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Javier E

Russell Brand on revolution: "We no longer have the luxury of tradition" - 0 views

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  • The right has all the advantages, just as the devil has all the best tunes. Conservatism appeals to our selfishness and fear, our desire and self-interest; they neatly nurture and then harvest the inherent and incubating individualism. I imagine that neurologically the pathway travelled by a fearful or selfish impulse is more expedient and well travelled than the route of the altruistic pang. In simple terms of circuitry I suspect it is easier to connect these selfish inclinations.
  • This natural, neurological tendency has been overstimulated and acculturated. Materialism and individualism do in moderation make sense.
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  • Biomechanically we are individuals, clearly. On the most obvious frequency of our known sensorial reality we are independent anatomical units. So we must take care of ourselves. But with our individual survival ensured there is little satisfaction to be gained by enthroning and enshrining ourselves as individuals.
  • For me the solution has to be primarily spiritual and secondarily political.
  • By spiritual I mean the acknowledgement that our connection to one another and the planet must be prioritised. Buckminster Fuller outlines what ought be our collective objectives succinctly: “to make the world work for 100 per cent of humanity in the shortest possible time through spontaneous co-operation without ecological offence or the disadvantage of anyone”. This maxim is the very essence of “easier said than done” as it implies the dismantling of our entire socio-economic machinery. By teatime.
  • The price of privilege is poverty. David Cameron said in his conference speech that profit is “not a dirty word”. Profit is the most profane word we have. In its pursuit we have forgotten that while individual interests are being met, we as a whole are being annihilated. The reality, when not fragmented through the corrupting lens of elitism, is we are all on one planet.
  • Suffering of this magnitude affects us all. We have become prisoners of comfort in the absence of meaning. A people without a unifying myth. Joseph Campbell, the comparative mythologist, says our global problems are all due to the lack of relevant myths.
katyshannon

The Rationale Behind Verizon's Interest in Yahoo's Web Business - Bloomberg Business - 0 views

  • Verizon Communications Inc. wants to attract teens and millennials who are more used to watching videos on their mobile phones than on a TV in a living room. Yahoo! Inc., which is spinning out its main Web business, has been investing heavily in online-video content.
  • So it’s probably not a coincidence that executives at the largest U.S. wireless carrier were chattier than usual this week when asked the question: Would Verizon be interested in buying Yahoo’s Internet assets?
  • Chief Executive Officer Lowell McAdam and Chief Financial Officer Fran Shammo, using similar language, both said within the past two days that Verizon would look at a Yahoo deal "if it made sense," instead of declining to comment. 
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  • Both Yahoo and Verizon have staked their future on mobile Internet and video growth. On paper, a deal would make sense. New York-based Verizon has already shown a willingness to buy Internet properties with its $4.4 billion acquisition of AOL in June. Yahoo’s Web business, which could fetch a price of $3 billion to $3.5 billion, based on analysts’ estimates, will be spun out as part of Yahoo’s tax-saving move to return the value of its $31 billion stake in Alibaba Group Holding Ltd. to shareholders.
  • Yahoo’s board has said that it’s not putting the company up for sale, and that the move is the best way to deal with the Alibaba holdings.
  • "Yahoo would help check several boxes in what Verizon is looking to build at the moment with a cross-platform ad strategy and new video offerings," said Jan Dawson, an analyst at Jackdaw Research LLC.
  • Yahoo’s mail, finance, sports and video sites attract more than 1 billion users, a prized asset that would add to AOL’s 2 million users. That kind of Web traffic, along with exclusive content, is just what Verizon, with more than 105 million wireless subscribers, needs to lure and retain a new smartphone-addicted generation.
  • A Yahoo deal would also give Verizon a new source of revenue, through online advertising, especially from Yahoo’s video-ad unit Brightroll. Verizon has introduced an ad-supported mobile-video service called go90 (named for tilting small screens 90 degrees to watch videos). By seeking users and marketers, Verizon is essentially bulking up to compete with the likes of Facebook Inc. and Google, which are starting to move into the Internet space as a way to drive more users to their online properties.
  • "Verizon is vying to get a larger share of advertisers’ wallets and adding Yahoo would help strengthen AOL as the No. 3 player," said Brian Wieser, an analyst at Pivotal Research Group. "Yahoo has a lot of users in a well defined environment. That is very valuable to advertisers."
malonema1

Why We Should Honor the Military with a Parade - The Atlantic - 0 views

  • President Trump asked the Pentagon “to explore a celebration at which all Americans can show their appreciation” for America’s military, so we might be seeing the first national military parade since 1991. Will it cost millions? Probably. Will there be counter-demonstrations? Sure. Is there a risk of terrorist attacks? Of course. Should it happen? Absolutely, and here’s why.
  • What about the cost? Americans love parades—and advertisers do too. Macy’s Thanksgiving Day parade attracts 3.5 million attendees, and almost 50 million television viewers. The TV advertising revenue alone was worth more than $41 million in 2016. The Rose Bowl parade has a much smaller crowd, but nearly the same number of television viewers. CNBC says that participation in that parade “comes with a hefty price tag, but corporate sponsors say the chance to get their company's message out to millions is worth the expense.”
  • Unfortunately, military service never even occurs to many of America’s best and brightest. Since retiring from the military in 2010, I’ve run across quite a few people—young and old, but especially young—who have never personally seen, let alone spoken with, an active duty member of the armed forces (or even any veterans—who now comprise just 7.3% of the population).   
Javier E

