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Mary Elizabeth Meier

Web 2.0 Syllabus | Art Education 511 - 1 views

    • Jennifer Motter
       
      mashup and remix data
    • Jennifer Motter
       
      collective intelligence
    • Jennifer Motter
       
      co-developers
  • ...4 more annotations...
    • Jennifer Motter
       
      empower users
    • Karen Keifer-Boyd
       
      Web 2.0 Pedagogy interpreted by Jen: empower users creation of new content through online social interaction embrace, explore, and extend Web 2.0 applications collective intelligence mashup and remix data co-developers
    • christine liao
       
      democracy (? a working thought)
    • Mary Elizabeth Meier
       
      The following is from the O'Reilly site: From "publishing to participation." I think that web 2.0 is very much about participation. Christine, I think that democracy is also an important idea which connects to Jen's comment about empowerment. Users are empowered by vast choices in technology to participate and create content not just consume it. However, some may feel paralyzed by all of the choices.
    • Myoungsun Sohn
       
      empower users; network effects from user contributions user-centered approach the architecture of participation users who can control how data is displayed on their computer
    • Ashley M
       
      Interactvitiy
    • Ashley M
       
      Using the web to create databases for personal or group uses. Interactivity beyond: new forms of communicating and sharing ideas/art projects; Collaboration across nations for projects.
    • christine liao
       
      non-linear rhizomized learning, teaching, and thinking...
    • Jennifer Motter
       
      embrace, explore, and extend Web 2.0 applications
    • Jennifer Motter
       
      creation of new content through online social interaction
    • Mary Elizabeth Meier
       
      I like the idea that we are participating in this read/write culture in this week's facillitations. This is what I have heard ed_techies describe as "expanding the four walls of the classroom", or engaging in the authentic task of Web participation by tagging artwork at a museum, commenting on a blog, or adding to a voicethread.
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    I agree that web 2.0 has great characteristics and potential for education. I liked the characteristics of empowerment of users. I think, however, we need to think of whom users really are. Who makes web contents and who doen't or can't? Who does collaborate and who doen't or can't? And why do they collaborate and why others don't or can't?
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    I think web 2.0 might be a kind of language to communicate among active web users. So it can be a foreign language for some people. Maybe we need some classes like ESL for web 2.0 in school.
Mary Elizabeth Meier

Pecha Kucha: Get to the PowerPoint in 20 Slides Then Sit the Hell Down - 0 views

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    This is an old post that resurfaced via diigo this week from a friend of mine. Knowing about Pecha Kucha may help as we prepare for our interconnected gestures! :) 20 slides for only 20 seconds each. Incidentally, this post is by Dan Pink who spoke at NAEA 2 years ago. He wrote the book, A Whole New Mind.
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    Mark Dytham and Astrid Klein, two Tokyo-based architects who have turned PowerPoint, that fixture of cubicle life, into both art form and competitive sport. Their innovation, dubbed pecha-kucha (Japanese for "chatter"), applies a simple set of rules to presentations: exactly 20 slides displayed for 20 seconds each. That's it. Say what you need to say in six minutes and 40 seconds of exquisitely matched words and images and then sit the hell down. The result, in the hands of masters of the form, combines business meeting and poetry slam to transform corporate cliché into surprisingly compelling beat-the-clock performance art.
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    Empathy is necessary to interconnected gestures, and a poetic imagination. A sequencing of evenly timed (20 slides for 20 seconds each) may interconnect gestures of meaning in performance art as in the 4" Binding Unbound poem of different artist statements of their work (see http://explorations.sva.psu.edu/unbound/media/eei_poem.mov), but there are other strategies with less linearity. The last 3 weeks of interconnected gestures will be my facilitation in which I will facilitate making connections between the different facilitations. I have conceptualized a way to combine the dialogues (especially from the wrap up material, which each did, and I am posting on the course syllabus per week). I have chosen one reading to explicate the pedagogy and then we'll discuss the pedagogy from our experience as facilitator, participant, and student--and the other roles not named yet.
Elizabeth Andrews

A ED 597A, Section 001: NEW MEDIA PEDAGOGY - 0 views

  • collaborate
    • Elizabeth Andrews
       
      Trusting users as co-developers
    • Elizabeth Andrews
       
      Harnessing collective intelligence
  • multimodal and multimedia use in communication among many people at diverse locations
    • Elizabeth Andrews
       
