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Graca Martins

Merriam-Webster Online - 0 views

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    What are the origins of the English Language? The history of English is conventionally, if perhaps too neatly, divided into three periods usually called Old English (or Anglo-Saxon), Middle English, and Modern English. The earliest period begins with the migration of certain Germanic tribes from the continent to Britain in the fifth century A.D., though no records of their language survive from before the seventh century, and it continues until the end of the eleventh century or a bit later. By that time Latin, Old Norse (the language of the Viking invaders), and especially the Anglo-Norman French of the dominant class after the Norman Conquest in 1066 had begun to have a substantial impact on the lexicon, and the well-developed inflectional system that typifies the grammar of Old English had begun to break down. The following brief sample of Old English prose illustrates several of the significant ways in which change has so transformed English that we must look carefully to find points of resemblance between the language of the tenth century and our own. It is taken from Aelfric's "Homily on St. Gregory the Great" and concerns the famous story of how that pope came to send missionaries to convert the Anglo-Saxons to Christianity after seeing Anglo-Saxon boys for sale as slaves in Rome: Eft he axode, hu ðære ðeode nama wære þe hi of comon. Him wæs geandwyrd, þæt hi Angle genemnode wæron. Þa cwæð he, "Rihtlice hi sind Angle gehatene, for ðan ðe hi engla wlite habbað, and swilcum gedafenað þæt hi on heofonum engla geferan beon." A few of these words will be recognized as identical in spelling with their modern equivalents-he, of, him, for, and, on-and the resemblance of a few others to familiar words may be guessed-nama to name, comon to come, wære to were, wæs to was-but only those who have made a special study of Old English will be able to read the passage with understanding. The sense of it is as follows: Again he [St. Gregory] asked w
Margaret Giacalone

Writing Practice Worksheets - 1 views

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    "What wonderful worksheets! Our students really like answering your questions and prompts. Thanks for these!" -- Anika K., Salem, WV. 08/19/12 Like these materials? Show your support by liking us on Facebook... While we love logic and vocabulary, we understand that writing is paramount: chief in importance or impact; supreme; preeminent.
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    "What wonderful worksheets! Our students really like answering your questions and prompts. Thanks for these!" -- Anika K., Salem, WV. 08/19/12 Like these materials? Show your support by liking us on Facebook... While we love logic and vocabulary, we understand that writing is paramount: chief in importance or impact; supreme; preeminent.
t jaffe-notier

Talk Like Shakespeare - Shakespeare Goes Digital - 1 views

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    this site has links to excellent youtube videos demonstrating "talk like Shakespeare Day," April 23, Shakespeare's B-day
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    links to help celebrate Shakespeare's birthday, April 23
Dana Huff

YourNextRead: Book Recommendations (USA) - 7 views

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    Finished a book you really liked? Try YourNextRead to discover a book like it.
Leigh Newton

Author's Craft - Narrative Elements - Setting - 12 views

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    "Where is it? In a middleclass neighborhood; I'm not sure yet where it is.\nWhen is it? Wintertime in the evening, during an era when it was still common to see driving horses-maybe the late 1800s.\nWhat is the weather like? Cold, and the night falls early.\nWhat are the social conditions? In this neighborhood it seems people mostly stay inside in the evening; the narrator is aware of "rough tribes from the cottages" nearby-probably members of a lower social class.\nWhat is the landscape or environment like? Dark and quiet, with a sense of heaviness that contrasts with the narrator's shouting and playing.\nWhat special details make the setting vivid? Sensory details: the violet color of the sky, the dim lanterns, the stinging cold, the ashpits' odors, the music of the horse's harness."
Graca Martins

