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Duncan H

Phobias: Things to Fear and Loathe - NYTimes.com - 0 views

  • a new app for the treatment of phobias. You stare at pictures of dental drills, snakes or airplane interiors, depending on your affliction, and these totems of menace  — interspersed with reassuring images of teddy bears  — gradually cease to provoke you.
  • Another person wrote: “I am terrified of string. You know, when you have a loose string hanging off your clothes. Most people just shrug it off.” (Who knew?) “But I go insane until I get it off the item.”Balloons, pigeons, boats, bald men, cotton batten, garden peas. These have all acted as the culprits, according to reports I’ve received, in making otherwise reasonable human beings assume the visage of Edvard Munch’s screamer. People fear chins, condiments, towels, cut fruit.The object appears to be irrelevant, in many cases, beyond its subconscious assignation as the Very Thing to Fear.
  • One attempts to find logical causes for phobia at one’s peril.
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  • According to the psychologist Stéphane Bouchard, who studies phobia at the University of Quebec, about a third of phobias are indeed set off by direct exposure to frightening encounters, such as a dog bite. Roughly another third are culturally suggested: a classic example being the increase in shark and water phobias after the movie “Jaws.” With that final third, Mr. Bouchard told me, shrugging, “we just have no clue.”Let me zero in on that final third.“I have a fear of honeycomb shapes,” a woman once wrote to me when I solicited examples of phobias for my research. “I can’t look at something like a beehive. The other day, I saw a box of honeycomb-shaped pasta at the grocery store and it really creeped me out.”
  • We are not simple creatures, we human beings, and we know it; yet we still insist on imposing simple explanations upon our emotional conduct. “They’re just freaking dandelions, Mom,” my son tells me. It’s just a garter snake. They’re merely peas. How in the world  can you be so idiotically afraid of clowns?There are wider implications here for our civic and political discourse. Certain people may be neurologically prone to anxiety, true, but fear is also circumstantial. The current economic climate is extremely anxiety-provoking, and research has shown that people can tolerate uncertainty for only so long. At some point, the neurotically wired begin to prefer negative certitudes  — or compartmentalized threats  — to ambiguity.
  • Oddly, this act of transmuting anxiety into fear does possess a kind of logic. Anxiety has been described as fear in search of a cause, and there’s little question that fear is more actionable. Instead of being paralyzed by a sense of directionless menace, as would be the case with a generalized anxiety disorder where danger is everywhere and nowhere, the phobic can pour all dread into one vessel, and then swiftly run away.In other words, phobia can be a form of compartmentalization.
  • A fear of flying, for instance, can relate to acrophobia (fear of heights), or to claustrophobia, or it can be a stand-in for a much more threatening prospect that dare not be confronted at any cost, such as the death of a parent. You’re avoiding grief, and the next thing you know you would rather be trapped in an elevator with bees than board an airplane. The airplane is departing for another world but no, that’s too obvious.
  • Of all the manifestations of anxiety, specific phobias are by far the most idiosyncratic. About 6 percent of Americans have an acute fear of animals like rats and birds. But after that, the sources of terror are myriad.
  • f we cannot tolerate uncertainty, then it might be reasonable to expect an increase in phobic behaviors:   xenophobia, Islamophobia, Obamafear, a terror of newts. These aren’t stances that can be dealt with by counterargument.  They can be quelled only by exposure, by a reminder that the threat is symbolic, a stand-in. Let’s invite the enemy we  fear to dine, then, and rescue ourselves  from irrational conflict.
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    If only we could apply her suggestions to politics.
Javier E

