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Henry VIII | Biography, Wives, & Facts | Britannica.com - 0 views

  • Henry was the second son of Henry VII, first of the Tudor line, and Elizabeth, daughter of Edward IV, first king of the short-lived line of York. When his elder brother, Arthur, died in 1502, Henry became the heir to the throne; of all the Tudor monarchs, he alone spent his childhood in calm expectation of the crown, which helped give an assurance of majesty and righteousness to his willful, ebullient character.
  • More serious was Henry’s determination to engage in military adventure. Europe was being kept on the boil by rivalries between the French and Spanish kingdoms, mostly over Italian claims; and, against the advice of his older councillors, Henry in 1512 joined his father-in-law, Ferdinand II of Aragon, against France and ostensibly in support of a threatened pope, to whom the devout king for a long time paid almost slavish respect.
  • The cardinal had some occasional ambition for the papal tiara, and this Henry supported; Wolsey at Rome would have been a powerful card in English hands. In fact, there was never any chance of this happening, any more than there was of Henry’s election to the imperial crown, briefly mooted in 1519 when the emperor Maximilian I died, to be succeeded by his grandson Charles V.
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  • Since Henry knew how to work with parliaments, the immediate effect was to make him appear more dominant than ever and to give to his reign a spurious air of autocracy—spurious because in fact the rule of law remained to control the sovereign’s mere will.
  • at Pavia (1525), for the moment, destroyed the rival power of France.
  • It provoked a serious reaction in England, and Henry concluded that Wolsey’s usefulness might be coming to an end.
  • In Charles, the crowns of Spain, Burgundy (with the Netherlands), and Austria were united in an overwhelming complex of power that reduced all the dynasties of Europe, with the exception of France, to an inferior position.
  • Between 1538 and 1541 the families of Pole and Courtenay were destroyed by the axe for treasons linked with efforts abroad to reverse the course of events in England but mainly because they could claim royal blood and represented a dynastic danger to the unprolific Tudor line.
  • from Cromwell’s fall (which he regretted too late), the only maker of policy. Policy in the hands of a sick, unhappy, violent man was not likely to be either sensible or prosperous, and so it proved. Left to himself, Henry concentrated on keeping the realm united, despite the growing strife between the religious factions, and on keeping before the world his own image as the glorious monarch of the age. The first resulted in frequent explosions against the ingratitude of his subjects and against his councillors. The second brought him back to his first love—war and conquest, the sport of kings.
  • In 1542 the emperor and the king of France resumed hostilities. After a pretense of independence, Henry again joined the former; the Scots promptly joined the French.
  • But the Scottish dream quickly collapsed as Henry’s crude handling of that nation gave control to a pro-French party, determined to resist even an alliance with England; physical conquest was beyond the king’s means.
  • As king of England from 1509 to 1547, Henry VIII presided over the beginnings of the English Reformation, which was unleashed by his own matrimonial involvements, even though he never abandoned the fundamentals of the Roman Catholic faith.
  • Henry VIII has always seemed the very embodiment of true monarchy. Even his evil deeds, never forgotten, have been somehow amalgamated into a memory of greatness.
Javier E

No rides, but lots of rows: 'reactionary' French theme park plots expansion | France | ... - 0 views

  • Nicolas de Villiers said the theme park – whose subject matter includes Clovis, king of the Franks, and a new €20m (£17m) show about the birth of modern cinema – was not about politics. He said: “What we want when an audience leaves our shows – which are works of art and were never history lessons – is to feel better and bigger, because the hero has brought some light into their hearts … Puy du Fou is more about legends than a history book.”
  • He said the park’s trademark high-drama historical extravaganzas worked because, at a time of global crisis, people had a hunger to understand their roots and traditions. “The artistic language we invented corresponds to the era we live in. People have a thirst for their roots, a thirst to understand what made them what they are today, which means their civilisation. They want to understand what went before them.” He called it a “profound desire to rediscover who we are”.
  • e added: “People who come here don’t have an ideology, they come here and say it’s beautiful, it’s good, I liked it.”
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  • Guillaume Lancereau, Max Weber fellow at the European University Institute in Florence, was part of a group of historians who published the book Puy du Faux (Puy of Fakes), analysing the park’s take on history. They viewed the park as having a Catholic slant, questionable depictions of nobility and a presentation of rural peasants as unchanged through the ages.
  • Lancereau did not question the park’s entertainment value. But he said: “Professional historians have repeatedly criticised the park for taking liberties with historical events and characters and, more importantly, for distorting the past to serve a nationalistic, religious and conservative political agenda. This raises important questions about the contemporary entanglement between entertainment, collective memory and politically oriented historical production …
  • “At a time when increasing numbers of undergraduates are acquiring their historical knowledge from popular culture and historical reenactments, the Puy du Fou’s considerable expansion calls for further investigation of a phenomenon that appears to be influencing the making of historical memory in contemporary Europe.”
  • Outside the park’s musketeers show, André, 76, had driven 650km (400 miles) from Burgundy with his wife and grandson. “We came because we’re interested in history,” he said. “The shows are technically brilliant and really make you think. You can tell it’s a bit on the right – the focus on war, warriors and anti-revolution – but I don’t think that matters.”
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