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Nigel Robertson

Gilberto Gil Hears the Future, Some Rights Reserved - New York Times - 0 views

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    Gilberto Gil's copyleft philosophy.
Nigel Robertson

Creative Commons France experiments with Ascribe to support copyleft through the Blockc... - 0 views

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    Interesting. Embed your copyright into your artefacts using blockchains (the technology from Bitcoin).
Nigel Robertson

PicFindr: Free stock photo and image search - 0 views

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    PicFindr searches the web* for stock photography that is completely free to use commercially. Several licensing arrangements have recently emerged as alternatives to copyright (sometimes called "copyleft") and PicFindr makes sense of them all by helping you find images based on what you have to do to use them, whether licensed under Creative Commons, GNU, a site-specific agreement, or something else. PicFindr can even find free images you can use commercially without requiring permission or credit of any kind!
Nigel Robertson

CC-What? Part 1: No NC (#h817open, activity 9) | You're the Teacher - 0 views

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    Great post exploring the fractured world of CC licensing and why this author is sticking to CC-BY (Part 1 of 2)
Nigel Robertson

CC-What? Part 2: No SA (#h817open, Activity 9) | You're the Teacher - 0 views

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    Great post exploring the fractured world of CC licensing and why this author is sticking to CC-BY (Part 2 of 2)
Nigel Robertson

Students for Free Culture » Blog Archive » Stop the inclusion of proprietary ... - 0 views

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    Part of the debate on removing NC & ND licenses from the upcoming v4.0 Creative Commons. This argues strongly that these versions should be removed.
Nigel Robertson

Ongoing discussions: NonCommercial and NoDerivatives - Creative Commons - 0 views

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    Part of the debate on removing NC & ND licenses from the upcoming v4.0 Creative Commons.
Nigel Robertson

The ecstasy of influence: A plagiarism, By Jonathan Lethem (Harper's Magazine) - 1 views

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    A brilliant piece on appropriation, sampling and remixing throughout literary, cinematic and musical history and why our notions of  property and creation have been subverted and corrupted. Published in Harpers Magazine in 2007.
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