Points of No Return - NYTimes.com - 1 views

  • why would the senator make such a statement? The answer is that like that ice sheet, his party’s intellectual evolution (or maybe more accurately, its devolution) has reached a point of no return, in which allegiance to false doctrines has become a crucial badge of identity.
  • how support for a false dogma can become politically mandatory, and how overwhelming contrary evidence only makes such dogmas stronger and more extreme.
  • Why the bad behavior? Nobody likes admitting to mistakes, and all of us — even those of us who try not to — sometimes engage in motivated reasoning, selectively citing facts to support our preconceptions.
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  • hard as it is to admit one’s own errors, it’s much harder to admit that your entire political movement got it badly wrong. Inflation phobia has always been closely bound up with right-wing politics; to admit that this phobia was misguided would have meant conceding that one whole side of the political divide was fundamentally off base about how the economy works. So most of the inflationistas have responded to the failure of their prediction by becoming more, not less, extreme in their dogm
  • truly crazy positions are becoming the norm. A decade ago, only the G.O.P.’s extremist fringe asserted that global warming was a hoax concocted by a vast global conspiracy of scientists (although even then that fringe included some powerful politicians). Today, such conspiracy theorizing is mainstream within the party, and rapidly becoming mandatory; witch hunts against scientists reporting evidence of warming have become standard operating procedure, and skepticism about climate science is turning into hostility toward science in general.
  • the process of intellectual devolution seems to have reached a point of no return. And that scares me more than the news about that ice sheet.
ilanaprincilus06

Manipulating memory to treat addiction | Mo Costandi | Neurophilosophy blog | Science |... - 0 views

  • the procedure involves manipulating addicts' memories of past drug use, and could lead to non-pharmacological therapy for addiction, as well as psychiatric conditions such as post-traumatic stress disorder and phobia.
  • the procedure involves manipulating addicts' memories of past drug use, and could lead to non-pharmacological therapy for addiction, as well as psychiatric conditions such as post-traumatic stress disorder and phobia.
    • ilanaprincilus06
       
      Could this manipulation affect other parts of the brain?
  • addicts quickly associate paraphernalia and other drug-associated cues with the pleasurable effects of the drug, so that seeing these cues triggers cravings and drug-seeking behaviour.
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  • Current treatments effectively relieve cravings in the clinic, but not when addicts return to their usual environment
  • This process – called 'extinction' – forms the basis of cue exposure therapy, in which addicts are repeatedly exposed to drug-associated cues and prevented from responding to them in the usual way of using the drug.
  • It combines cue exposure with manipulation of a process called memory reconsolidation, in which information is retrieved from long-term storage and then reactivated so that it can be strengthened.
  • "We did the extinction training during reconsolidation, and what seems to have happened is that we somehow updated the old fear memory,"
  • also manipulates reconsolidation of addicts' memories of past drug use to weaken their habitual responses to paraphernalia and other drug-related stimuli.
  • so it remains to be seem whether the procedure will be effective in preventing cravings outside of the clinical setting.
anniina03

Don't Scream: Why do we find things scary? - BBC Three - 0 views

  • Spiders? Clowns? Really tall buildings? There are lots of things that might make you scream — but why is it that we get so scared and what can we do to control these fears?
  • "It's evolutionary, it's biological and essentially it's about survival," says Dr Warren Mansell, a psychologist at the University of Manchester and author of a book about coping with fear."Our bodies need a way of getting ourselves prepared to either escape or defend ourselves against some kind of threat.""Being able to recognise and respond to a threat quickly and to get away is essential," adds sociologist Dr Margee Kerr, who specialises in the study of fear. "It's definitely kept us humans alive."
  • The most common way we deal with fear is the "fight-or-flight" response, when your heart rate increases and your pupils dilate.
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  • There's also the startle response — when you jump out of your skin — which is a way to get yourself away from something when you haven't got the time to even work out what it is, but it's coming at you very suddenly and very loudly.
  • First up, there's the classic jump scare, explains Andy Nyman, co-creator of the long-running London horror stage play Ghost Stories, which was also turned into a 2017 film starring Martin Freeman. "Often people think that's a bit of a cheap thing to do but the reality is that it's actually quite a sophisticated thing to pull off."If you can get it right, misdirecting an audience properly and then giving them a jump scare is a really wonderful thing because you're properly catching them off guard."
  • Then, Andy goes on, there's the type of scare that you can't shake off. "These are the scares that are attached to imagery or a moment that means when you close your eyes that's all you can see. These are much deeper-rooted."
  • If you're a very jumpy person who gets scared easily (or if you have a specific phobia, a severe form of fear that impacts on your life), there are things you can do on your own and with a therapist to help you improve
  • "The first thing is to realise that it's best to take things at your own pace and that may mean you don't need to face that fear right now but you're going to do it when you're ready."Most things that frighten people can be broken down into smaller, more manageable sections
  • And Dr Kerr has some practical tips, too, including exposure therapy, cognitive behavioural therapy and breathing exercises.
B Mannke

