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The photo was taken by Jennifer Foster, a civilian communications director for the Pinal County Sheriff’s Office in Arizona. She said the moment resonated for personal reasons: She remembered as a young girl seeing her father, a 32-year veteran of the Phoenix police force, buy food for a homeless man. “He squatted down, just like this officer,” she said.

Is this all sounding rather familiar now? Does it remind you of something?

it quickly became clear that the GamerGate movement was a mess – an undefined mission to Make Video Games Great Again via undecided means.

fter all, the culture war that began in games now has a senior representative in The White House. As a founder member and former executive chair of Brietbart News, Steve Bannon had a hand in creating media monster Milo Yiannopoulos, who built his fame and Twitter following by supporting and cheerleading Gamergate. This hashtag was the canary in the coalmine, and we ignored it.

Gamergate was an online movement that effectively began because a man wanted to punish his ex girlfriend. Its most notable achievement was harassing a large number of progressive figures - mostly women – to the point where they felt unsafe or considered leaving the industry

The similarities between Gamergate and the far-right online movement, the “alt-right”, are huge, startling and in no way a coincidence

no one in the movement was willing to be associated with the abuse being carried out in its name. Prominent supporters on Twitter, in subreddits and on forums like 8Chan, developed a range of pernicious rhetorical devices and defences to distance themselves from threats to women and minorities in the industry: the targets were lying or exaggerating, they were too precious; a language of dismissal and belittlement was formed against them. Safe spaces, snowflakes, unicorns, cry bullies. Even when abuse was proven, the usual response was that people on their side were being abused too. These techniques, forged in Gamergate, have become the standard toolset of far-right voices online

In 2016, new wave conservative media outlets like Breitbart have gained trust with their audience by painting traditional news sources as snooty and aloof. In 2014, video game YouTube stars, seeking to appear in touch with online gaming communities, unscrupulously proclaimed that traditional old-media sources were corrupt. Everything we’re seeing now, had its precedent two years ago.

With 2014’s Gamergate, Breitbart seized the opportunity to harness the pre-existing ignorance and anger among disaffected young white dudes. With Trump’s movement in 2016, the outlet was effectively running his campaign: Steve Bannon took leave of his role at the company in August 2016 when he was hired as chief executive of Trump’s presidential campaign

young men converted via 2014’s Gamergate, are being more widely courted now. By leveraging distrust and resentment towards women, minorities and progressives, many of Gamergate’s most prominent voices – characters like Mike Cernovich, Adam Baldwin, and Milo Yiannopoulos – drew power and influence from its chaos

These figures gave Gamergate a new sense of direction – generalising the rhetoric: this was now a wider war between “Social Justice Warriors” (SJWs) and everyday, normal, decent people. Games were simply the tip of the iceberg – progressive values, went the argument, were destroying everything

The same voices moved into other geek communities, especially comics, where Marvel and DC were criticised for progressive storylines and decisions. They moved into science fiction with the controversy over the Hugo awards. They moved into cinema with the revolting kickback against the all-female Ghostbusters reboot.

Using 4chan (and then the more sympathetic offshoot 8Chan) to plan their subversions and attacks made Gamergate a terribly sloppy operation, leaving a trail of evidence that made it quite clear the whole thing was purposefully, plainly nasty. But the video game industry didn’t have the spine to react, and allowed the movement to coagulate – forming a mass of spiteful disappointment that Breitbart was only more than happy to coddle

Historically, that seems to be Breitbart’s trick - strongly represent a single issue in order to earn trust, and then gradually indoctrinate to suit wider purposes. With Gamergate, they purposefully went fishing for anti-feminists. 2016’s batch of fresh converts – the white extremists – came from enticing conspiracy theories about the global neoliberal elite secretly controlling the world.

The greatest strength of Gamergate, though, was that it actually appeared to represent many left-leaning ideals: stamping out corruption in the press, pushing for better ethical practices, battling for openness.

There are similarities here with many who support Trump because of his promises to put an end to broken neo-liberalism, to “drain the swamp” of establishment corruption. Many left-leaning supporters of Gamergate sought to intellectualise their alignment with the hashtag, adopting familiar and acceptable labels of dissent – identifying as libertarian, egalitarian, humanist.

At best they unknowingly facilitated abuse, defending their own freedom of expression while those who actually needed support were threatened and attacked.

