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[Notules, Chroniques vagabondes] Comment expliquer le succès phénoménal de Twitter ? "La semaine dernière, en évoquant Europeana, nous avons parlé des portails à très grande échelle. Aujourd'hui, je voudrais discuter l'évolution actuelle des Microformats, surtout celle représentée par le service Twitter. Twitter, c'est l'équivalent d'un SMS sur le web. Les attentats de Bombay ont démontré encore une fois l'utilité et l'importance de la plateforme (des blogueurs ont été les premiers à reporter les attentats et à les suivre en direct): Twitter une communication quasi-instantannée, une multiplicité de voix et de perspectives et une large diversité de contenu. Tel qu'il semble évoluer en ce moment, le service est en train de modifier la culture du réseau en légitimant une pratique ancrée dans la liberté de la contrainte: bavardage et superflu sont éliminés au profit de l'exactitude et de la promptitude" (...)

How will this start changing the game? Josh Korr of Publishing 2.0 reports that about a week ago, four journalists from Washington state began reporting a major local story in collaboration with each other on Twitter. Writes Korr:Those four journalists weren't in the same newsroom. In fact, they all work for different media companies. And here's the best part: Some of them have never even met in person.Could journalists have discovered the same thing we have also been exploring collectively online? That collaboration strengthens a network and draws more readers, not less. I also agree with Korr that news organizations need to start investing in smart journalists who get the power of cooperation. To summarize what these fine professionals did: Acted in real time and focused on the reporting of the events - in line with the Twitter culture of immediacy as well as a sense of urgency for their readers at the respective mastheads Collaborated with each other to cover the story as it was unfolding instead of worrying about the credit - imagine the first cross-news organization team that wins a Pulitzer, now wouldn't that be news? Provided higher quality news than just one person doing the reporting. There was some skepticism in the comments to Korr's post. Maybe this is not the first time journalists network for a news story. This collaboration so open on Twitter seems quite novel to me.I know some of my readers are journalists or are studying journalism. What possibilities do you see...

Evan Williams and Biz Stone of Twitter Robyn Twomey for TIME ENLARGE + Print Reprints Email Twitter Linkedin Buzz up! (44) Facebook MORE... Add to my: del.icio.us Technorati reddit Google Bookmarks Mixx StumbleUpon Blog this on: TypePad LiveJournal Blogger MySpace The one thing you can say for certain about Twitter is that it makes a terrible first impression. You hear about this new service that lets you send 140-character updates to your "followers," and you think, Why does the world need this, exactly? It's not as if we were all sitting around four years ago scratching our heads and saying, "If only there were a technology that would allow me to send a message to my 50 friends, alerting them in real time about my choice of breakfast cereal." Related Audio Host Katherine Lanpher talks with TIME's Just Fox on stocks vs. bonds and Barbara Kiviat about the housing market's new movement Download | Subscribe Specials The World of Twitter Specials Top 10 Celebrity Twitter Feeds Specials 10 Ways Twitter Will Change American Business Stories The TIME 100: The Twitter Guys by Ashton Kutcher More Related The TIME 100: The Twitter Guys by Ashton Kutcher The TIME 100: The Twitter Guys by Ashton Kutcher The Future of Twitter I, too, was skeptical at first. I had met Evan Williams, Twitter's co-creator, a couple of times in the dotcom '90s when he was launching Blogger.com. Back then, what people worried about was the threat that blogging posed to our attention span, with telegraphic, two-paragraph blog posts replacing long-format articles and books. With Twitter, Williams w

"Injecting Twitter into that conversation fundamentally changed the rules of engagement. It added a second layer of discussion and brought a wider audience into what would have been a private exchange. And it gave the event an afterlife on the Web. Yes, it was built entirely out of 140-character messages, but the sum total of those tweets added up to something truly substantive, like a suspension bridge made of pebbles."