Why Are Clowns Scary? | Psychology Today - 0 views

  • But is coulrophobia a real fear? And, for that matter, what is fear?
  • Psychologists believe that this kind of fear may have less to do with clowns and more with the unsettling familiarity. A normal-sized body with a painted face, big shoes, colorful clothes—but what's under there?"People are typically frightened by things which are wrong in some way, wrong in a disturbingly unfamiliar way," says Paul Salkovskis of the Maudsley Hospital Centre for Anxiety Disorders and Trauma in London.Anthropologists may approach the phobia from the clown's perspective. In 1961, Claude Levi Strauss wrote about the "freedoms" that masking oneself allows. A mask gives a clown the chance to adopt a new identity: "the facial disguise," he writes, "temporarily eliminate[s] from social intercourse that part of the body which...the individual's personal feelings and attitudes are revealed or can be deliberately communicated to others."
clairemann

Why Are People Afraid of Clowns? | Time - 0 views

  • It’s been a rough few years for people who have a fear of clowns. In the wake of the ‘clown attack’ craze that reached a fever pitch in 2016, movies about creepy clowns have taken over the entertainment landscape.
  • A local legend, Wrinkles is a 69-year-old retiree who will show up in a terrifying clown suit to scare the pants off anyone you ask him to — even your misbehaving child. In 2015, he told the Washington Post that he gets hundreds of phone calls a day requesting his services. “We know that there’s a human underneath and yet, you don’t know their identity,” a voiceover says of Wrinkles in the trailer for the doc. “That creeps people out.” Indeed.
  • “Clowns’ faces are disguised and they have these large artificial displays of emotion. So you have a clown with a painted face and a big smile, but you don’t really know what they’re actually feeling,” he tells TIME. “There’s this inherent mistrust that what they’re presenting to you isn’t what they’re actually feeling.”
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  • “When people hear ‘clown,’ the first associations that pop into their head are the killer clowns in the movies — It, the Joker— and then John Wayne Gacy, the real-life mass murderer,” McAndrew says of the 1970s serial killer who became known as the “Killer Clown” for his volunteer clown work. “It’s kind of hard to get past all of that.”
  • “[Some of the] very first clowns were the court jesters who poked fun at kings and made people in high places uncomfortable. That’s why they exist,” he tells TIME of the history of clowns in medieval Europe. “They’re designed to make people afraid. If you go all the way back to the beginning of clownhood, they’ve always been bad. They’re pranksters, they play tricks.”
  • However, while many people are apprehensive or fearful of clowns, both Nader and McAndrew agree that someone having an actual phobia of clowns, a.k.a. coulrophobia, is rare.
  • “Fortunately, we live in a society where clowns aren’t just wandering around, so it’s pretty easy to avoid them or at least not come into contact with them very regularly. Rarely does this fear ever cause a person to experience a disruption in their lifestyle or ability to do things.”
  • “We like to learn about dangers in a safe way so that we’re prepared in some unknown future time to deal with them if they ever come our way. So by going to see IT and watching this evil clown lure children in and kill them, we learn strategies for avoiding that kind of fate ourselves,” he says. “We’re not consciously sitting there, watching the movie and thinking these things, but that impulse to like to scare ourselves is there.”
krystalxu

How Culture Controls Communication - 0 views

  • Culture is, basically, a set of shared values that a group of people holds.
  • Cultures are either high-context or low-context
  • while some of culture’s knowledge, rules, beliefs, values, phobias and anxieties are taught explicitly, most is absorbed subconsciously.
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  • The determining factor in medium preference may not be the degree of industrialization, but rather whether the country falls into a high-context or low-context culture.
  • . The latter place emphasis on sending and receiving accurate messages directly, and by being precise with spoken or written words.
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