      Requires social interaction (Buffington, 2008, p.36) Free availability to anyone with Internet access (Buffington, 2008, p. 36)
    • Elizabeth Andrews
       
      Does this intersect with collage? It seems to adopt similar principles. In some ways, this reminds me of Tristan Tzara's dada forms with realist content. In the exhibit last semester at PSU, it was suggested that collage emerges during times of political uncertainty.
    • Myoungsun Sohn
       
      The possibility of "multi-disciplinary" curricula beyond interdisciplinary curricula through the Web 2.0 pedagogy? The Web 2.0 reminds me of more possibility of synthesis or graft between media, educational materials, and disicplinary curricula.
Karen Keifer-Boyd

What Is Web 2.0 | O'Reilly Media - 0 views

  • Shakeouts typically mark the point at which an ascendant technology is ready to take its place at center stage. The pretenders are given the bum's rush, the real success stories show their strength, and there begins to be an understanding of what separates one from the other.
    • Elizabeth Andrews
       
      This is a different history of the dot-coms than I have heard before. Interesting.
  • meme map
    • Elizabeth Andrews
       
      Wikipedia: "A meme is a popular neologism for the term cultural trait; that is, a learned thought, feeling, or behavior..."
    • Myoungsun Sohn
       
      Webster's: "A meme is a cultural item that is transmitted by repitition in a manner analoguous to the biological transmission of genes"
  • Netscape vs. Google
    • Elizabeth Andrews
       
      I've been interested in how Google can function as a model for nonprofit arts associations. I am curious how this is / isn't re-envisioning consumerism. The third paragraph in this section lays out some possibilities to translate into nonprofit arts.
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  • Web 1.0   Web 2.0 DoubleClick --> Google AdSense Ofoto --> Flickr Akamai --> BitTorrent mp3.com --> Napster Britannica Online --> Wikipedia personal websites --> blogging evite --> upcoming.org and EVDB domain name speculation --> search engine optimization page views --> cost per click screen scraping --> web services publishing --> participation content management systems --> wikis directories (taxonomy) --> tagging ("folksonomy") stickiness --> syndication
    • Mary Elizabeth Meier
       
      I think that "publishing to participation" is an important idea for Web 2.0 I will add this to our syllabus markup.
    • Jennifer Motter
       
      Here is the definition of "meme" from Wikipedia. A meme (pronounced /miːm/) comprises a unit or element of cultural ideas, symbols or practices; such units or elements transmit from one mind to another through speech, gestures, rituals, or other imitable phenomena. The etymology of the term relates to the Greek word mimema for mimic.[1] Memes act as cultural analogues to genes in that they self-replicate and respond to selective pressures.[2]
    • Jennifer Motter
       
      I also found this definition for Internet meme. The term Internet meme (pronounced /miːm/) is a neologism used to describe a catchphrase or concept that spreads quickly from person to person via the Internet, much like an inside joke.[1] The term is a reference to the concept of memes, although this concept refers to a much broader category of cultural information.
    • christine liao
       
      Here is an interesting Net Art: meme garden. http://transition.turbulence.org:8180/memegarden/
  • the space between browser and search engine and destination content server,
    • Lindsay DiDio
       
      This reminds me of the theory behind relational art making and practice. There may not be a solid result of tangible piece of art in the end of the lesson, but the art exists in the gray matter.
    • Karen Keifer-Boyd
       
      The connect of Web 2.0 pedagogy to relational art pedagogy is apt that Lindsay noted, as well as to the artmaking process of collage that Elizabeth noted. However, relational pedagogy is more than process over product as its hallmark, but rather a process in which the participants in the artmaking or other art learning endeavor shape the direction(s) of that learning with each other. The teacher as facilitator sets of the possibility for this to happen but does not know in advance where the students will take their learning, which is relational to each other, the facilitation, the medium, and context. I agree with Lindsay that this relationality is similar to the potentials of Web 2.0 pedagogy.
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    Article on Web 2.0
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    I like the idea of a meme map
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    This is the "go to" resource for beginning to understand Web 2.0
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