Genuine discussions over criticism, identity and censorship were paralysed and waylaid by Twitter voices obsessed with rhetorical fallacies and pedantic debating practices. While the core of these movements make people’s lives hell, the outer shell – knowingly or otherwise – protect abusers by insisting that the real problem is that you don’t want to talk, or won’t provide the ever-shifting evidence they politely require.

In 2017, the tactics used to discredit progressive game critics and developers will be used to discredit Trump and Bannon’s critics. There will be gaslighting, there will be attempts to make victims look as though they are losing their grip on reality, to the point that they gradually even start to believe it. The “post-truth” reality is not simply an accident – it is a concerted assault on the rational psyche.

The strangest aspect of Gamergate is that it consistently didn’t make any sense: people chose to align with it, and yet refused responsibility. It was constantly demanded that we debate the issues, but explanations and facts were treated with scorn. Attempts to find common ground saw the specifics of the demands being shifted: we want you to listen to us; we want you to change your ways; we want you to close your publication down. This movement that ostensibly wanted to protect free speech from cry bully SJWs simultaneously did what it could to endanger sites it disagreed with, encouraging advertisers to abandon support for media outlets that published stories critical of the hashtag. The petulance of that movement is disturbingly echoed in Trump’s own Twitter feed.

Looking back, Gamergate really only made sense in one way: as an exemplar of what Umberto Eco called “eternal fascism”, a form of extremism he believed could flourish at any point in, in any place – a fascism that would extol traditional values, rally against diversity and cultural critics, believe in the value of action above thought and encourage a distrust of intellectuals or experts – a fascism built on frustration and machismo. The requirement of this formless fascism would – above all else – be to remain in an endless state of conflict, a fight against a foe who must always be portrayed as impossibly strong and laughably weak

2016 has presented us with a world in which our reality is being wilfully manipulated. Fake news, divisive algorithms, misleading social media campaigns.

The majority of people who voted for Trump will never take responsibility for his racist, totalitarian policies, but they’ll provide useful cover and legitimacy for those who demand the very worst from the President Elect. Trump himself may have disavowed the “alt-right”, but his rhetoric has led to them feeling legitimised. As with Gamergate, the press risks being manipulated into a position where it has to tread a respectful middle ground that doesn’t really exist.

Perhaps the true lesson of Gamergate was that the media is culturally unequipped to deal with the forces actively driving these online movements. The situation was horrifying enough two years ago, it is many times more dangerous now.

“It’s just a curious bias of the media around here. It’s wonderful. One person says something negative and the media rushes and covers that. The wonderful balanced media that I love in this community.”

Santorum had reason to be peeved. He was running against the Democrat Bob Casey. He was trailing by double digits and knew he was going to lose. He was not a happy camper, but then he rarely is.

As he has shown in the Republican debates, Santorum can be equable. The anger usually flares on matters closest to his heart: faith, family and morals. And if, by chance, you get him started on the role of religion in American life, get ready for a Vesuvius moment.

Outside of these areas, he was more pragmatic. Then and now, Santorum held predictably conservative views, but he was astute enough to bend on some issues and be — as he put it in the Arizona debate — “a team player.”

In the Senate, he represented a state with a relentlessly moderate-to-centrist electorate so when campaigning he emphasized the good deeds he did in Washington. Editorial board meetings with Santorum usually began with him listing federal money he had brought in for local projects.People who don’t know him — and just see the angry Rick — don’t realize what a clever politician Santorum is. He didn’t rise to become a Washington insider through the power of prayer. He may say the Rosary, but he knows his Machiavelli.

That said, Santorum’s anger is not an act.  It is genuine. It has its roots in the fact that he had the misfortune to be born in the second half of the 20th century. In his view, it was an era when moral relativism and anti-religious feeling held sway, where traditional values were ignored or mocked, where heretics ruled civic and political life. If anything, it’s gotten worse in the 21st, with the election of Barack Obama.Leave it to Santorum to attack Obama on his theology, of all things. He sees the president as an exemplar of mushy, feel-good Christianity that emphasizes tolerance over rectitude, and the love of Jesus over the wrath of God.

Like many American Catholics, I struggle with the church’s teachings as they apply to the modern world. Santorum does not.

I once wrote that Santorum has one of the finest minds of the 13th century. It was meant to elicit a laugh, but there’s truth behind the remark. No Vatican II for Santorum. His belief system is the fixed and firm Catholicism of the Council of Trent in the mid-16th century. And Santorum is a warrior for those beliefs.

