Opinion | The Alt-Right Manipulated My Comic. Then A.I. Claimed It. - The New York Times - 0 views
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Legally, it appears as though LAION was able to scour what seems like the entire internet because it deems itself a nonprofit organization engaging in academic research. While it was funded at least in part by Stability AI, the company that created Stable Diffusion, it is technically a separate entity. Stability AI then used its nonprofit research arm to create A.I. generators first via Stable Diffusion and then commercialized in a new model called DreamStudio.
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hat makes up these data sets? Well, pretty much everything. For artists, many of us had what amounted to our entire portfolios fed into the data set without our consent. This means that A.I. generators were built on the backs of our copyrighted work, and through a legal loophole, they were able to produce copies of varying levels of sophistication.
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eing able to imitate a living artist has obvious implications for our careers, and some artists are already dealing with real challenges to their livelihood.
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Greg Rutkowski, a hugely popular concept artist, has been used in a prompt for Stable Diffusion upward of 100,000 times. Now, his name is no longer attached to just his own work, but it also summons a slew of imitations of varying quality that he hasn’t approved. This could confuse clients, and it muddies the consistent and precise output he usually produces. When I saw what was happening to him, I thought of my battle with my shadow self. We were each fighting a version of ourself that looked similar but that was uncanny, twisted in a way to which we didn’t consent.
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In theory, everyone is at risk for their work or image to become a vulgarity with A.I., but I suspect those who will be the most hurt are those who are already facing the consequences of improving technology, namely members of marginalized groups.
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In the future, with A.I. technology, many more people will have a shadow self with whom they must reckon. Once the features that we consider personal and unique — our facial structure, our handwriting, the way we draw — can be programmed and contorted at the click of a mouse, the possibilities for violations are endless.
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I’ve been playing around with several generators, and so far none have mimicked my style in a way that can directly threaten my career, a fact that will almost certainly change as A.I. continues to improve. It’s undeniable; the A.I.s know me. Most have captured the outlines and signatures of my comics — black hair, bangs, striped T-shirts. To others, it may look like a drawing taking shape.I see a monster forming.