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Molly Kellogg

What's All This Talk about Rigor? - 0 views

    • Molly Kellogg
       
      This all adds up to good teaching!  I don't think each description defines rigor since there is more to an effective learning experience than just the rigor, but I certainly agree with all of descriptors in the left column!  I think they're really describing best practices in teaching and learning, so rigor is connected to things like engagement, relevance, student-centered work, open-ended problems, critical thinking skills, accessibility, and high expectations for everyone.
  • Rigor involves all partners in teaching and learning.
    • Molly Kellogg
       
      Very important point - I agree!  Students, teachers and other thinkers involved in a learning experience have a shared responsibility to create and maintain the correct environment for rigorous learning.
  • encourage productive struggling.
  • ...10 more annotations...
  • A rigorous lesson embraces the messiness of a good mathematics task and the deep learning that it has the potential to achieve.
    • Molly Kellogg
       
      YES, YES!!!  Bring on the productive struggle and messy learning!!!  That is what learning is like in real life and that is what we need to provide for our students or they will never truly learn to be critical thinkers, independent problem solvers or inventive thinkers!
  • persist
  • reflect
  • take responsibility
  • ask productive questions
  • teachers
  • preserving the challenge of the task!
  • rigorous formative assessment
    • Molly Kellogg
       
      Absolutely - this is how we learn to differentiate for students throughout the learning experience.
  • When selecting tasks, teachers must be sure that mathematical ideas are explicit and the connections are clear
  • Professional development experiences
    • Molly Kellogg
       
      How can we shape our professional development opportunities to invite more rigor for staff to enrich their learning and to serve as a model for their teaching?
David Pearl

Educational Leadership:Teaching for the 21st Century:Why Creativity Now? A Conversation with Sir Ken Robinson - 0 views

  • Really, creativity is a disciplined process that requires skill, knowledge, and control.
    • Molly Kellogg
       
      And we need to include kids in the process of creativity - what structure do they naturally follow? Have them use Bloom's taxonomy to mull over the process of creativity. What is the difference between a wild idea that is outside of the box and a wild idea that is totally out of the realm of possibility? Once the kids establish a process and structure for creative thinking, they can also begin to fill their tool kit with creative thinking tools, like SCAMPER and reverse brainstorming.
    • Annie Ouimet
       
      Three creatvity misconceptions: *only about special people *only about special activities *is about letting go
  • we're going to need every ounce of ingenuity, imagination, and creativity to confront these problems.
    • Molly Kellogg
       
      What else can we do to bring the focus in our school onto the vital importance of creativity and innovation?
  • ...11 more annotations...
  • "We need people who can be innovative, who can think differently."
  • At the moment, instead of promoting creativity, I think we're systematically educating it out of our kids.
    • Annie Ouimet
       
      I'm not sure about this...there has to be a balance I have said for years that we need more time in school
  • America is now facing the biggest challenge it's ever faced—to maintain it's position in the world economies. All these things demand high levels of innovation, creativity, and ingenuity. At the moment, instead of promoting creativity, I think we're systematically educating it out of our kids.
    • Molly Kellogg
       
      See Ken Robinson's talk on how schools kill creativity for more on this; I think this is an opportunity to look at all of the amazing things we do in our schools already to encourage creativity and innovation and then to figure out how to expand those things rather than to feel singled out as a cause of creativity's demise.
  • And when you find things you're good at, you tend to get better at everything because your confidence is up and your attitude is different.
    • Annie Ouimet
       
      This idea needs to be bottled and distributed to every educator...confidence is the key to learning
    • Molly Kellogg
       
      Giving kids the chance to find their passion is the most empowering and exciting gift that we can give them!
  • A policy for creativity in education needs to be about everybody, not just a few.
    • Cathy Wolinsky
       
      How do we give students assignments so that they are responding with creativity and not just following directions?
  • We know this because human culture is so diverse and rich—and our education system is becoming increasingly dreary and monotonous
    • Molly Kellogg
       
      We MUST differentiate, differentiate, differentiate - our learning environments, our teaching styles, our materials, our content and our processes to avoid this stiffling conformity. Isn't diversity envigorating?!
    • David Pearl
       