The End of 'Civilisation' - 0 views

  • When she was a mere sprout of 14, Mary Beard tuned into the first episode of Sir Kenneth Clark’s famous BBC documentary, Civilisation, and felt a “slight tingle.”
  • “It had never struck me,” she wrote last year, “that it might be possible to trace a history of European culture, as Clark was to do, in 13 parts, from the early middle ages to the 20th century.”
  • on her way to becoming an accomplished classicist, would start to feel queasy. She became “decidedly uncomfortable with Clark’s patrician self-confidence and the ‘great man’ approach to art history—one damn genius after the next—that ran through the series.”
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  • “Civilisation had opened my eyes, and those of many others; not only visually stunning, it had shown us that there was something in art and architecture that was worth talking, and arguing, about.”
  • Beard is one of three “presenters” (or hosts) of the series, joining the historians Simon Schama and David Olusoga for a round-the-world, millennia-spanning tour of human hustle and bustle. The series has its faults of pacing and plotting, but it offers plenty of opportunities for Beard-like tingles
  • The new program is best understood as a kind of delayed rebuttal, sometimes quite explicit, to Clark and his view of history
  • The association is all to the good, and to Clark’s benefit, if it leads audiences back to civilization, and Civilisation, all 13 episodes of which are playing 24/7 at your neighborhood YouTube.
  • He wasn’t a natural TV star, but he was an accomplished lecturer, a brilliant stylist, and an unrivaled historian of art. When, in 1966, the BBC decided to produce a series on the history of European culture, Clark was the unanimous choice for presenter.
  • The job fell to the broadcaster and naturalist David Attenborough to introduce color to the BBC audience. He got the idea to film a survey of the greatest artworks of Europe, as a way of bringing color into British living rooms as tastefully and vividly (and cheaply) as possible.
  • It is hard to imagine, at this remove and with the conventions of documentary TV so well established, how strange Civilisation must have seemed 50 years ago. Color was just the first of the technological innovations, and the range of subjects and locales was unheard of
  • No one had seen a single presenter so dominate a nonfiction program of such length as Clark did. Unprecedented too were the long stretches in which Clark disappeared, leaving the camera to move tenderly over the surface of something beautiful.
  • The narration, full of anecdote and grand pronouncements, was pitched at the highest level, without condescension or pedantry
  • About that word civilization, the mere utterance of which set Clark off on his great televised adventure. He confronts it in the first episode’s opening moments, as he stands on the banks of the Seine with Notre-Dame Cathedral rising up behind him. “What is civilization?” he asks us. Then, amazingly—this is, after all, the title of his TV show—he shrugs! “I don’t know,” he says. It is a shrug at once amused, modest, and perhaps genuinely baffled. “I can’t define it in abstract terms. But I think I can recognize it when I see it.” He turns to look over his shoulder at the cathedral. “And I’m looking at it now.”
  • a sense of civilization’s meaning, by his lights, forms soon enough. Throughout the programs certain words come up over and over: enlarge, deepen, extend, broaden, expand, and above all, life-enhancing. An act or piece of art that is life-enhancing—that allows us to have life, and to have it more abundantly—is civilized; one that isn’t isn’t.
  • In the first episode Clark compares the ornamental prow of a Viking ship, showing a fearsome animal head, with the head of a once-celebrated sculpture from antiquity known as the Apollo Belvedere. The prow is “a powerful work of art,” he acknowledges, and “more moving to most of us” than the Apollo.
  • Each expresses a cultural ideal. The prow emerged from “an image of fear and darkness” while the Apollo, the product of “a higher stage of civilization,” emerged from an ideal of harmony and perfection, justice and reason and beauty held in equilibrium. This is the civilizing ideal that Western Europe inherited from Greece and Rome
  • As Beard says, his “great man” theory of history was even then at odds with the prevailing academic view, which saw (and sees) history as a process swept along by technology, economics, and shifts in the balance of brute power.
  • He was a confessed “hero worshipper.” “I believe in genius,” he said. When an excellent biography of Clark was published a year ago—Kenneth Clark: Life, Art, and ‘Civilisation’ by James Stourton—nearly all reviewers mentioned this hoary defect. Clark’s approach was “scandalous,” “outrageous,” and of course it was stuffed with dead white males
  • it’s hard to see how any survey of European high culture up to the First World War could include large numbers of nonwhite non-males, since it was produced almost exclusively by persons who had the temporary advantage of being white and male
  • Clark was too sophisticated, too honest to be a cheerleader. Alongside the glories he shows examples of what happens when civilization goes wrong.
  • Clark was acutely aware of his program’s shortcomings and omissions. He regretted not dwelling more on philosophy and law, but he “could not think of any way of making them visually interesting.”
  • Critics too often forget the subtitle of Civilisation: A Personal View. “Obviously,” Clark wrote, “I could not include the ancient civilizations of Egypt, Syria, Greece and Rome, because to have done so would have meant another ten programmes, at least.” Ditto India, China, and “the world of Islam.
  • He reckoned that any misunderstanding was worth the risk. “I didn’t suppose that anyone could be so obtuse as to think that I had forgotten about the great civilisations of the pre-Christian era and the East.
  • Yet the charge against Clark hasn’t been that he was forgetting non-Western cultures but that he was willfully dismissing them, committing an act of denigration.
  • relativism—a term that Beard and her costars would reject as right-wing cliché—is the motive force behind the series. A variety of academics, plus a narrator, are brought in to reinforce the presenters in their judgment that it is wrong to make judgments.
  • The story Clark wanted to tell was relatively straightforward—one critic cleverly compared Civilisation to a relay race, with one great man passing the baton to another. Civilisations, by contrast, does a great deal of jumping about, forward and backward and sideways, not merely in geography and chronology but in the sequence of ideas
  • question-and-answer combo recurs throughout Civilisations. It has a dual purpose: It’s meant first to rattle our confidence in our objective judgment—hey, that figurine is pretty!—and then to turn our attention back on ourselves to discover the cultural conditioning that has manipulated us into the illusion that our judgments are objective—that we have good reason to think the figurine is pretty. “Different eyes behold different things,” we are told.
  • To the extent Civilisations treats particular pieces of art, it dwells on their function—to what purposes were they put? Mostly, it turns out, art was about projecting and protecting the power of an elite
  • If you are uncomfortable with this approach—seeing the glories of human creativity reduced to tools for class warfare—too bad
  • “I love the history of art,” he tells the camera. “I love looking at these beautiful images. But I also recognize that there’s something quite sinister about their past.
  • “Sinister” sounds judgmental, doesn’t it? So judgmental indeed that I don’t think even Clark used it at all in his Civilisation. But it nicely summarizes the attitude toward the West that viewers of the new Civilisations will find unavoidable, even if they’re confident enough to find it unpersuasive
  • Next to life-enhancing, the most important word in Clark’s account of civilization was confidence. Several things came together to make a civilization, Clark said: a measure of material prosperity, a sense of history, a range of vision, and a feeling of permanence, of being situated in a particular moment between past and future, that makes it worthwhile to construct things meant to last
  • “But far more,” he said, “it requires confidence—confidence in the society in which one lives, belief in its philosophy, belief in its laws, confidence in one’s own mental powers.” His program was an effort to persuade his audience that confidence in their inherited civilization was well-earned.
Javier E