History of English - 0 views

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    History of English (Source: A History of English by Barbara A. Fennell) The English language is spoken by 750 million people in the world as either the official language of a nation, a second language, or in a mixture with other languages (such as pidgins and creoles.) English is the (or an) official language in England, Canada, Australia and New Zealand; however, the United States has no official language. Indo-European language and people English is classified genetically as a Low West Germanic language of the Indo-European family of languages. The early history of the Germanic languages is based on reconstruction of a Proto-Germanic language that evolved into German, English, Dutch, Afrikaans, Yiddish, and the Scandinavian languages. In 1786, Sir William Jones discovered that Sanskrit contained many cognates to Greek and Latin. He conjectured a Proto-Indo-European language had existed many years before. Although there is no concrete proof to support this one language had existed, it is believed that many languages spoken in Europe and Western Asia are all derived from a common language. A few languages that are not included in the Indo-European branch of languages include Basque, Finnish, Estonian and Hungarian; of which the last three belong to the Finno-Ugric language family. Speakers of Proto-Indo-European (PIE) lived in Southwest Russia around 4,000 to 5,000 BCE. They had words for animals such as bear or wolf (as evidenced in the similarity of the words for these animals in the modern I-E languages.) They also had domesticated animals, and used horse-drawn wheeled carts. They drank alcohol made from grain, and not wine, indicating they did not live in a warm climate. They belonged to a patriarchal society where the lineage was determined through males only (because of a lack of words referring to the female's side of the family.) They also made use of a decimal counting system by 10's, and formed words by compounding. This PIE language was also highly infl
Allison Powell

Aesop and Ananse: Animal Fables and Trickster Tales | EDSITEment - 1 views

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              Lesson/Moral                   Ask students to compare the characters, plot, and lessons of these stories. Which characters did they like best? Which did they like least? Which story had the best ending and why? Have students compare the animals and their behavior in each story: Why do the types of animals change or not from one culture's fable to the next? How does the behavior change according to the type of animal? What types of behaviors lead to what types of endings in these stories? To see how fables teach universal lessons about human nature and behavior, ask students to think of a real-life situation that applies to one of the stories.
dougswarners

annotation software ideas? - 18 views

I know! To give them freedom, I made my life easier by ordering an essay on the service, I have blended learning so I have this right. The quality of work was worth every penny spent. While availab...

Todd Finley

Jim Burke: English Companion - How To Read an Image - 0 views

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    The age demanded an image. -Ezra Pound Rationale In our world of multi- and visual media, we must expand our notion of what a text is and how we must read it. As more texts are used to convey information print once did, we must bring to these visual texts critical literacies that will help us construct meaning from their elements. The following questions are designed to help readers make sense of images they encounter in various contexts. Ask the Following Questions * Why are we looking at this? * What are we looking for? * How should we look at this? * What choices did the artist make and how did they affect its meaning? * Is this image in its original state (i.e., no manipulation or "doctoring")? * What are the different components in this image? * How are they related to each other? * What is the main idea or argument the image expresses? * In what context or under what conditions was this image originally created? Displayed? * Who created it? * Was it commissioned? (If so, by whom? And for what purpose?) * What was the creator trying to do here? (i.e., narrate, explain, describe, persuade-or some combination?) * Can you find any tension or examples of conflict within the image? If so, what are they? What is their source? How are they represented? * Do you like this image? (Regardless of your answer: Why?) * How would you describe the artist's technique? * What conventions govern this image? How do they contribute to or detract from its ability to convey its message? * What does it consist of? * Why are parts arranged the way they are? * What is the main idea behind this image? * What does this image show (i.e., objectively; see Vietnam Memorial image) * What does it mean (subjectively; see Vietnam Memorial image) * Is this presented as an interpretation? Factual record? Impression? * What is the larger context of which this image is a part? * What is it made fro
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    The age demanded an image. -Ezra Pound Rationale In our world of multi- and visual media, we must expand our notion of what a text is and how we must read it. As more texts are used to convey information print once did, we must bring to these visual texts critical literacies that will help us construct meaning from their elements. The following questions are designed to help readers make sense of images they encounter in various contexts. Ask the Following Questions * Why are we looking at this? * What are we looking for? * How should we look at this? * What choices did the artist make and how did they affect its meaning? * Is this image in its original state (i.e., no manipulation or "doctoring")? * What are the different components in this image? * How are they related to each other? * What is the main idea or argument the image expresses? * In what context or under what conditions was this image originally created? Displayed? * Who created it? * Was it commissioned? (If so, by whom? And for what purpose?) * What was the creator trying to do here? (i.e., narrate, explain, describe, persuade-or some combination?) * Can you find any tension or examples of conflict within the image? If so, what are they? What is their source? How are they represented? * Do you like this image? (Regardless of your answer: Why?) * How would you describe the artist's technique? * What conventions govern this image? How do they contribute to or detract from its ability to convey its message? * What does it consist of? * Why are parts arranged the way they are? * What is the main idea behind this image? * What does this image show (i.e., objectively; see Vietnam Memorial image) * What does it mean (subjectively; see Vietnam Memorial image) * Is this presented as an interpretation? Factual record? Impression? * What is the larger context of which this image is a part? * What is it made fro
Andrew Spinali