During the campaign, he has regularly criticized the media for harping on his public statements on homosexuality, contraception, abortion, the decline in American morals. Still, he can’t resist talking about them. These are the issues that get his juices flowing, not the deficit or federal energy policy.

Santorum went to Houston not to praise Kennedy but to bash him. To Santorum, the Kennedy speech did permanent damage because it led to secularization of American politics. He said it laid the foundation for attacks on religion by the secular left that has led to denial of free speech rights to religious people. “John F. Kennedy chose not to just dispel fear,” Santorum said, “he chose to expel faith.”

Ultimately Kennedy’s attempt to reassure Protestants that the Catholic Church would not control the government and suborn its independence advanced a philosophy of strict separation that would create a purely secular public square cleansed of all religious wisdom and the voice of religious people of all faiths. He laid the foundation for attacks on religious freedom and freedom of speech by the secular left and its political arms like the A.C.L.U and the People for the American Way. This has and will continue to create dissension and division in this country as people of faith increasingly feel like second-class citizens.One consequence of Kennedy’s speech, Santorum said,is the debasement of our First Amendment right of religious freedom. Of all the great and necessary freedoms listed in the First Amendment, freedom to exercise religion (not just to believe, but to live out that belief) is the most important; before freedom of speech, before freedom of the press, before freedom of assembly, before freedom to petition the government for redress of grievances, before all others. This freedom of religion, freedom of conscience, is the trunk from which all other branches of freedom on our great tree of liberty get their life.As so it went for 5,000 words. It is a revelatory critique of the modern world and Santorum quoted G.K. Chesterton, Edmund Burke, St. Thomas Aquinas and Martin Luther King to give heft to his assertions.That said, it was an angry speech, conjuring up images of people of faith cowering before leftist thought police. Who could rescue us from this predicament? Who could banish the secularists and restore religious morality to its throne?

Even a cynic is obliged to admit that our greatest heroes are moral exemplars. The most successful billionaires are not admired in the same way (except when, like Carnegie, Gates, and Buffet, they give back). Our most brilliant scientists and artists don’t enjoy quite the same level of admiration as those figures like Buddha, Socrates, Jesus Christ, Gandhi, Mother Theresa, and Martin Luther King Jr., who represent the finest degree of moral superiority.

But when I look at the long, often vicious fight that is human history, it seems to me that the good guys are winning—and that, perhaps more importantly, we really want them to win.

Maybe there is something wrong with our species; maybe there is something wrong with each of us.

But grave moral problems inhere in us all. The wrongs for which we are generally responsible are not as sensational as Dahmer’s, but they are profound. Establishing this point requires reflection on arguments from the Princeton philosopher Peter Singer and a bit of social psychology.

In the right circumstances, we are capable of doing the right thing

When not rooted in facts, moral confidence dulls our senses. We should try to do our best, but that requires taking our evil seriously.

Warhol’s boxes are praised for subverting the distinction between mundane objects of everyday life and “art” in a museum.  As a result, we can enjoy and appreciate the things that make up our everyday life just as much as what we see in museums (and with far less effort).  Whereas the joys of traditional art typically require an initiation into an esoteric world of historical information and refined taste, Warhol’s “Pop Art” reveals the joys of what we all readily understand and appreciate.  As Danto put it, “Warhol’s intuition was that nothing an artist could do would give us more of what art sought than reality already gave us.”

Warhol’s work is also praised for posing a crucial philosophical question about art.  As Danto puts it: “Given two objects that look exactly alike, how is it possible for one of them to be a work of art and the other just an ordinary object?”  Answering this question requires realizing that there are no perceptual qualities that make something a work of art.  This in turn implies that anything, no matter how it looks, can be a work of art.

According to Danto, whether an object is a work of art depends on its relation to an “art world”:  “an atmosphere of artistic theory, a knowledge of the history of art” that exists at a particular time.

Appreciations of Warhol’s boxes typically emphasize their effects rather than their appearance.  These appreciations take two quite different forms.

it was Danto, not Warhol, who provided the intellectual/aesthetic excitement by formulating and developing a brilliant answer to the question.  To the extent that the philosophical question had artistic value in the context of the contemporary artworld,  Danto was more the artist than Warhol.

I agree that Warhol — along with many other artists from the 1950s on — opened up new ways of making art that traditional “high art” had excluded.  But new modes of artistic creation — commercial design techniques, performances, installations, conceptual art — do not guarantee a new kind or a higher quality of aesthetic experience. 

anything can be presented as a work of art.   But it does not follow that anything can produce a satisfying aesthetic experience.  The great works of the tradition do not circumscribe the sorts of things that can be art, but they are exemplars of what we expect a work of art to do to us.  (This is the sense in which, according to Kant, originally beautiful works of art are exemplary, yet without providing rules for further such works of art.)