David Attenborough: polluting planet may become as reviled as slavery | Television & radio | The Guardian - 0 views

  • The attitude of young people towards tackling the environmental crisis is “a source of great hope”, David Attenborough has told MP
  • he predicted that polluting the planet would soon provoke as much abhorrence as slavery.
  • the naturalist and TV presenter said radical action was required.
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  • “We cannot be radical enough in dealing with the issues that face us at the moment. The question is: what is practically possible? How can we take the electorate with us in dealing with these things?
  • “I’m OK, and all of us here are OK, because we don’t face the problems that are coming. But the problems in the next 30 years are really major problems that are going to cause social unrest, and great changes in the way that we live, and what we eat. It’s going to happen.”
  • “There was a time in the 19th century when it was perfectly acceptable for civilised human beings to think that it was morally acceptable to actually own another human being for a slave. And somehow or other, in the space of 20 or 30 years, the public perception of that totally transformed.
  • “I suspect that we are right now in the beginning of a big change. Young people in particular are the stimulus that’s bringing it about
  • “People are understanding that to chuck plastic into the ocean is an insult. To have the nerve to say: ‘This is our rubbish. We’ll give you money and you can spread it on your land instead of ours, in the far east,’ is intolerable. And for some reason or other young people understand that. And that’s a source of great hope to me.”
  • Attenborough said he nonetheless never set out to be a campaigner: “I’m not by nature a propagandist. I started making natural history programmes because I thought there was nothing I would prefer to see more than the beauty of the natural world. And I would love to just go on doing that. That’s what I enjoy.
brickol

Are Trump's coronavirus briefings the new 2020 campaign rallies? | US news | The Guardian - 0 views

  • But for the absence of a sea of “Keep America Great Again” hats and Rolling Stones soundtrack, Donald Trump’s coronavirus press briefings at the White House are, critics say, increasingly resembling his 2020 re-election campaign rallies.Some critics have even called for TV networks to drop live coverage of the daily sessions because, by carrying the president’s words unfiltered, they are actively misleading their audiences and could harm public health.
  • Broadcasters were widely criticized for giving Trump’s speeches and rallies wall-to-wall coverage during the 2016 presidential election, granting him free exposure worth billions of dollars in advertising. Although campaign rallies have been suspended because of the virus, there are concerns that history is repeating itself, giving Trump an advantage over his likely opponent, Joe Biden. On Sunday and Monday, the briefings shifted to late afternoon, giving Trump access to peak viewing hours.McCurry, now a professor at Wesley Theological Seminary, said he “tends to agree” with the view that networks should not carry the entire briefings live.“Putting it on because it’s better than whatever else is available to daytime TV is not a good reason. It shouldn’t be a platform for the president to just give out his own message. It’s not reality television,” he said.
  • Perhaps sensing political opportunity, Trump moved swiftly to regain the limelight and become master of ceremonies. At times, he has reassured viewers with an uncharacteristically solemn tone. But at others, he has reverted to his buccaneering style, over-promising vaccines or therapies – forcing experts to contradict him – or throwing a tantrum at a reporter who challenged him.
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  • “These are rallies by TV press briefing from the podium and that’s not what it should be,” said Mike McCurry, who was press secretary to President Bill Clinton in the 1990s. “It’s not a substitute for a daily briefing by the press secretary, giving real information to the public, taking questions and being held accountable. It’s become a theatrical production rather than a true press briefing.”
  • “More and more each day, President Trump is using his daily briefings as a substitute for the campaign rallies that have been forced into extinction by the spread of the novel coronavirus. These White House sessions – ostensibly meant to give the public critical and truthful information about this frightening crisis – are in fact working against that end.”
  • Joe Lockhart, another former White House press secretary, acknowledged a difficult balancing act for network controllers on whether to keep broadcasting them live. “I’ve been a strong advocate of not putting the president live, taping and checking for accuracy,” he tweeted. “This situation is much tougher. His lies are outrageous and dangerous. But there is a risk of sanitizing his bizarre behavior and saying it’s just Trump. Very hard news decision.”
Javier E

The Trailer: I signed up as a Trump supporter, then a Biden supporter. Here's what happened next. - The Washington Post - 0 views

