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The idea of humanity reaching an end point through transformation to a higher form of existence is the main idea behind the concept of the Omega Point and of the technological singularity.

Despite offers from the bnetd developers to integrate Blizzard's CD key checking system into bnetd, Blizzard claims that the public availability of any such software package facilitates piracy, and moved to have the bnetd project shut down under provisions of the DMCA.[citation needed] As this case is one of the first major test cases for the DMCA, the Electronic Frontier Foundation became involved, for a while negotiations were ongoing to resolve the case without a trial. The negotiations failed however, and Blizzard won the case on all counts: the defendants were ruled to have breached both StarCraft's End User License Agreement (EULA) and the Terms of Use of Battle.net.

"The Veldt" — Two parents use an artificial "nursery" to keep their children happy. The children use the high-tech simulation nursery to create the predatorial environment of an African veldt. When the parents threaten to take it away, the children lock their parents inside where they are mauled and killed by the "harmless" machine-generated lions of the nursery.

"The Highway" — A community of simple-minded people living by a highway in rural Mexico go on living their normal, idyllic lives as the highway fills with people fleeing a nuclear war. The story ends with some travellers they help telling them about the nuclear war, and how the world is ending. After the travelers leave, the confused resident briefly wonders what "the world" is, and then continues with his life.

a typical BitTorrent download will gradually rise to very high speeds, and then slowly fall back down toward the end of the download. This contrasts with an HTTP server that, while more vulnerable to overload and abuse, rises to full speed very quickly and maintains this speed throughout.

To share a file or group of files, a peer first creates a "torrent." This small file contains metadata about the files to be shared and about the tracker, the computer that coordinates the file distribution. Peers that want to download the file first obtain a torrent file for it, and connect to the specified tracker, which tells them from which other peers to download the pieces of the file.

In practice, the DMCA and DRM have done nothing to stop "Internet piracy." Yet the DMCA has become a serious threat that jeopardizes fair use, impedes competition and innovation, chills free expression and scientific research, and interferes with computer intrusion laws. If you circumvent DRM locks for noninfringing fair uses or create the tools to do so, you might be on the receiving end of a lawsuit.

It is a critique of what Bradbury saw as an increasingly dysfunctional American society, written in the early years of the Cold War.

Bradbury has stated that the novel is not about censorship; he states that Fahrenheit 451 is a story about how television destroys interest in reading literature, which ultimately leads to ignorance of total facts.[3]

Anyone caught reading books is, at the minimum, confined in a mental hospital, while the books are taken away and burned; at the maximum, the penalty is a sentence to immediate death. The main books that are not allowed are those, of great and famous works of literature, by many famous writers, such as Dickenson, Poe, Twain, and others.

Shortly before his intuition about an atomic bomb, Leo Szilard had been reading The World Set Free by H. G. Wells--a novel about a German invasion of France and the use of atomic bombs in a global war, a novel written in 1913 but set in the 21st century. Wells called his radioactive element Carolinum: "once its degenerative process had been induced, [Carolinum] continued a furious radiation of energy, and nothing could arrest it." In 1913, Wells was already writing about radioactive decay, half-lives, burning cities, even about deforestation, diminishing supplies of coal and oil, and the rush toward bankruptcy. And he inspired Szilard. Wells wrote--and Szilard read--of the final achievement of a world government and the abolition of atomic weapons--the "world set free." "The catastrophe of atomic bombs shook men...," Wells wrote, "out of their old-established habits of thought." And it was H.G. Wells who gave us the phrase, "a war to end all war."

Wells depicts the Martians firing spacecraft to Earth from a giant space gun, a common representation of space travel in the late 19th and early 20th centuries, bearing similarity to the modern spacecraft propulsion concept of mass drivers.

Military theorists of that era had many speculations of building a "fighting-machine" or "land dreadnought" (as the Royal Navy called this hypothetical machine on which some experiments were made just before the First World War). Wells's concept of the Martian tripods, fast-moving and equipped with Heat-Rays and black smoke, represents an ultimate end to these speculations, although Wells also presents a less fantastical depiction of the armoured fighting vehicle in his short story "The Land Ironclads". [1] [2]

On a different field, the book explicitly suggests that the Martians' anatomy may reflect the far future development of mankind itself — i.e. that with the increasing development of machines, the body is largely discarded and what remains is essentially a brain that "wears" a different (mechanical) body for every need, just as humans wear the clothes appropriate to a particular weather or work.