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Although this is not an "official" site per se, it still offers an interesting take on Art Therapy for Sexually abused adults. This is a program offered at a California YWCA for adults who have been sexually abused to express their experiences and trauma through the medium of art. In this particular piece the various pro's regarding art therapy are listed. The page also includes a list of references for those interested.

I think that this is a really great idea. I remember reading (maybe I misunderstood) in the Myer reading that catharsis does not actually help many, or have the effect many believe it to have. I find this to be completely false and somehow offending. Personally, a way I deal with the difficult topics that come up in our class is through making a connection between this class and my 3D Design course. I found/find it to be very cathartic in dealing with issues that arise in this course, as it seems many survivors do in creating their own art. I find it especially valuable in that it often seems to allow others to relate and connect their own emotions with their fellow survivor peers. Hopefully more shelters, etc. begin to institute this idea.

I love this idea and think that people need to engage in creative activities more frequently not just as a way to heal, but as a way to stay happy, which in turn makes one healthy as well. Emilie- I think that Myer focused on catharsis in a different way. He made the case that watching/reading/looking/playing instead of doing cannot satisfy one's desire for violence among sexual activities. But I could be wrong; I do not know what he would say in response to art therapy. I feel that all art production is a catharsis of some kind and must be helpful for many otherwise the practice might not have perpetuated itself. I am also not an artist in the conventional sense of a person who produces pieces of art on a regular schedule, so my opinion might be far from reality.

This site is about domestic violence perpetrated by police officers. I thought this site was interesting because it deals with a subset of domestic violence that is not always on the top of the discussion list. It talks about the added problems that victims have when their abuser is a cop who has been trained to be the authority figure.

I agree that this site is interesting and worth noting because it does happen and when it does, there is practically nothing a civilian victim can do against a government paid law enforcement officer. It was difficult for me to read because it reminded me of a classmate I had in high school who had been physically abused by his father who was a judge. His story was particularly difficult for me to understand because he had volunteered all of this information about his horrible home life without warning. It was also interesting to me because he had decided to leave his house to live with his grandmother, which is actually how we started carpooling. He was a year older than I, but he has a younger brother in my year who stayed at home with his parents. I never knew how to act around him knowing what I did even though he hadn't told me. The boy in my year must have had a crush on one of my best friends and had a poor way of showing it, which I think was partly due to his violent family dynamic. My girlfriend still tells me about how he stalked her and still calls and sends her odd and unwelcome messages.

I also agree that this site is very interesting. Not only does it expose a flaw of prosecuting domestic violence in our legal system, but also shows how traditional "masculine" roles influence domestic violence. I like that the author shows how police culture, which conforms to many stereotypes about masculinity, works to increase rates and intensity of domestic violence, rather than only looking at problems with the individual abusers. The only thing I didn't like about this article was that I felt it down played the difficulties that women who have not been abused by officers face. The beginning of the article made it seem as if there was a wide network of support and help for victims of domestic violence within the legal system, which is not typically the case.

Gone with the Wind, 1939, Victor Fleming, dir. Dox, Donnalee. 1996. "Constructions of Rape: Two American Musicals." Frontiers: A Journal of Women Studies, 17: 210-238. Retrieved April 12 2010. (http://www.jstor.org/stable.3346888). I felt it was important that I use Gone with the Wind in my paper, as it is one of the most highly cited films in relation to my topic (rape in film). The most cited aspect of the film is found within the scene in which Rhett Butler carries an angry and reluctant Scarlett O'Hara up the expansive staircase to her bedroom. The next scene the audience is shown is Scarlett awakening the morning after, seemingly happy. Many critics take issue with these scenes as they seem to promote the ideal that no means yes. Donnalee Dox touches on this idea in the opening to her article, "Constructions of Rape…" Dox mentions others, such as Tom Kuntz and Christina Hoff Sommers, who also debate over the subliminal messages found within these specific clips from the film. Dox notes the taboos in addressing this film as "many women continue to enjoy the sight of Rhett Butler carrying Scarlett O'Hara up the stairs in a fate undreamt of in feminist philosophy." If many women still enjoy this scene, it makes it difficult for other (perhaps more feministic) women to condemn this scene as a bad representation of rape and women. This article is helpful in addressing the multiple perspectives on reading rape in film, and will be useful in challenging my own thoughts regarding rape and film.

Two sources here... but I assumed the JSTOR would be more important to add as the URL.