  • The point of the Trump app, social media accounts and Web TV was not just to keep me informed — it was to replace some of the news I might be getting from other outlets. “Forget the mainstream media,” went one ad that played at the start of the daily Trump video broadcasts. “Get your facts from the source.” 
  • On the app was a world where the president's agenda was so obviously successful that the media and Democrats had to lie and smear to cover it up.
  • Trump video content was varied but reliable.
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  • “War Room Weekly” would deliver updates on campaign organizing and messaging. “Triggered!” brought Donald Trump Jr. together with special guests, for a free-flowing conversation about unfair treatment of conservatives. Shows hosted by presidential daughter-in-law Lara Trump or former Fox News host Kimberly Guilfoyle, Trump Jr.'s girlfriend, had segment/commercial/segment formats that felt just like cable TV. 
  • Much like swaths of Fox News or the president's increasingly favored outlet, One America News, the shows mixed information about the Trump record with denunciations of a mainstream media that they said refused to cover it fairly.
  • I had more company watching Trump content than I did watching Biden content
  • Trump's campaign has 29 million followers on Facebook, while Biden's has less than 2 million.
  • In some ways, the Biden campaign is years behind on this kind of engagement
  • By this point in the 2012 campaign, Obama's team had established a popular video series in which deputy campaign manager Stephanie Cutter shared good news and debunked Republican attacks. There's no such block-and-tackle effort from the Biden social media experience
  • Biden's broadcasts didn't really discuss media coverage, which isn't surprising; polling shows that Democratic voters trust mainstream news outlets, and Republican voters don't. The result was that Trump campaign content was more involving, and even gripping, something easy to imagine as a cable TV program.
  • Biden campaign content was not. The Democrat is belatedly staffing up to grow his online presence, but the result may look like what I saw this week: two campaigns operating in different realities, in different tones, with their voters consuming information that the other side will never see.
Javier E

We're All Part of Trump's Show - The New York Times - 0 views

  • to understand the ways in which Donald Trump’s presidency is systematically corrupting the American mind
  • The book is Peter Pomerantsev’s “Nothing Is True and Everything Is Possible.”
  • at its heart it’s the tale of the substitution of reality with “reality,” of factual truth with interpretive possibility.
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  • That’s also the central task of Donald Trump’s presidency.
  • In one of his book’s early scenes, he relates a professional homily from a man he identifies as prominent Russian TV presenter. “We all know there will be no real politics” in Putin’s Russia, the man says at a staff conference.“But we still have to give our viewers the sense something is happening. They need to be kept entertained. So what should we play with? Shall we attack the oligarchs? Who’s the enemy this week? Politics has got to feel like … like a movie!”
  • This is why there’s a Colosseum in Rome, and why public spectacle, theater, cinema, TV and now the internet have always been handmaids of dictators
  • “The new Kremlin,” Pomerantsev notes, “won’t make the same mistake the old Soviet Union did: It will never let TV become dull.” Authoritarian dominion requires effective methods of mass distraction.
  • Trump does control his Twitter feed, with its 43.6 million followers. And he exerts a deeper level of control simply through his ability to bait hostile media at will with his every seemingly nutty utterance.
  • The benefits, for Trump, are threefold:
  • a political opposition that is exhausting itself — and much of the public — with its perpetual state of moral apoplexy
  • a political base that thrills to his readiness to scandalize the bien pensant
  • and an effective means of distraction from his electoral, legislative and foreign policy failures.
  • the president is conducting a kind of meta-politics, the purpose of which is to erase ordinary standards of political judgment.
  • The question is not “How am I doin’?” as the late New York City mayor Ed Koch used to ask. It is, gladiator-like, “Are you not entertained?”
  • The truth about Trump is not that he’s crazy. He’s a narcissist and a neurotic with a feral talent for attracting the attention he craves
  • if one part of the system is all about wild performance,” writes Pomerantsev of Putin’s media calculations, “another is about slow, patient co-optation.” Like it or not, we all inhabit the Trump-verse and we all are subject to its consequences.
Javier E

My dad predicted Trump in 1985 - it's not Orwell, he warned, it's Brave New World | Media | The Guardian - 0 views

  • But an image? One never says a picture is true or false. It either captures your attention or it doesn’t. The more TV we watched, the more we expected – and with our finger on the remote, the more we demanded – that not just our sitcoms and cop procedurals and other “junk TV” be entertaining but also our news and other issues of import.
  • This was, in spirit, the vision that Huxley predicted way back in 1931, the dystopia my father believed we should have been watching out for. He wrote:
  • What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture.
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  • Today, the average weekly screen time for an American adult – brace yourself; this is not a typo – is 74 hours (and still going up)
  • The soundbite has been replaced by virality, meme, hot take, tweet. Can serious national issues really be explored in any coherent, meaningful way in such a fragmented, attention-challenged environment?
  • how engaged can any populace be when the most we’re asked to do is to like or not like a particular post, or “sign” an online petition?
  • How seriously should anyone take us, or should we take ourselves, when the “optics” of an address or campaign speech – raucousness, maybe actual violence, childishly attention-craving gestures or facial expressions – rather than the content of the speech determines how much “airtime” it gets, and how often people watch, share and favorite it?
  • Our public discourse has become so trivialized, it’s astounding that we still cling to the word “debates” for what our presidential candidates do onstage when facing each other.
  • Who can be shocked by the rise of a reality TV star, a man given to loud, inflammatory statements, many of which are spectacularly untrue but virtually all of which make for what used to be called “good television”?
  • Who can be appalled when the coin of the realm in public discourse is not experience, thoughtfulness or diplomacy but the ability to amuse – no matter how maddening or revolting the amusement?
  • First: treat false allegations as an opportunity. Seek information as close to the source as possible.
  • Later in that passage, Czesław Miłosz, winner of the Nobel prize for literature, is cited for remarking in his 1980 acceptance speech that that era was notable for “a refusal to remember”; my father notes Miłosz referencing “the shattering fact that there are now more than one hundred books in print that deny that the Holocaust ever took place”.
  • “An Orwellian world is much easier to recognize, and to oppose, than a Huxleyan,” my father wrote. “Everything in our background has prepared us to know and resist a prison when the gates begin to close around us … [but] who is prepared to take arms against a sea of amusements?”
  • I wish I could tell you that, for all his prescience, my father also supplied a solution. He did no
  • “Television is a speed-of-light medium, a present-centered medium,” my father wrote. “Its grammar, so to say, permits no access to the past … history can play no significant role in image politics. For history is of value only to someone who takes seriously the notion that there are patterns in the past which may provide the present with nourishing traditions.”
  • Second: don’t expect “the media” to do this job for you. Some of its practitioners do, brilliantly and at times heroically. But most of the media exists to sell you things.
  • Finally, and most importantly, it should be the responsibility of schools to make children aware of our information environments, which in many instances have become our entertainment environments
  • “what is required of us now is a new era of responsibility … giving our all to a difficult task. This is the price and the promise of citizenship.”
  • We must teach our children, from a very young age, to be skeptics, to listen carefully, to assume everyone is lying about everything. (Well, maybe not everyone.)
  • we need more than just hope for a way out. We need a strategy, or at least some tactics.
anonymous