Clarity Through Brevity: Integrating Six-Word Memoirs | Edutopia - 0 views

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    Post about the value of having students condense their thoughts to six word memoirs. It seems like a great way to promote reflective, thoughtful writing and forces writers to consider the purpose of their pieces.
Andrew Spinali

Transcript: Obama's remarks at Boston Marathon memorial - chicagotribune.com - 0 views

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    I plan on using excerpts from the speech to discuss the power of reflective writing in a moment like this. 
Sharon Elin

About Us - Newslo "Just Enough News" - 13 views

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    "Newslo is the first hybrid News/Satire platform on the web. Readers come to us for a unique brand of entertainment and information that is enhanced by features like our fact-button, which allows readers to find what is fact and what is satire. Newslo's "No Need to Satirize" brings you completely factual stories that are so ridiculous, they don't need our trademark touch. Whenever you see #NNTS, you're reading COMPLETELY real news that only seems too absurd to be true."
Leigh Newton

What Should I Read Next? - 0 views

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    Enter a book, CD or DVD that you enjoyed and the site will analyse our database of real users' preferences to suggest other books, CDs or DVDs that you might like.
anonymous

Langwitches » Blogging Lesson Plan- Writing - 0 views

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    Writing their own blog posts can open up a whole new world for your students. Most likely it will be the first time that the readers of their work will be someone other than their teacher and possibly their parent.
anonymous

The Best Sources For Advice On Student Blogging | Larry Ferlazzo's Websites of the Day... - 1 views

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    A short " The Best Sources For Advice On Student Blogging" list the places I've found most helpful, and I'd certainly like to solicit other suggestions for additions to this list.
Todd Finley

Free Drawing Software - 0 views

  • InkScape is illustration software similar to the commercial packages Adobe Freehand and Adobe Illustrator, but without the cost. If you would like to try making some really nice clean computer drawings like you see in magazines or on television this software can help you get started. I played with the software and quickly created this smiley face. Illustration software is essential to learn for anyone wanting to be a graphic designer. Why not start today with similar tools similar to what the pros use? For more information please look at http://www.inkscape.org.
    • Todd Finley
       
      Venctor based open source drawing program.
Dana Huff

Would Life Be Better If We All Spoke Shakespeare? : NPR - 0 views

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    Shakespeare died almost 400 years ago, but if blogger Joe Muldoon had it his way, we would all still speak like the Bard. Muldoon talks about his op-ed, "We Can't All Be Shakespeare - But We Could Try to Be," which appeared in the Minneapolis Star Tribune.
Todd Finley

Huffduffer - 4 views

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    "The power is in taking audio content - in podcast form or not - and creating something useful, a soundscape of the things you like or you think others would - and then using the ubiquitous RSS format to distribute that information." - http://portagemedia.com/socialcommentary/2009/12/21/what-the-heck-is-huffduffer/
Todd Finley

PiratePad - 12 views

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    Works like EtherPad. Powered by Etherpad. A tool for collaborative writing in "really real" time.
Melody Velasco

The Future of Reading and Writing is Collaborative - 10 views

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    "The keys to understanding this new perspective on writing and reading lie in notions of collaboration and being social. More specifically, it's believing that collaboration and increased socialization around activities like reading and writing is a good idea."
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