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Weiye Loh

BBC News - Belle de Jour's history of anonymity - 0 views

  • In the internet age, we have become increasingly concerned about the effects of anonymous online commentary. Anonymous bloggers can have enormous global audiences. "Trolls" can bring criticism straight to the computer screens of the people they disagree with. These trends are solidly in the tradition of literary anonymity - from unsigned political tracts to biting satirical graffiti, we've seen it all before.
  • the effects of anonymity are more important for the anonymous writer than they are for the audience. We'd still be dotty over Jane Austen's books if, like her contemporary audience, we never knew her name. The writing has enough authority and detail to carry us along in her inner world. Knowing her name, where she lived, and seeing the piecrust table where she painstakingly wrote out her manuscripts is interesting, but it's trivia. It's not what makes her novels sing.
  • Anonymous is one of our greatest writers. "From the medieval period to the modern period there have been authors who have enjoyed playing with and experimenting with anonymity, and it never really goes out of fashion," says Marcy North, author of The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England.
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    "Anon was, as Virginia Woolf noted in one of her final unpublished essays, "the voice that broke the silence of the forest". Elsewhere she suggested that "Anonymous was a woman". For anonymity has definitely been widely used by women throughout the ages, whether they're writing about relationships, sex or anything else. Without Anonymous, there are so many classics we would not have had - Gawain and the Green Knight, virtually all of the Bible and other religious texts. Anon is allowed a greater creative freedom than a named writer is, greater political influence than a common man can ever attain, and far more longevity than we would guess. Obviously, I'm a great fan of Anon's work, but then, as a formerly anonymous author, I would say that, wouldn't I?"
Weiye Loh

Book Lovers Fear Dim Future for Notes in the Margins - NYTimes.com - 1 views

  • Marginalia was more common in the 1800s. Samuel Taylor Coleridge was a prolific margin writer, as were William Blake and Charles Darwin. In the 20th century it mostly came to be regarded like graffiti: something polite and respectful people did not do. Paul F. Gehl, a curator at the Newberry, blamed generations of librarians and teachers for “inflicting us with the idea” that writing in books makes them “spoiled or damaged.”
  • Studs Terkel, the oral historian, was known to admonish friends who would read his books but leave them free of markings. He told them that reading a book should not be a passive exercise, but rather a raucous conversation.
  • marginalia enriched a book, as readers infer other meanings, and lends it historical context. “The digital revolution is a good thing for the physical object,” he said. As more people see historical artifacts in electronic form, “the more they’re going to want to encounter the real object.”
Sam McGrath

Exit Through The Gift Shop - 0 views

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    This is the website for Banksy's documentary Exit Through the Gift Shop.
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    This is an amazing film, I watched it a few months back and was blown away by it, if art interests you at all this is a must see. It's on netflix instant if anyone's interested.
Sam McGrath

Banksy - 2 views

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    Ashley mentioned Banksy in her post. This is his website. Check it out. It has some cool work he's done.
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