Belarus: Roman Protasevich appears on state TV as critics decry his detention as a 'hostage'-taking - CNN - 0 views

shared by anonymous on 07 Jun 21 - No Cached
  • Detained journalist Roman Protasevich has again appeared on Belarusian state media, to the concern of government critics who fear the young dissident is being forced to address the nation under duress.
  • The 26-year-old told Belarusian state TV channel ONT on Thursday that he has "pleaded guilty" to organizing large-scale "unsanctioned protests" following the country's disputed elections last August
  • Protasevich was arrested on May 23 after his Ryanair flight was grounded in Minsk, sparking outrage from Western governments. Critics of the government of longtime President Alexander Lukashenko believe Protasevich's media appearances while in state custody are done under duress.
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  • It's painful to see 'confessions' of Raman Pratasevich. His parents believe he was tortured. This is not Raman I know. This man on Goebbels' TV is the hostage of the regime, and we must make all possible to release him and the other 460 political prisoners," Viačorka wrote, using the Belarusian spelling of his name.
  • Since his arrest, Protasevich has appeared multiple times in state-controlled or pro-government media. In one video posted to a pro-government social media channel, he says he "confessed" to "organizing mass riots" in Minsk -- an admission his family and supporters believe was forced.
  • Protasevich is well-known as a fierce critic of Lukashenko's government. He was involved in demonstrations against the regime as a teenager and was later expelled from the journalism program at Belarusian State University. He was always on the front lines of protests, according to fellow activists.
  • At one point, Protasevich tells the interviewer that he respects the President's refusal to bend to public criticism. "I realized that much of what Alexander Grigoryevich (Lukashenko) was criticized for was an attempt to pressure him. And in many ways he acted like a man with balls of steel despite the pressure," he said.
  • "I have rethought a lot of things for myself. I never want to get involved in politics anymore, in any dirty games and showdowns again. I want to hope that I can correct everything and live an ordinary peaceful life, to have a family, children, stop running away from something," he said.
Javier E

Trends in U.S. Adolescents' media use, 1976-2016: The rise of digital media, the decline of TV, and the (near) demise of print. - PsycNET - 0 views

  • we examine generational/time period trends in media use in nationally representative samples of 8th, 10th, and 12th graders in the United States, 1976–2016
  • Digital media use has increased considerably, with the average 12th grader in 2016 spending more than twice as much time online as in 2006
  • time online, texting, and on social media totaling to about 6 hr a day by 2016
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  • only half of 12th graders visited social media sites almost every day in 2008, 82% did by 2016
  • The percentage of 12th graders who read a book or a magazine every day declined from 60% in the late 1970s to 16% by 2016
  • 8th graders spent almost an hour less time watching TV in 2016 compared with the early 1990s
katherineharron

Two weeks after the election, far-right TV shows are providing false hope to Trump fans - CNN - 0 views

  • We have reached the tragic endpoint of President Trump's war on truth.
  • Trump and his media allies continue to contest the results. Baseless "Trump won" conspiracy theories continue to fill up social media feeds and far-right-wing TV shows
  • As CNN's Daniel Dale noted on Monday, "almost nothing Trump is saying about the election is true."
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  • Newsmax's narrative is that the election is not over, the media is wrong, Biden is weak, and Trump is strong.
  • The channel's CEO Chris Ruddy says "Newsmax will accept state results and the Electoral College when certified," but until then it is operating in a fictional universe where Trump still has a path to victory
  • One minute he self-assuredly said "it's not over yet" and "these things are still under review" and, regarding Biden, "I don't think he will be president." The next minute he ignorantly asked why Trump's "I won" posts were being flagged by Twitter, but Biden's posts were not, when Twitter's policy about election claims is public for all to see.
  • complete with aggrieved banners like "TRUMP SUPPORTERS ATTACKED" and "MICHELLE OBAMA IS SO BORING."
  • there is nothing controversial about media figures covering Trump's lies.
  • According to Newsmax's talk shows, the president is still in it to win it, and big breaking news might be right around the corner
  • Kelly assured the audience that "the president has some of the best lawyers in the country working for him." Morris boldly stated that "I believe that this election was absolutely stolen." Kelly responded, "I agree with you," and "I feel like something is going to break our way, in a big way, very very soon." Later in the hour, he told Ellis that "tens of millions are rooting for you."
  • In the real world, Trump's longshot lawsuits are falling apart.
  • A fantasyland where, in the words of 8pm host Grant Stinchfield's first guest, convicted liar Roger Stone, "it's pretty evident that President Trump actually won a majority of all legal votes cast."
  • he claimed, without a shred of evidence, that "more than a million Trump supporters descended on DC" over the weekend
  • Trump has promoted OANN more than Newsmax over the years, and he did so again on Monday, tweeting "Try watching @OANN. Really GREAT!"
  • Some shows have emphasized that OANN hasn't called the election yet. (This claim is meaningless since the channel doesn't have a decision desk.)
  • Some talk show hosts have moved on and attacked Biden's transition team, while others have zoomed in on voter fraud fantasies. "We must stop the steal now," 9pm host Kara McKinney said in a promo on Monday.
  • At 7pm on Friday, for instance, Kelly averaged 168,000 viewers in the key cable news demo of 25- to 54-year-olds, while Martha MacCallum's Fox show "The Story" averaged 328,000 viewers in the demo. CNN was way ahead of both channels with 651,000 viewers in the demo for "Erin Burnett OutFront."
  • Fox is not used to being in this position -- losing to CNN, and feeling pressure from far-right challengers
  • Tucker Carlson on Fox News Monday night: "Over the weekend we got a lot of calls asking if we're leaving Fox News. Ironically, at that very moment, we were working on a project to expand the amount of reporting and analysis we do in this hour across other parts of the company."
  • "This show is not going anywhere. It's getting bigger. The people who run Fox News want more of it, not less, and we are grateful for that. We'll have specifics soon." Okay, how soon?
Javier E

