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Bill Kuykendall

20 Photojournalists' fantastic portfolios :: 10,000 Words - 0 views

  • The digital era has revolutionized photography. Photojournalists not only have access to high-end cameras with a seemingly infinite number of features, but their photos can be presented in many different ways, including slideshows and multimedia packages. However, it doesn't matter the technology that powers the photography, what matters is the eye and innate skill of the photographer, as evidenced below.
Bill Kuykendall

DEADEYE.TV Ι Homepage - 0 views

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    Deadeye's mission is to produce superior rich media content that integrates still photos, text, audio and video and targets the unique and universal through both fiction and nonfiction genres. The creation of photojournalist, musician and theatrical artis
Bill Kuykendall

Maisie Crow Photojournalist - 0 views

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    Maisie Crow is a young, inventive and productive multimedia documentarian. A graduate of the Salt Institute for Documentary Studies in Portland, the University of Texas at Austin, and, soon, I believe, the Ohio University School of Visual Communications MA program, she has won a number of awards and shown tremendous potential. Check out her two documentaries on this site.
Bill Kuykendall

BBC - Viewfinder: Michael Kamber on photojournalism today - 0 views

  • "Yet we are the last stalwarts; my photojournalist friends at other mainstream newspapers say their travel budgets are gone. The LA Times, US News and Newsweek appear to be sliding towards bankruptcy; The Washington Post closed nearly all its foreign bureaux; Time is a shadow of its former self.
  • what is dead is not photojournalism - what is dead is the particular culture of photojournalism that supported us for the past 30 years.
  • new models for raising cash to do projects - the grants, agency workshops, Emphasis, the partnerships with NGOs (which I find troubling for reasons I won't detail here), and others. I myself am using Emphasis to raise money for a book project.
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  • a photojournalist today has to be much more of an overall journalist - video, written pieces, and multi-media are crucial to stitching together a living.
  • "Do I like this new developing model? Not much. Does it allow for a photographer to have job security, raise a family with health insurance, know that someone will evacuate him or her if injured in a warzone? Absolutely not.
  • What troubles me is that we are becoming ghettoised. As the mainstream press dies a slow and ugly death, we increasingly work for each other - for the cultish community of photo festivals and workshops, awards and grants, boutique print collectors.
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