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Javier E

What Christopher Hitchens Knew - by Matt Johnson - 0 views

  • Hitchens’s style of left-wing radicalism is now out of fashion, but it has a long and venerable history: George Orwell’s unwavering opposition to totalitarianism and censorship, Bayard Rustin’s advocacy for universal civil rights without appealing to tribalism and identity politics, the post-communist anti-totalitarianism that emerged on the European left in the second half of the twentieth century.
  • Hitchens described himself as a “First Amendment absolutist,
  • Hitchens’ most fundamental political and moral conviction was universalism. He loathed nationalism and argued that the international system should be built around a “common standard for justice and ethics”
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  • Hitchens argued that unfettered free speech and inquiry would always make civil society stronger. When he wrote the introduction to his collection of essays For the Sake of Argument in 1993, he had a specific left-wing tradition in mind: the left of Orwell and Victor Serge and C.L.R. James, which simultaneously opposed Stalinism, fascism, and imperialism in the twentieth century, and which stood for “individual and collective emancipation, self-determination and internationalism.”
  • As many on the Western left built their politics around incessant condemnations of their own societies as racist, exploitative, oligarchic, and imperialistic, Hitchens recognized the difference between self-criticism and self-flagellation.
  • He didn’t just despise religion because he regarded it as a form of totalitarianism—he also recognized that it’s an infinitely replenishable wellspring of tribal hatred.
  • He also opposed identity politics, because he didn’t think our social and civic lives should be reduced to rigid categories based on melanin, X chromosomes, and sexuality.
  • He recognized that the Enlightenment values of individual rights, freedom of expression and conscience, humanism, pluralism, and democracy are universal—they provide the most stable, just, and rational foundation for any civil society, whether they’re observed in America or Europe or Iraq.
  • he argued that these values are for export. Hitchens believed in universal human rights. This is why, at a time when his comrades were still manning the barricades against the “imperial” West after the Cold War, he argued that the North Atlantic Treaty Organization should intervene to stop a genocidal assault on Bosnia. It’s why he argued that American power could be used to defend human rights and promote democracy.
  • He believed in the concept of global citizenship, which is why he firmly supported international institutions like the European Union
  • One of the reasons Orwell accumulated many left-wing enemies in his time was the fact that his criticisms of his own “side” were grounded in authentic left-wing principles
  • he criticized the left-wing intellectuals who enjoy “seeing their own country humiliated” and “follow the principle that any faction backed by Britain must be in the wrong.” Among some of these intellectuals, Orwell wrote: “One finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States. Moreover they do not as a rule condemn violence as such, but only violence used in defense of the Western countries.”
  • This is a predictable manifestation of what the American political theorist Michael Walzer calls the “default position” of the left: a purportedly “anti-imperialist and anti-militarist” position inclined toward the view that “everything that goes wrong in the world is America’s fault.”
  • the tendency to ignore and rationalize even the most egregious violence and authoritarianism abroad in favor of an obsessive emphasis on the crimes and blunders of Western governments has become a reflex.
  • Much of the left has been captured by a strange mix of sectarian and authoritarian impulses: a myopic emphasis on identitarianism and group rights over the individual; an orientation toward subjectivity and tribalism over objectivity and universalism; and demands for political orthodoxy enforced by repressive tactics like the suppression of speech.
  • These left-wing pathologies are particularly corrosive today because they give right-wing nationalists and populists on both sides of the Atlantic—whose rise over the past several years has been characterized by hostility to democratic norms and institutions, rampant xenophobia, and other forms of illiberalism—an opportunity to claim that those who oppose them are the true authoritarians.
  • He understood that the left could only defeat these noxious political forces by rediscovering its best traditions: support for free expression, pluralism, and universalism—the values of the Enlightenment.
  • Hitchens closes his book Why Orwell Matters with the following observation: “What he [Orwell] illustrates, by his commitment to language as the partner of truth, is that ‘views’ do not really count; that it matters not what you think, but how you think; and that politics are relatively unimportant, while principles have a way of enduring, as do the few irreducible individuals who maintain allegiance to them.”
  • Despite the pervasive idea that Hitchens exchanged one set of convictions for another by the end of his life, his commitment to his core principles never wavered.
Javier E

Book Review: 'A Hitch in Time,' by Christopher Hitchens - The New York Times - 0 views

  • These are book reviews and diary essays written for The London Review of Books between 1983 and 2002. None has previously been anthologized. The pieces are split almost evenly between political topics (Margaret Thatcher, Bill Clinton, the Oklahoma bombing, Nixon and Kennedy, Kim Philby, the radicalism of 1968) and literary, academic and social ones (Tom Wolfe, the Academy Awards, Salman Rushdie, P.G. Wodehouse, spanking, Gore Vidal, Diana Mosley, Isaiah Berlin).
  • this miscellany ends in 2002. That was the year Hitchens, previously a self-described “extreme leftist,” came out in favor of the invasion of Iraq. He broke with The Nation, The London Review of Books and many of his old friends.
  • Why care about a pile of old book reviews? Hitchens’s didn’t sound like other people’s. He had none of the form’s mannerisms. He rarely praised or blamed; instead, he made distinctions, and he piled up evidence
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  • For him, the books were occasions; he picked up the bits that interested him and ran with them. (“It’s a book review, not a bouillon cube,” as Nicholson Baker put it, replying to Ken Auletta, who had complained about one of Baker’s similarly rangy reviews in the Book Review.)
  • Spying Henry Kissinger in the Sistine Chapel gawping at the Hell section of “The Last Judgment,” Vidal commented: “Look, he’s apartment hunting.”
  • Hitchens was sui generis. He made most other book reviewers, to borrow Dorothy Parker’s words about the drama critic George Jean Nathan, “look as if they spelled out their reviews with alphabet blocks.”
Javier E

'Damn, that fool can write': how Martin Amis made everyone up their game | Martin Amis ... - 0 views

  • He will for ever be remembered as part of the “Class of 83”, the inaugural Granta Best of Young British novelists list that also included Ian McEwan, Julian Barnes, Salman Rushdie and Kazuo Ishiguro.
  • “He has had a baleful influence on a whole generation,” bemoaned AS Byatt of Amis in 1993, as one of the Granta judges tasked with finding successors a decade later. Not because he was a bad writer but because so many had been foolish enough to try to emulate him
  • At an event in 2020 with Salman Rushdie, Rushdie asked him if, back in those heady days, he felt part of a gang. “That’s the way ‘movements’ start,” Amis replied. “Ambitious young drunks, late at night, saying, ‘We’re not going to do that any more. We’re going to do this instead.’” And with this “gang” – which also included his great friend, the late journalist Christopher Hitchens, and Ian McEwan – the young drunks went on to became “the old devils”, to borrow a Kingsley Amis title, that pretty much comprised the literary establishment for years.
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  • Of his instinct to shock, he observed: “Every novel worth reading is funny and serious. Anyone who’s any good is going to be funny. It’s the nature of life. Life is funny.”
  • “It seems to me a hilariously enjoyable way of spending one’s time,” he said. And so, at his daring comic best, he was great fun to read.
  • The insolence, the silliness, the seriousness, the grotesqueness, the erudition and audacity were all swept up in those inimitable sentences and corralled into order by his cleverness with form. As Enright summed up in her review: “Damn, that fool can write.
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