TikTok is the new Facebook - and it is shaping the future of tech in its image | Chris Stokel-Walker | The Guardian - 0 views

  • It has even started ripping off other apps’ best features, an art pioneered by Facebook that ByteDance is taking to another level. TikTok Stories was announced earlier this month.
  • ts videos were once no more than 15 or 60 seconds long. Now they can last up to three minutes. Until February, TikTok was predominately a mobile app. Now you can watch videos through your web browser, or even your smart TV. It once had a single video format, then incorporated live streaming. It allows you to buy products through the app, and to tip your favourite creators.
  • With its 732 million monthly active users, TikTok is the app of the moment, and likely the app of the future. It’s the new Facebook.
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  • in March 2020 alone, users spent as much time on it as there has been since the stone age: 2.8bn hours, or nearly 320,000 years.
  • TikTok became the first app not owned by Facebook to cross the 3bn download mark. For context, there are 5.3bn mobile phone users worldwide.
Javier E

Opinion | A Big TV Hit Is a Conservative Fantasy Liberals Should Watch - The New York Times - 0 views

  • Pop culture says a lot about the hopes we have for politics. And in a politically polarized and unequal society, we express our political identities as tastes
  • We aren’t just divided into red and blue America. We divide ourselves into Fox people versus CNN people, country music versus hip-hop people and reality TV versus prestige drama people. The lines are not fixed — there is always crossover — but they are rooted in something fundamental: identity. Our imagined Americas are as divided as our news cycles.
  • a working paper by two sociologists, Clayton Childress at the University of Toronto and Craig Rawlings at Duke University. The paper is titled “When Tastes Are Ideological: The Asymmetric Foundations of Cultural Polarization.” It is part of the subfield of sociology that studies how culture reflects and reproduces inequality. Childress and Rawlings draw out several asymmetries in how liberals and conservatives consume cultural objects like music and television.
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  • Liberals aren’t watching “Yellowstone” for cultural reasons, and conservatives love it for ideological ones, he said.
  • I watched all four seasons of “Yellowstone” through the lens of these asymmetries. The show is compelling but not groundbreaking. It is too easy to call it a conservative show. Like its audience counterpart, “Yellowstone” thinks it is at war with progress when it is really at war with itself.
  • when it comes to identity and tastes, Childress said it is a “mark of social status for liberals to be culturally omnivorous.”
  • In contrast, conservative audiences do not consider reading, watching or listening around a mark of status or identity. And they are more likely to dislike what liberals like than liberals are to dislike what conservatives like.
  • “People on the left like more pop culture than people on the right,’’ Childress said. “And people on the left don’t dislike what people on the right dislike.
  • The rejection of cosmopolitanism as a desirable attribute is more subtle, but present
  • The West of “Yellowstone” is multiethnic, multiracial and multi-class. There are Black cowboys and complex Native American characters. A pair of lesbians even makes an appearance in Season 2 (although there are no gay cowboys,
  • Regardless of whether you agree with the classification, you have an idea of what other people mean by “elite”: urban, sophisticated and educated. In short, the things that “Yellowstone” skewers at every opportunity. The characters despise California and San Francisco in particular
  • It accommodates feminism by making women the most vicious capitalist actors.
  • The slow dialogue of “Yellowstone” also rejects sophistication. The narrative plods even as the show’s many horses run. And the mood is dour; there aren’t many jokes
  • Those aesthetic choices implicitly argue for simplicity as a moral virtue, something John Dutton telegraphs when he tells a field hand that sometimes the world really is simple.
  • “Yellowstone” sidesteps Westerns’ romanticization of the white imaginary. At dinner last week with my family, my 30-something Black lesbian cousins gushed about the show, although they prefer its Native American characters to the Duttons.
  • There are few strivers in the world of “Yellowstone.” The show’s royalty grudgingly accept higher education as a strategic tool to beat the liberal do-gooders. The poor and disenfranchised don’t dream of going to college at all.
  • the show’s revenge is how well it exposes the material conditions of elitism. Its worldview resembles fantasy but it is brutally realistic about how power operates.
  • Whatever brings its audience to the show, once they arrive, they are playacting within the vision of America that “Yellowstone” holds. The show suggests that elitism and power can be reconciled with our need to be both moral and self-interested. It is a seductive fantasy because it does not ask the audience to give up anything.
  • The nominal diversity of the show’s cast implies that conservatives don’t hate anyone, as long as everyone is willing to conform to their way of life
  • It acknowledges white land theft and Native American grievance, but it does not make a case for reparations.
  • It accepts that Christopher Columbus was a colonizer but implies that the Duttons’ good-enough ends justify the means.
  • If the show rejects sophistication, it takes a hammer to education
  • And it depicts the police as feckless, but it does not want to abolish cops. It wants to choose the cops. That means a lot of guns.
  • “Yellowstone” does not just have gunfights. It has all-out wars. There are military-grade weapons, aerial assaults, night-vision goggles and automatic rifles. When John Dutton cannot win, he starts shooting.
  • “Yellowstone” isn’t ideologically driven, even if ideology is what makes it so comforting for conservative audiences.
  • in the end, the show shares a problem with Republican Party electoral politics: Neither offers a compelling vision of the future.
  • Republicans don’t solve problems like climate change or economic inequality or water rights or housing costs or stagnant wages. With Donald Trump and Mitch McConnell’s leadership, the G.O.P. does not even bother to sell a conservative story for America. Audiences looking for that vision in “Yellowstone” might find that cosmetic diversity needn’t be scary, but they won’t find much else.
  • Like Republicans, the Dutton dynasty has one defense against demography and time: Buy guns and hoard stolen power.
Javier E

