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This essay focuses on television censorship during the last military regime in Brazil (1964-1985) by examining the performance of television censors employed by the Public Entertainment Censor Department (Diviso de Censura e Diverses Pblicas, DCDP). It challenges common perceptions about small-screen censorship during this period, pointing to the need to analyse the boundaries and the spaces of autonomy in each television genre. It focuses on the multiple tensions and struggles between the written procedures and codes, the censors' subjective interpretation of television texts and the negotiation process of the broadcast contents between censors and television producers. The recent opening of the Censor Division Archives (DCDP) and the deluge of biographies, autobiographies and testimonials of key television figures during the authoritarian regime, have opened up new perspectives to examine Brazilian TV history and the place television censors had within it. Annotated and censored scripts of telenovelas and comedy series, correspondence exchanged between the executives of Globo Television Network, the hegemonic TV station in Brazil at the time, and the regime's authorities, printed press reports, as well as audiovisual content that is now available to researchers, constitute some of the sources analysed in this article.