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Catherine Strattner

EBSCOhost: Multiple Intelligences, the Mozart Effect, and Emotional Intelligence: A Cr... - 0 views

ehis.ebscohost.com.libproxy.albany.edu/...pdfviewer

theory critics multiple intelligences mozart effect

shared by Catherine Strattner on 17 Jun 12 - No Cached
  • Catherine Strattner on 17 Jun 12
     
    This article addresses a variety of criticisms of Howard Gardner's Multiple Intelligence Theory as well as the Mozart Effect and Emotional Intelligence theory.
Alicia Fernandez

Multiple Intelligences, the Mozart Effect, and Emotional Intelligence: A Critical Review - 0 views

ocw.metu.edu.tr/...s15326985ep4104_1.pdf

multiple intelligences Gardner MI theory cognitive psychology cognitive neuroscience

shared by Alicia Fernandez on 04 Jun 14 - No Cached
  • Alicia Fernandez on 04 Jun 14
     
    Article reviews evidence for multiple intelligences theory, the Mozart effect theory, and emotional intelligence theory and argues that despite their wide currency in education these theories lack adequate empirical support and should not be the basis for educational practice. Each theory is compared to theory counterparts in cognitive psychology and cognitive neuro- science that have better empirical support. The article considers possible reasons for the appeal of these 3 theories and concludes with a brief rationale for examining theories of cognition in the light of cognitive neuroscience research findings.
alexandra m. pickett

Western Music History - 0 views

www.merlot.org/...viewMaterial.htm

module 4 assignment

shared by alexandra m. pickett on 22 Jul 13 - No Cached
  • Location
  • free, online wikibook
  • We then have expansions of range and complexity as we move into the Baroque era. The Classical era gives us the emotional power associated with such composers as Wolfgang Amadeus Mozart. Romanticism then transforms the rigid styles and forms of the Classical era into more individualistic stylizations. Tonality was at its peak during this period, then Impressionist music paved the way to the use of extreme dissonances in the music of the Modern era.
    • alexandra m. pickett
      alexandra m. pickett on 05 Aug 13
       
      did you know you can attach a sticky directly to highlighted text : )
  • ...1 more annotation...
    • Daniel Hacker
      Daniel Hacker on 05 Aug 13
       
      Great resource that my students could use as a suppliment to course material as a study guide. This online resource highlights not only composers, but classical works and terms specific to music of the time periods.
    • alexandra m. pickett
      alexandra m. pickett on 05 Aug 13
       
      ok. you will use this as a suppliment. how likely is it that students will use supplimental course materials?
  • Daniel Hacker on 22 Jul 13
     
    This is an online wikibook that may serve as a good resource for the students that will be enrolled into my class. My current course, which is part 2 of 2, covers music from the Baroque to 20th Centuries. Students in my class can use this resource for both part 1, and part 2 of my class as it covers music from Medieval times to the present. It covers terms, vocabulary, compositions and composers. I believe that my students and I could use this as a reference point to an overview of each musical period.
  • alexandra m. pickett on 05 Aug 13
     
    This is an online wikibook that may serve as a good resource for the students that will be enrolled into my class. My current course, which is part 2 of 2, covers music from the Baroque to 20th Centuries. Students in my class can use this resource for both part 1, and part 2 of my class as it covers music from Medieval times to the present. It covers terms, vocabulary, compositions and composers. I believe that my students and I could use this as a reference point to an overview of each musical period.
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