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Lady Bird won the award for Best Motion Picture Musical or Comedy, but its writer and director Greta Gerwig was curiously not nominated for Best Director. That category’s five nominees were all male. In fact, only one woman has ever won a Golden Globe for directing: Barbra Streisand, in 1984, for Yentl. At the time, Gerwig was six months old, and her film’s lead actress had not yet been born. Hollywood remains an industry where women are more likely to be celebrated for speaking out in front of a camera than for holding one.

Finally, actresses are vulnerable, not only because men dominate powerful occupations, but also because women are cast to portray the very quality of vulnerability

Altogether, these surveys and studies suggest something quite simple: The ratio of women in an industry (like film) or in an occupation within that industry (like directing) shapes how women are treated. While more than 80 percent of women say they have been harassed at work, they are 50 percent more likely to say so in male-dominated industries.

a steady push toward viewing on phones and tablets is shrinking the spirit of films. In the past, he said — citing “A Man for All Seasons,” “8 ½,” and “The Searchers” — there was a grandeur to films that delivered long-form storytelling on very large screens.

the prospect that a film will embed itself into the cultural and historical consciousness of the American public in the way of “Gone With the Wind” or the “Godfather” series seems greatly diminished in an era when content is consumed in thinner slices, and the films that play broadly often lack depth.

After six weeks in theaters “The Master,” a 70-millimeter character study much praised by critics, has been seen by about 1.9 million viewers. That is significantly smaller than the audience for a single hit episode of a cable show like “Mad Men” or “The Walking Dead.”

We tend to think of psychopaths as dangerous, antisocial, lacking in key human emotions like empathy or remorse.

finding that whatever qualities they might have, high intelligence is not one of them. In fact, psychopaths were found to be less intelligent than average people.

referred by psychologists as the “Hannibal Lecter myth”. But that kind of Hollywoodized psychopath did not sit well with observed facts. 

If you saw the film "Argo," no, you didn't miss this development, which is recounted in Mendez's book about the real-life operation. It wasn't there because director Ben Affleck and screenwriter Chris Terrio replaced it with an even more dramatic scenario, involving canceled flight reservations, suspicious Iranian officials who call the Hollywood office of the fake film crew (a call answered just in time), and finally a heart-pounding chase on the tarmac just as the plane's wheels lift off, seconds from catastrophe.

they've caught some flak for the liberties they took in the name of entertainment.

And they aren't alone - two other high-profile best-picture nominees this year, Kathryn Bigelow's "Zero Dark Thirty" and Steven Spielberg's "Lincoln," have also been criticized for different sorts of factual issues.

The media scandal of 2016 isn’t so much about what reporters failed to tell the American public; it’s about what they did report on, and the fact that it didn’t seem to matter.

Facebook and Snapchat and the other social media sites should rightfully be doing a lot of soul-searching about their role as the most efficient distribution network for conspiracy theories, hatred, and outright falsehoods ever invented.

I’ve been obsessively looking back over our coverage, too, trying to figure out what we missed along the way to the upset of the century

The online video-sharing upstart, which shows more than 100 million video clips a day, has titans wondering: friend or foe?

trying to improve the site for its users while working to find arrangements that will satisfy Hollywood.

that YouTube and MySpace, the social networking site, “are copyright infringers and owe us tens of millions of dollars.”

If cinema had the impact on the world that film critics insisted they did in 2019, Joker would have brought about an incel revolution, and Little Women would have ended misogyny.

This was the year police departments issued warnings about the possibility of mass shootings at opening-night screenings of Joker, after all. It was a hysteria that built online after film critics saw the movie at festivals and started to complain it somehow “glamorized” or sympathized with violent incels.

But if you insist that a movie is important, you don’t really have to deal with whether or not it’s good. You can shame people into seeing it as a political statement, rather than as an entertainment or cultural selection. Same with the “dangerous” or “disturbing” moniker, which got used on everything from Joker to the latest Quentin Tarantino film Once Upon a Time … in Hollywood, which was marked down for everything from not giving its female co-star Margot Robbie enough lines to its gratuitous violence against a female would-be murderer to its filming of women’s feet (fetishes are now dangerous, I guess). If a critic doesn’t like a film, labeling it as dangerous – and implying you might get killed if you go see it – is an attempt to keep people away.

Coming of age in the 1970s and ’80s, a kid took in a fair number of public service messages.

Make guns less cool, less acceptable, less a part of the supposedly “American way of life.” Scare people. Gross them out. Even try humor.

But simple messages stick, and when done well — particularly when lives are at stake — have proven highly effective.

Hollywood always wants it both ways, of course, but this Oscar season is rife with contenders who bank on the authenticity of their films until it’s challenged, and then fall back on the “Hey, it’s just a movie” defense.

“Lincoln,” which had three historical advisers but still managed to make some historical bloopers. Joe Courtney, a Democratic congressman from Connecticut, recently wrote to Steven Spielberg to complain that “Lincoln” falsely showed two of Connecticut’s House members voting “Nay” against the 13th Amendment for the abolition of slavery.

As the car hummed along and we relived his spiritual journey, I asked Lynch what he really believed. Did he see Transcendental Meditation as simply a technique for relaxation, perfect for young Hollywood actresses, or rather as an all-encompassing way of life, as Maharishi had encouraged — one with peace palaces and an army of meditators fomenting world peace? Lynch paused, and then spoke for more than five minutes, explaining that T.M. was the answer for all seeking true inner happiness. He ended with this thought: “Things like traumatic stress and anxiety and tension and sorrow and depression and hate and bitter, selfish anger and fear start to lift away. And that’s a huge sense of freedom when that heavy weight of negativity begins to lift. So it’s like gold flowing in from within and garbage going out. The things in life that used to almost kill you, stress you, depress you, make you sad, make you afraid — they have less and less power. It’s like you’re building up a flak jacket of protection. You’re starting to glow with this from within.”

