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Carlos Gomez Burgos

Rendimiento de los websites de Medios y entretenimiento por dispositivo y métrica. - 1 views

www.emarketer.com/...1009761

timespent performance website entretainment

shared by Carlos Gomez Burgos on 03 Apr 13 - No Cached
  • Carlos Gomez Burgos on 03 Apr 13
     
    A enero del 2013, según Adove, los websites de entretenimiento en USA son líderes con respecto al time spent resto del sector: 11.84 promedio del mejor sitio y 8.88 promedio del sector. En ambos casos sobrepasa el timespent con respecto al resto de sectores
  • pfiguero on 26 Apr 13
     
    NO muy relacionado
pfiguero

Gamasutra: Ryan Creighton's Blog - Truth in Advertising: Matching Your Game to Your Paying Players - 2 views

www.gamasutra.com/...ame_to_Your_Paying_Players.php

market research

shared by pfiguero on 21 Feb 13 - No Cached
  • The way the market actually works is that you catch wind of a game through a friend or a website, and you eventually stumble upon its page on a digital distribution site like Steam or Good Old Games. You watch the trailer, look at the screenshots, maybe double-check its purported quality by reading Metacritic reviews (or just glancing at the game's damnable Metacritic score) ... and you imagine what the game might be like to play, and whether you'll enjoy it. You create a mental picture of that enjoyment you'll get from the game, and then you compare that to the asking price. If the asking price is aligned with the enjoyment you predict you'll get from the game (and everyone's equation for this is different), AND you have that money to fart away on entertainment, THEN you may just complete the purchase.
  • If i were to approach this exercise completely cynically, i would continue to tweak and refine the page until i got the best potential conversion from my respondents, and then release Spellirium without making any changes to it. Because, speaking absolutely cynically, it doesn't actually matter if the game is good or bad - it only matters that people buy it. But that's not how Untold Entertainment rolls!
  • Of course, i desperately do want to make a good game. So i'll use the Steam page mock-up and survey as a funnel to decide on my testers. Those respondents who report the highest interest in playing the game, and the highest likelihood of buying it, will test the game. At that point, it doesn't matter who is a "proper" word gamer and who isn't: what matters is that i have an obligation to the people who are excited about my game and who want to buy it. If those players struggle to make 3-letters words, and if those players expect long words to be rewarded over tricky words, then i will adjust the game for the sake of those players. Because those players are my paying audience - not some mythical "perfect" players that i've hand-picked to enjoy Spellirium the specific way i've configured it. The players choose my game - not the other way around.
pfiguero

UltraStar Official Karaoke Game Website - 1 views

www.ultrastargame.com

opensource freeware Karaoke

shared by pfiguero on 29 Nov 11 - No Cached
  • pfiguero on 29 Nov 11
     
    Karaoke, open source!
jmreyes10

Star Wars Battlefront Beta "Largest in History of EA" - 0 views

www.gamespot.com/...1100-6431386

shared by jmreyes10 on 14 Oct 15 - No Cached
  • jmreyes10 on 14 Oct 15
     
    Over nine million people played the beta for DICE's Star Wars Battlefront, making it the "single largest beta in the history of EA," according to senior producer Sigurlina Ingvarsdottir. Posting on the game's official website, Ingvarsdottir said the studio "could not be happier" with the amount of interest being shown for its upcoming shooter.
Isabel González

La música de Call of Duty y Brothers in Arms - 3 views

www.tracksounds.com/...index.htm

arte videojuegos

shared by Isabel González on 22 Mar 11 - No Cached
Luis Lyons liked it
  • Isabel González on 22 Mar 11
     
    Este website, especializado en música para medios en forma de banda sonora, contiene una sección llamada High Score, especializada en música para videojuegos. Me llamó la atención el artículo que se enfoca en la evolución de la música de los juegos de shooter de la Segunda Guerra Mundial.
  • Isabel González on 22 Mar 11
     
    Pienso que este artículo evidencia un signo de que los videojuegos están acercándose cada vez más en calidad artística a los otros medios de mayor antigüedad (como el cine). Un ejemplo claro es que ahora son más comunes los juegos con música escrita por compositores profesionales. Es el caso de Medal of Honor y Call of Duty, cuya banda sonora fue elaborada por Michael Giacchino, quien compuso las bandas sonoras de la más reciente película de Star Trek, o la serie de televisión Alias. También es interesante ver cómo los videojuegos continúan la tradición narrativa a través de la música. Por ejemplo, en el artículo explican que, para la elaboración de estas bandas sonoras, trataron de basarse en los elementos musicales de películas de guerra como Saving Private Ryan o la serie Band of Brothers. He visto que eso sucede también con otros géneros: por ejemplo, los juegos de fantasía tienden a tener un gran parecido en su música con el de películas como LOTR; los de survival horror tienden a usar bastantes efectos musicales que se han visto en las películas famosas y a tratar de asustar al jugador con los mismos esquemas compositivos que hay en ellas; y así sucesivamente.
Ricardo Rambal

Anigames - 1 views

www.srproducciones.net/...index.php

shared by Ricardo Rambal on 13 Sep 11 - No Cached
  • Ricardo Rambal on 13 Sep 11
     
    congreso de videojuegos en Colombia con guionistas y escritores de videojuegos prestigiosos entre otras personas del mundo de los videojuegos 20% de descuendo si eres andino
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