Opinion | The Age of Spectacle Is Upon Us - The New York Times - 0 views

  • In a healthy society, the early-20th-century Dutch prime minister and theologian Abraham Kuyper observed, there are a variety of spheres, each with its own social function. There is the state, the church, the family, the schools, science, business, the trades, etc. Each of these spheres, he continued, has its own rules and possesses its own integrity and correct way of doing things. Each sphere is a responsible zone of flourishing.
  • ou can clarify what any particular sphere’s responsibility is by asking questions like: What is a school for? What is a science lab for? What is a baseball team for?
  • In our country, the business sphere has sometimes tried to take over the education sphere — to run schools like a business. But if you run a school or university on the profit-maximization mentality, you will trample over the mission of what a school is for — the cultivation of the student, the mission of pure research.
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  • Society grows unhealthy, Kuyper argued, when one sphere tries to take over another sphere.
  • Today, the boundaries between spheres are collapsing
  • Some days it seems every sphere has been subsumed into one giant culture war, producing what Yuval Levin described in Comment magazine as “a vast sociopolitical psychosis.”
  • it’s politics as spectacle that has taken over everything.
  • Spectacle is the sphere that achieves public titillation through public combat.
  • In Rome, gladiatorial combat was spectacle. Professional wrestling is spectacle. Reality TV is spectacle. Donald Trump — the love child of professional wrestling and reality TV — is spectacle. Tucker Carlson presented TV news as spectacle. The Sisters of Perpetual Indulgence perform activism in the form of spectacle.
  • The point of spectacle is not to resolve differences; it is to attract attention
  • you thrive by offending people. Narcissism is rewarded, humility is forbidden. Inflaming hatred is part of the business plan.
Javier E

In 2022, TV Woke Up From the American Dream - The New York Times - 0 views

  • In politics, “the American dream” has long been used aspirationally, to evoke family and home. But as my colleague Jazmine Ulloa detailed earlier this year, the phrase has also lately been used ominously, especially by conservative politicians, to describe a certain way of life in danger of being stolen by outsiders.
  • The typical counterargument, both in politics and pop culture, has been that immigrants pursuing their ambitions help to strengthen all of America
  • recent stories have complicated this idea by questioning whether the dream itself — or, at least, defining that dream in mostly material terms — can be toxic.
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  • This is the danger of the American dream when you scale it down from the national to the individual level. You risk devoting your life to wanting something because it’s what you’ve been told you should want. Everybody loves a Cinderella story, but sometimes your dream, in reality, is just a wish somebody else’s heart made.
Javier E

The Conservative Intellectual Crisis - The New York Times - 0 views

  • I feel very lucky to have entered the conservative movement when I did, back in the 1980s and 1990s. I was working at National Review, The Washington Times, The Wall Street Journal’s editorial page. The role models in front of us were people like Bill Buckley, Irving Kristol, James Q. Wilson, Russell Kirk and Midge Decter.
  • These people wrote about politics, but they also wrote about a lot of other things: history, literature, sociology, theology and life in general. There was a sharp distinction then between being conservative, which was admired, and being a Republican, which was considered sort of cheesy.
  • The Buckley-era establishment self-confidently enforced intellectual and moral standards. It rebuffed the nativists like the John Birch Society, the apocalyptic polemicists who popped up with the New Right, and they exiled conspiracy-mongers and anti-Semites
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  • The older writers knew that being cultured and urbane wasn’t a sign of elitism. Culture was the tool they used for social mobility. T.S. Eliot was cheap and sophisticated argument was free.
  • Hillary Clinton is therefore now winning among white college graduates by 52 to 36 percent.
  • First, talk radio, cable TV and the internet have turned conservative opinion into a mass-market enterprise
  • Today’s dominant conservative voices try to appeal to people by the millions. You win attention in the mass media through perpetual hysteria and simple-minded polemics and by exploiting social resentment.
  • conservatism has done its best to make itself offensive to people who value education and disdain made-for-TV rage.
  • an intellectual tendency that champions free markets was ruined by the forces of commercialism
  • Conservatism went down-market in search of revenue. It got swallowed by its own anti-intellectual media-politico complex — from Beck to Palin to Trump.
  • The conservative intellectual landscape has changed in three important ways since then, paving the way for the ruination of the Republican Party.
  • Second, conservative opinion-meisters began to value politics over everything else.
  • The very essence of conservatism is the belief that politics is a limited activity, and that the most important realms are pre-political: conscience, faith, culture, family and community.
  • This is a sad story. But I confess I’m insanely optimistic about a conservative rebound.
  • Among social conservatives, for example, faith sometimes seems to come in second behind politics
  • Today, most white evangelicals are willing to put aside the Christian virtues of humility, charity and grace for the sake of a Trump political victory.
  • As conservatism has become a propagandistic, partisan movement it has become less vibrant, less creative and less effective.
  • That leads to the third big change. Blinkered by the Republican Party’s rigid anti-government rhetoric, conservatives were slow to acknowledge and even slower to address the central social problems of our time.
  • For years, middle- and working-class Americans have been suffering from stagnant wages, meager opportunity, social isolation and household fragmentation. Shrouded in obsolete ideas from the Reagan years, conservatism had nothing to offer these people because it didn’t believe in using government as a tool for social good
  • Trump demagogy filled the void.
  • recently conservatism has become more the talking arm of the Republican Party.
  • Conservatism is now being led astray by its seniors, but its young people are pretty great
  • It’s hard to find a young evangelical who likes Donald Trump. Most young conservatives are comfortable with ethnic diversity and are weary of the Fox News media-politico complex.
  • Conservatism’s best ideas are coming from youngish reformicons who have crafted an ambitious governing agenda (completely ignored by Trump).
  • A Trump defeat could cleanse a lot of bad structures and open ground for new growth.
  • It was good to be a young conservative back in my day. It’s great to be one right now.
horowitzza

