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Jagua is a tropical fruit that is used for traditional body art. The unripe jagua fruit juice is painted on the skin making elaborate and striking jagua body art. It's a really great type of body paint because it can last for a few weeks, just like henna body art. So technically jagua is actually a stain and not a paint.

Traditionally, the plural of dwarf was "dwarfs", especially when referring to actual humans with dwarfism, but ever since J. R. R. Tolkien used Dwarves in his fantasy novel The Hobbit, the subsequent The Lord of the Rings (often published in three volumes), and the posthumously published The Silmarillion, the plural forms "dwarfs" has been replaced by "Dwarves". Tolkien, who was fond of low philological jests, also suggested two other plural forms, Dwarrows and Dwerrows; but he never used them in his writings, apart from the name 'Dwarrowdelf', the Western name for Khazad-dûm or Moria, which was, inside his fiction, a calque of the Westron name Phurunargian. His Dwarves' name for themselves was Khazâd, singular probably Khuzd. 'Dwarrows' is the Middle English plural of 'Dwerg' or 'Dwerf' ('Dwarf'), and derives from the Old English 'Dweorgas', plural of 'Dweorh' or 'Dweorg'.

Dwarves in Tolkien are long-lived, living nearly four times the age of man (about 250 years), but are not prolific breeders, having children rarely and spaced far apart, and having few women among them. Dwarvish children are cherished by their parents, and are defended at all costs from their traditional enemies, such as Orcs. A longstanding enmity between normal Dwarves and Elves is also a staple of the racial conception.

A long standing source of interest (and humour) comes from the allusion of Tolkien to female Dwarves having beards, which was borrowed by other writers. Essentially, Tolkien developed a rational explanation for why female Dwarves are never encountered in the story, by elaborating that female Dwarves never travel abroad, and look so much like Dwarf men that visitors to Dwarf cities cannot immediately spot them. In addition to being rare creatures they are perhaps not often featured in many fantasy milieu for this reason. Tolkien writes his Dwarf-women are "in voice and appearance, and in garb if they must go on a journey, so like to dwarf-men that the eyes and ears of the other peoples cannot tell them apart." This, he writes, leads to the belief that Dwarves grow out of stone[15]. In The Chronicles of Narnia, in fact, C. S. Lewis, who was a friend of Tolkien, describes his Dwarfs as doing just this, and it is possible that Tolkien was ribbing Lewis in making this point. Interestingly, though, Lewis' all-male Dwarfs are capable of mixing with humans to make half-Dwarfs, such as Doctor Cornelius, the tutor of Prince Caspian (In the 2008 adaption of Prince Caspian, female Dwarfs are shown as archers along with the males, though these female Dwarfs are shown to be beardless). In later writings, Tolkien directly states that his female Dwarves have beards "from the beginning of their lives", as do the males[16].

The tradition of wall painting in Greece goes back at least to the Minoan and Mycenaean Bronze Age, with the lavish fresco decoration of sites like Knossos, Tiryns and Mycenae. It is not clear, whether there is any continuity between these antecedents and later Greek wall paintings. Wall paintings are frequently described in Pausanias, and many appear to have been produced in the Classical and Hellenistic periods. Due to the lack of architecture surviving intact, not many are preserved. The most notable examples are a monumental Archaic 7th century BC scene of hoplite combat from inside a temple at Kalapodi (near Thebes), and the elaborate frescoes from the 4th century "Grave of Phillipp" and the "Tomb of Persephone" at Vergina in Macedonia[1], sometimes suggested to be closely linked to the high-quality panel paintings mentioned above. Greek wall painting tradition is also reflected in contemporary grave decorations in the Greek colonies in Italy, e.g. the famous Tomb of the Diver at Paestum. Some scholars suggest that the celebrated Roman frescoes at sites like Pompeii are the direct descendants of Greek tradition, and that some of them copy famous panel paintings.

There were several interconnected traditions of painting in ancient Greece. Due to their technical differences, they underwent somewhat differentiated developments. Not all painting techniques are equally well represented in the archaeological record. [edit] Panel painting [show] List of known Ancient Greek painters One of the Pitsa panels, the only surviving panel paintings from Archaic Greece.   Agatharchus Antiphilus Apelles Apollodorus (painter) Aristides of Thebes Cimon of Cleonae Echion (painter) Euphranor Eupompus Melanthius Nicomachus of Thebes Panaenus Parrhasius Pausias Polyeidos (poet) Polygnotus Protogenes Theon of Samos Timarete Timomachus Zeuxis and Parrhasius The most respected form of art, according to authors like Pliny or Pausanias , were individual, mobile paintings on wooden boards, technically described as panel paintings . The techniques used were encaustic (wax) painting and tempera . Such paintings normally depicted figural scenes, including portraits and still-lifes ; we have descriptions of many compositions. They were collected and often displayed in public spaces. Pausanias describes such exhibitions at Athens and Delphi . We know the names of many famous painters, mainly of the Classical and Hellenistic periods, from literature (see expandable list to the right). Unfortunately, due to the perishable nature of the materials used and the major upheavals at the end of antiquity, not one of the famous works of Greek panel painting has survived, nor even any of the copies that doubtlessly existed, and which give us most of our knowledge of Greek sculpture. The most important surviving Greek examples are the fairly low-quality Pitsa panels from circa 530 BC, and a large group of much later Graeco-Roman archaeological survivals from the dry conditions of Egypt, the Fayum mummy portraits , together with the similar Severan Tondo . Byzantine icons are also derived from the encaustic panel painting tradition. [edit] Wall painting Symposium scene in the Tomb of the Diver at Paestum, circa 480 BC. The tradition of wall painting in Greece goes back at least to the Minoan and Mycenaean Bronze Age , with the lavish fresco decoration of sites like Knossos , Tiryns and Mycenae . It is not clear, whether there is any continuity between these antecedents and later Greek wall paintings. Wall paintings are frequently described in Pausanias, and many appear to have been produced in the Classical and Hellenistic periods. Due to the lack of architecture surviving intact, not many are preserved. The most notable examples are a monumental Archaic 7th century BC scene of hoplite combat from inside a temple at Kalapodi (near Thebes ), and the elaborate frescoes from the 4th century "Grave of Phillipp" and the "Tomb of Persephone" at Verg in a in Macedonia http://en.wikipedia.org