Praise of Andy Warhol often emphasizes the new possibilities of artistic creation his work opened up.  That would make his work important in the history of art and for that reason alone of considerable interest.

as Jerrold Levinson and others have pointed out, a work can be an important artistic achievement without being an important aesthetic achievement.  This, I suggest, is how we should think about Warhol’s Brillo boxes.

While people praised Finland’s strong social safety net and spoke glowingly of the psychological benefits of nature and the personal joys of sports or music, they also talked about guilt, anxiety and loneliness. Rather than “happy,” they were more likely to characterize Finns as “quite gloomy,” “a little moody” or not given to unnecessary smiling

Many also shared concerns about threats to their way of life, including possible gains by a far-right party in the country’s elections in April, the war in Ukraine and a tense relationship with Russia, which could worsen now that Finland is set to join NATO.

It turns out even the happiest people in the world aren’t that happy. But they are something more like content.

Finns derive satisfaction from leading sustainable lives and perceive financial success as being able to identify and meet basic need

“In other words,” he wrote in an email, “when you know what is enough, you are happy.”

“‘Happiness,’ sometimes it’s a light word and used like it’s only a smile on a face,” Teemu Kiiski, the chief executive of Finnish Design Shop, said. “But I think that this Nordic happiness is something more foundational.”

e conventional wisdom is that it’s easier to be happy in a country like Finland where the government ensures a secure foundation on which to build a fulfilling life and a promising future. But that expectation can also create pressure to live up to the national reputation.

“We are very privileged and we know our privilege,” said Clara Paasimaki, 19, one of Ms. Hansen’s students in Kokkola, “so we are also scared to say that we are discontent with anything, because we know that we have it so much better than other people,” especially in non-Nordic countries.

“The fact that Finland has been ‘the happiest country on earth’ for six years in a row could start building pressure on people,” he wrote in an email. “If we Finns are all so happy, why am I not happy?

Since immigrating from Zimbabwe in 1992, Julia Wilson-Hangasmaa, 59, has come to appreciate the freedom Finland affords people to pursue their dreams without worrying about meeting basic needs

“Back in the day when it wasn’t that easy to survive the winter, people had to struggle, and then it’s kind of been passed along the generations,” said Ms. Paasimaki’s classmate Matias From, 18. “Our parents were this way. Our grandparents were this way. Tough and not worrying about everything. Just living life.”

The Finnish way of life is summed up in “sisu,” a trait said to be part of the national character. The word roughly translates to “grim determination in the face of hardships,” such as the country’s long winters: Even in adversity, a Finn is expected to persevere, without complaining.

When she returns to her home country, she is struck by the “good energy” that comes not from the satisfaction of sisu but from exuberant joy.

“What I miss the most, I realize when I enter Zimbabwe, are the smiles,” she said, among “those people who don’t have much, compared to Western standards, but who are rich in spirit.”

Many of our subjects cited the abundance of nature as crucial to Finnish happiness: Nearly 75 percent of Finland is covered by forest, and all of it is open to everyone thanks to a law known as “jokamiehen oikeudet,” or “everyman’s right,” that entitles people to roam freely throughout any natural areas, on public or privately owned land.

“I enjoy the peace and movement in nature,” said Helina Marjamaa, 66, a former track athlete who represented the country at the 1980 and 1984 Olympic Games. “That’s where I get strength. Birds are singing, snow is melting, and nature is coming to life. It’s just incredibly beautiful.”

“I am worried with this level of ignorance we have toward our own environment,” he said, citing endangered species and climate change. The threat, he said, “still doesn’t seem to shift the political thinking.”

Born 17 years after Finland won independence from Russia, Eeva Valtonen has watched her homeland transform: from the devastation of World War II through years of rebuilding to a nation held up as an exemplar to the world.

“My mother used to say, ‘Remember, the blessing in life is in work, and every work you do, do it well,’” Ms. Valtonen, 88, said. “I think Finnish people have been very much the same way. Everybody did everything together and helped each other.”

Maybe it isn’t that Finns are so much happier than everyone else. Maybe it’s that their expectations for contentment are more reasonable, and if they aren’t met, in the spirit of sisu, they persevere.

“We don’t whine,” Ms. Eerikainen said. “We just do.”