Want to save the Republican Party? Drain the right-wing media swamp. - 0 views

  • As in the last “autopsy,” the GOP establishment will probably conclude that it needs to broaden its appeal to demographics beyond older white men;
  • what prevented this more widespread appeal in 2016 was having a boorish, sexist, race-baiting, egomaniacal, undisciplined nominee; that if only it fielded a more genteel version of Trump, someone who espoused essentially the same fiscal and social policies but with more empathy, they’d have won the White House, and will win it once again.
  • This conclusion would be wrong.
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  • The sickness in today’s Republican Party is not confined to its current standard-bearer.
  • If Republicans truly want to save the Republican Party, they need to go to war with right-wing media.
  • they need to dismantle the media machine persuading their base to believe completely bonkers, bigoted garbage.
  • It is, after all, the right-wing radio, TV and Internet fever swamps that have gotten them into this mess, that have led to massive misinformation, disinformation and cynicism among Republican voters. And draining those fever swamps is the only way to get them out of it.
  • Among just Trump voters, 7 in 10 believe government economic data are fabricated. Half don’t trust that votes will be counted accurately in the November election.
  • Republicans and Trump backers didn’t come to these conclusions independently. They learned them from the influential TV, radio and Web outfits whose imprimaturs Republican politicians desperately seek, and whose more troubling content these politicians have been reluctant to criticize.
  • Data trutherism — claims that the economy is worse than the official numbers indicate, that polls are “skewed” to favor Democrats, that hurricane forecasts are exaggerated to scare the public into fearing climate change
  • Never-ending witch hunts — against Planned Parenthood, climate scientists, Hillary Clinton — similarly galvanized supporters in the near term but increased bloodlust for punishment of political enemies in the long run.
  • And unless the party establishment grapples with its own complicity in misinforming, misleading and frightening the masses, it’s doomed to field more Donald Trumps in the future.
Javier E

The NFL is becoming more disturbing than appealing, and TV viewers are tuning out - The Washington Post - 2 views

  • For almost a century the NFL has positioned itself as a culturally important exercise, and the audience has agreed on that importance. The league insists that its brand of controlled violence is important in the shaping of strong young bodies, important in the self-making of men and important in expressing something vitally American.
  • But lately the league seems more concerned with brand than with justifying its philosophy or grappling with a new reality.
  • “We’ve gone through 100 years of knowing football is violent, and the consequences of violence were always deemed to be acceptable, the benefits outweighed the cost. But that ended with Mike Webster’s brain. Are we watching with a greater sense of the danger, can we still fully give ourselves over to the experience of watching, and of saying, ‘Wow, look at what these bodies can endure, what they do to each other?’ Are we seeing a temporary blip in ratings or a kind of resetting of the NFL’s cultural power?”
sarahbalick

Charlotte shooting: State of emergency amid protests - BBC News - 0 views

  • Charlotte shooting: State of emergency amid protests
  • North Carolina's governor has declared a state of emergency in the city of Charlotte, after violence erupted during a second night of protests over the police killing of a black man.
  • Keith Lamont Scott was shot dead by a black officer on Tuesday.
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  • One protester remains in a critical condition after a "civilian on civilian" shooting, police said.
  • Mr Scott was the third black man killed by US police in a week. Such shootings have sparked nationwide protests.
  • Governor McCrory declared the state of emergency as rioters clashed with police, breaking windows and setting small fires.
  • "Any violence directed toward our citizens or police officers or destruction of property should not be tolerated," he said.The demonstrators are angry that Mr Scott, 43, was killed
  • Officers say he was repeatedly told to drop his handgun before he was shot but his family say he was reading a book, as he waited for his son to be dropped off by the school bus.
  • It is legal to openly carry a handgun in North Carolina, but a special permit is required to carry a concealed weapon.
  • olice were serving an arrest warrant on another person when they say they saw Mr Scott get out of a car with a handgun.
  • The second night of protests had begun peacefully but the demonstration was interrupted by gunfire and a man in the crowd was injured. The city initially said he had been killed but then issued a clarification.
  • Several journalists were also reportedly attacked. A reporter and cameraman for Charlotte's WCNC-TV were taken to hospital and a CNN journalist was tackled on live TV, local media report.
  • Police in Charlotte defended their actions in the death of Mr Scott by insisting he had been repeatedly warned to drop his gun.
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