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Bill Kuykendall

MediaStorm: A Multimedia Production Studio - 0 views

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    MediaStorm's online publication is an eclectic showcase for multimedia storytelling. The goal is to tell the story of today's world in a truly in-depth manner. Contributors include a diverse range of exceptional storytellers.
Bill Kuykendall

Eddie Adams Workshop Multimedia | Eddie Adams Workshop - 0 views

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    2009 Eddie Adams Multimedia Workshop
Bill Kuykendall

Maisie Crow Photojournalist - 0 views

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    Maisie Crow is a young, inventive and productive multimedia documentarian. A graduate of the Salt Institute for Documentary Studies in Portland, the University of Texas at Austin, and, soon, I believe, the Ohio University School of Visual Communications MA program, she has won a number of awards and shown tremendous potential. Check out her two documentaries on this site.
Bill Kuykendall

The Visual Student - 0 views

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    NPPAs website for student multimedia journalists.
Bill Kuykendall

West Virginia Uncovered | Home | West Virginia University - 0 views

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    West Virginia Uncovered - Multimedia Journalism from the Mountains
Bill Kuykendall

Remember Me: A multimedia documentary about one family's struggle to deal with the loss... - 0 views

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    Concord Monitor Pulitzer Prize winning multimedia package by Preston Gannaway
Bill Kuykendall

About the Lens Blog - Lens Blog - NYTimes.com - 0 views

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    "Lens is the photography blog of The New York Times, presenting the finest and most interesting visual and multimedia reporting - photographs, videos and slide shows. A showcase for Times photographers, it also seeks to highlight the best work of other newspapers, magazines and news and picture agencies; in print, in books, in galleries, in museums and on the Web."
Bill Kuykendall

Nieman Reports | Long-Form Multimedia Journalism: Quality Is the Key Ingredient - 0 views

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    Interview with Brian Storm, president of MediaStorm, NYC
Bill Kuykendall

20 Photojournalists' fantastic portfolios :: 10,000 Words - 0 views

  • The digital era has revolutionized photography. Photojournalists not only have access to high-end cameras with a seemingly infinite number of features, but their photos can be presented in many different ways, including slideshows and multimedia packages. However, it doesn't matter the technology that powers the photography, what matters is the eye and innate skill of the photographer, as evidenced below.
Bill Kuykendall

CPJW 2009 - 0 views

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    University of North Carolina Photojournalism workshop: Being Asheville: Unearthing the spirit of Western North Carolina
Bill Kuykendall

Carolina Photojournalism - 0 views

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    Website of the University of North Carolina Photojournalism program
Bill Kuykendall

Transom Special Feature: In Verse: The Making of "Women of Troy" - 0 views

  • “In Verse” is a multimedia reporting project combining poetry, photography and sound. The documentary poems will be broadcast on Studio 360 with Kurt Andersen the weekend of November 6, 2009. The first installment of the project, “Women of Troy,” documents the lives of working mothers in Troy, New York–once one of the richest cities in America, thanks to its role in the industrial revolution. Now roughly 19 percent of the population is living below the US poverty line.
Bill Kuykendall

BBC - Viewfinder: Adrian Evans on future funding of photojournalism - 0 views

  • Quality photojournalism is expensive - researching the story, gaining access, spending time with your subjects, post production and editing - there are no short cuts. Newspapers and magazines spend a tiny proportion of their income on content and they certainly don't want to spend it on photography.
  • Success now lies in being multiskilled, merely taking photographs is not enough. My advice to aspiring photographers is that they need to be able to design a web page using html, know their way around a multitude of publishing software programmes shoot and edit video, record audio and most importantly research and pitch stories.
  • rather than sourcing funding from the print media or distributor of a story, photographers are working with organisations who have a message they want to disseminate.
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  • NGOs and foundations
  • active involvement in their visual communications, advising on how best to approach a subject visually and then exploring different outputs for the resulting work
  • A body of work can simultaneously be a print feature or a series of print features, a book, an exhibition, a multimedia piece, a web gallery all of which carry different price structures ranging from the free to the expensive.
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