I still meditate. For 20 minutes or more, twice a day, I’m able to step back from the news scroll of thoughts and be truly quiet. I use T.M. to deal with anxiety and fatigue and to stave off occasional despair. But that’s because, in my head, I’ve managed to excise the weird flotsam of spirituality that engulfed T.M. for the first part of my life. Now, for me, it is something very simple, like doing yoga or avoiding dairy. Objectively speaking, meditation has been shown to decrease the incidence of heart attacks and strokes and increase longevity. The Department of Veterans Affairs and the Department of Defense commissioned studies to determine whether T.M. can help veterans alleviate post-traumatic stress disorder. Thanks to the David Lynch foundation, low-performing public schools have instituted “Quiet Time,” an elective 10 minutes, twice a day, during which students meditate, with some encouraging results.

The office of the David Lynch Foundation for Consciousness-Based Education and World Peace in New York is filled with young adults, many of whom grew up practicing Transcendental Meditation. Since Lynch started spreading the good news about T.M., the number of people learning the technique has increased tenfold. Close to Lynch’s heart are those suffering from PTSD, it seems, but it is in his own industry that he has made a more visible impact. Roth, who runs the foundation, spends much of his time flying around the world as well as initiating a long list of public figures: Gwyneth Paltrow, Ellen DeGeneres, Russell Simmons, Katy Perry, Susan Sarandon, Candy Crowley, Soledad O’Brien, George Stephanopoulos and Paul McCartney’s grandchildren.

The latest hack could well spur a new rash of email deletions across the country as millions of people scan their sent mail for anything compromising, humiliating or career-destroying. It adds to the sense that everyone is vulnerable.

“I think more and more people are realizing that there isn’t a thing you can say in an email that isn’t likely to be hackable or discoverable at some later point,”

Washington may be behind other big cities in learning that lesson. Bankers on Wall Street have favored very brief emails since their conversations were splashed across front pages because of lawsuits filed after the financial crisis. In 2010, Goldman Sachs executives used the acronym “LDL,” for “let’s discuss live,” when a conversation turned at all sensitive.

sometimes Hollywood takes it a bit further, hitting us with cliches that are so oddly specific (and frequently divorced from reality) that they make you wonder if they've been written by a random plot-generating robot with limited resources and a tenuous grasp on the human experience.

Amazon is a global superstore, like Walmart. It’s also a hardware manufacturer, like Apple, and a utility, like Con Edison, and a video distributor, like Netflix, and a book publisher, like Random House, and a production studio, like Paramount, and a literary magazine, like The Paris Review, and a grocery deliverer, like FreshDirect, and someday it might be a package service, like U.P.S. Its founder and chief executive, Jeff Bezos, also owns a major newspaper, the Washington Post. All these streams and tributaries make Amazon something radically new in the history of American business

Amazon is not just the “Everything Store,” to quote the title of Brad Stone’s rich chronicle of Bezos and his company; it’s more like the Everything. What remains constant is ambition, and the search for new things to be ambitious about.

It wasn’t a love of books that led him to start an online bookstore. “It was totally based on the property of books as a product,” Shel Kaphan, Bezos’s former deputy, says. Books are easy to ship and hard to break, and there was a major distribution warehouse in Oregon. Crucially, there are far too many books, in and out of print, to sell even a fraction of them at a physical store. The vast selection made possible by the Internet gave Amazon its initial advantage, and a wedge into selling everything else.

I think most people’s ideas of science fiction are formed by Hollywood movies, so they think most science fiction is a special effects-driven story revolving around a battle between good and evil

I don’t think of that as a science fiction story. You can tell a good-versus-evil story in any time period and in any setting. Setting it in the future and adding robots to it doesn’t make it a science fiction story.

I think science fiction is fundamentally a post-industrial revolution form of storytelling. Some literary critics have noted that the good-versus-evil story follows a pattern where the world starts out as a good place, evil intrudes, the heroes fight and eventually defeat evil, and the world goes back to being a good place. Those critics have said that this is fundamentally a conservative storyline because it’s about maintaining the status quo. This is a common story pattern in crime fiction, too—there’s some disruption to the order, but eventually order is restored. Science fiction offers a different kind of story, a story where the world starts out as recognizable and familiar but is disrupted or changed by some new discovery or technology. At the end of the story, the world is changed permanently. The original condition is never restored. And so in this sense, this story pattern is progressive because its underlying message is not that you should maintain the status quo, but that change is inevitable. The consequences of this new discovery or technology—whether they’re positive or negative—are here to stay and we’ll have to deal with them.

Fame, riches and pleasure beyond imagination. Sound great? He went on to write:“I have diligently numbered the days of pure and genuine happiness which have fallen to my lot: They amount to 14.”Abd al-Rahman’s problem wasn’t happiness, as he believed — it was unhappiness

Happiness and unhappiness are certainly related, but they are not actually opposites.

Circumstances are certainly important. No doubt Abd al-Rahman could point to a few in his life. But paradoxically, a better explanation for his unhappiness may have been his own search for well-being. And the same might go for you.Continue reading the main story

In the end, though, Litman concluded, the findings were complicated: these factors could largely tell a dog from a general success, but they couldn’t predict the true runaway sensations.

few things continued to stand out: story and social influence. The most important figure in determining ultimate creative success, Simonton found, was the writer. “We can learn a great deal about what makes a successful film just by focusing on the quality of the screenplay,” he declared. Still, as he’d found earlier, quality did not always translate to quantity

And the thing that could potentially be even more, or at least equally, predictive wasn’t easy to quantify: so-called information cascades (basically, a snowball effect) that result from word-of-mouth dynamics.