente e specificatamente dedicato al fenomeno Jane Austen in Italia : Nuovi libri, eventi, osservazioni, curiosità, novità dentro e fuori la rete per capire chi è oggi Jane Austen in Italia e ricostruire le tracce di un mito letterario che oggi parla, sempre più, anche la nostra lingua. A cura di Eleonora Capra.
Classical Reception Studies is the inquiry into how and why the texts, images and material cultures of Ancient Greece and Rome have been received, adapted, refigured, used and abused in later times and often other places. The Network aims to bring together departments and individuals from across the world who work on aspects of Classical Reception.
This project has been established to document and analyse the theatrical and literary surge of interest in Greek texts and drama which is a phenomenon of the late twentieth century.The website is currently under redevelopment.
Includes @ http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Projectsite/Bibliog.htm a full alphabetical bibliography on classical reception in english contemporary literature by Ruth Hazel
This project aims to recognize and analyse the intellectual legacy of British and Irish authors in the European cultural tradition. It examines the ways in which selected British and Irish writers in various humanistic disciplines have been translated, published, reviewed and discussed in Europe over the last few centuries. The project is being published under the title 'The Athlone Critical Traditions: The Reception of British and Irish Authors in Europe', an open-ended, multi-volume series published by Continuum. Publications are listed from 2003 to the present and deal with the reception of several authors, including: Laurence Sterne; James Joyce; Walter Pater; Ossian and James Macpherson; D. H. Lawence; Sir Walter Scott; Jane Austen; Coleridge; Charles Darwin; Shelley; Byron; H. G. Wells; Jonathan Swift; David Hume; Yeats; and Henry James
The People's History of Classics began life as an AHRC-funded research project based at King's College, London called Classics and Class in Britain 1789-1917. Our primary aim was to present and amplify the many lost voices of British working-class men and women who engaged with ancient Greek and Roman culture throughout the period. We wanted to show the richness and diversity of the responses to ancient Greece and Rome among those who are often thought to have been excluded from it. By presenting their stories now, via the Archive of Encounters, we hope that their example may inspire a more inclusive atmosphere for participation in classical culture across society today.
Jocasta* is a multilateral research project which aims to promote Classical Reception in Greece as part of an intertwined world. It conceives Reception not as a subdivision of Classics but as a mode of historicised inquiry and constant self-critique intrinsic in Classical Studies.
"The Classical Reception Studies Network (CRSN) aims to facilitate the exchange of information and to encourage collaboration in the field of classical reception studies, on a global scale. Classical reception studies is the inquiry into how and why the texts, ideas, images and material cultures of Ancient Greece and Rome have been received, adapted, refigured, used and abused in different historical and cultural contexts."