      I agree
  • It's no surprise to me that so many kids are pulling out of it.
    • Molly Kellogg
       
      The number of kids who check out or actually drop out of school is alarming - a noticable portion of whom are gifted learners. This really concerns me.
  • This is one of the great skills we have to promote and teach—collaborating and benefiting from diversity rather than promoting homogeneity. We have a big problem at the moment—education is becoming so dominated by this culture of standardized testing, by a particular view of intelligence and a narrow curriculum and education system, that we're flattening and stifling some of the basic skills and processes that creative achievement depends on.
  • So there's no doubt in my mind that collaboration, diversity, the exchange of ideas, and building on other people's achievements are at the heart of the creative process. An education that focuses only on the individual in isolation is bound to frustrate some of those possibilities.
  • The regime of standardized testing has led us all to believe that if you can't count it, it doesn't count. Actually, in every creative approach some of the things we're looking for are hard, if not impossible, to quantify. But that doesn't mean they don't matter. When I hear people say, "Well, of course, you can't assess creativity," I think, "You can—just stop and think about it a bit."
    • Molly Kellogg
       
      This is where the value of standards based education becomes clear. I want to use meaty criteria based on student actions and products to assess learning and growth, not numbers and letters. Both my students and I can most effectively assess creativity and innovation by using criteria embedded in content standards. For example, a student can look at their brainstorming notes, organized ideas, idea development work and product creation materials to determine whether they have taken their knowledge all the way up to the top of Bloom's Taxonomy. Have they generated multiple ideas to respond to the guiding question or problem? Have they made connections between ideas to generate new thoughts? Have they piggybacked off others' ideas to create new ones? Have they organized their ideas, explored the logistics behind them and selected the best one for the situation? Have them woven their best idea into new content mastery to apply their knowledge in an innovative way? To me a student reflection around these types of questions is a much more authentic and valuable means of assessment that any attempt to put a numerical value on creativity.
    • David Pearl
       
      The Float
Alice Barr

School Library Journal's 10 Best Digital Resources for 2009 - 6/1/2009 - School Library Journal - 0 views

  •  
    School Library Journal's 10 Best Digital Resources for 2009 The must-have products for next fall
Alice Barr

Collections Overview - Harvard College Library - 0 views

  •  
    Harvard's collections are the product of more than three centuries of decisions encompassing every imaginable thematic interest. The contours of these collections also, inevitably, reflect an evolving understanding of what academic libraries are expected to acquire-at one point the basic books that any educated person would have at his command; more recently a broadening array of resources, in all formats, to support an inclusive community's discipline-based inquiries. Libraries at other colleges and universities have of course pursued similar goals. Harvard, however, is unique for the duration of its efforts, and also unusual in having consistently anticipated scholarly needs by documenting emerging social, intellectual, and political trends. A host of distinctive collections, and the uniquely rich sum of these parts, are a visible result.
Alice Barr

EdTechTeacher - 0 views

  •  
    Used wisely, technology empowers students to take responsibility for their own learning. In Leonardo's Laptop, Ben Shneiderman provides teachers with a powerful framework, Collect-Relate-Create-Donate (CRCD), for designing student-centered learning opportunities using computers. In particular, Shneiderman's CRCD framework emphasizes the importance of the social aspects of learning in generating creative work. In CRCD projects, students research information, work collaboratively to create a meaningful product that demonstrates their learning, and contribute that project to a larger learning community. Shneiderman designed the Collect-Relate-Create-Donate framework as a vehicle for preparing young people for a 21st century world where innovation, creativity, and collaboration will be more highly prized than retention and repetition.
Mike Arsenault

2¢ Worth » Technology-Transformed Learning Environments - 0 views

  • What I would look for is a learning experience where the learner is propelled by continually encountering barriers, asking questions, coming to understand the barriers, and solving his or her way through them.
    • Mike Arsenault
       
      Inquiry-based research is so important to create a personal investment by the student in the process.
  • The learning experience compels a personal investment by the learner and contributes to the learner’s identity.  The learning work should result in value, either value to the learner (increased self-value) or in an end product that is of value to others.
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