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runlai_jiang

Impossible Colors and How to See Them - 0 views

  • Impossible Colors and How to See Them
  • How Impossible Colors Work Basically, the human eye has three types of cone cells that register color that work in an antagonistic fashion:Blue versus yellowRed versus greenLight versus darkThere is overlap between the wavelengths of light covered by the cone cells, so you see more than just blue, yellow, red, and green. White, for example, is not a wavelength of light, yet the human eye perceives it as a mixture of different spectral colors. Because of the opponent process, you can't see both blue and yellow at the same time, nor red and green. These combinations are so-called impossible colors.
  • Chimerical Colors Hyperbolic colors may be seen by staring at a color and then viewing the afterimage on the complementary color opposite it on the color wheel. Dave King / Getty Images
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  • While you can't ordinarily see both red and green or both blue and yellow, visual scientist Hewitt Crane and his colleague Thomas Piantanida published a paper in Science claiming such perception was possible. In their 1983 paper "On Seeing Reddish Green and Yellowish Blue" they claimed volunteers viewing adjacent red and green stripes could see reddish green, while viewers of adjacent yellow and blue stripes could see yellowish blue. The researchers used an eye tracker to hold the
  • The impossible colors reddish green and yellowish blue are imaginary colors that do not occur in the light spectrum. Another type of imaginary color is a chimerical color. A chimerical color is seen by looking at a color until the cone cells are fatigued and then looking at a different color. This produces an afterimage perceived by the brain, not the eyes.Examples of chimerical colors include:Self-luminous colors: Self-luminous colors appear to glow even though no light is emitted. An
  • Stygian colors: Stygian colors are dark and supersaturated. For example, "stygian blue" may be seen by staring at bright yellow and then looking at black. The normal afterimage is dark blue. When viewed against black, the resulting blue is as dark as black, yet colored. Stygian colors appear on black because certain neurons only fire signals in the dark.Hyperbolic colors:
  • Impossible colors like reddish green or yellowish blue are trickier to see. To try to see these colors, put a yellow object and blue object right next to each other and cross your eyes so that the two objects overlap. The same procedure works for green and red. The overlapping region may appear to be a mix of the two colors (i.e., green for blue and yellow, brown for red and green), a field of dots of the component colors, or an unfamiliar color that is both red/green or yellow/blue at once!
paisleyd

'The Dress': Explanation of optical illusion of colors of the striped dress -- ScienceD... - 0 views

  • demonstrating that the optical illusion is linked to specific brain activation patterns
  • Many renowned research institutes have explored the phenomenon from various angles
  • differences in human brain activity caused by the contrasting perceptions
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  • no differences between the groups were identified in correctly naming the colours of the squares
  • brain activation of all participants was measured while they looked at the photo of The Dress via a computer-based presentation system
  • participants looked at coloured squares with the same colour properties as the photo of The Dress
  • tested participants who perceived the dress as white-gold or black-blue
  • They demonstrated that in a direct comparison of groups the photo triggered differential brain activation, depending on their perception
  • participants who saw the dress as white-gold presented additional activation, mainly in frontal and parietal brain areas
  • Frontal regions are particularly involved in higher cognitive processes such as selective attention and decision making
  • Before, no optical illusion existed with exactly two competing perceptions which could not be deliberately manipulated
  • research group succeeded in identifying brain areas which cause optical illusions
  • thus we have laid a foundation for further research in the field of visual processing
Javier E

Wine-tasting: it's junk science | Life and style | The Observer - 0 views

  • google_ad_client = 'ca-guardian_js'; google_ad_channel = 'lifeandstyle'; google_max_num_ads = '3'; // Comments Click here to join the discussion. We can't load the discussion on guardian.co.uk because you don't have JavaScript enabled. if (!!window.postMessage) { jQuery.getScript('http://discussion.guardian.co.uk/embed.js') } else { jQuery('#d2-root').removeClass('hd').html( '' + 'Comments' + 'Click here to join the discussion.We can\'t load the ' + 'discussion on guardian.co.uk ' + 'because your web browser does not support all the features that we ' + 'need. If you cannot upgrade your browser to a newer version, you can ' + 'access the discussion ' + 'here.' ); } Wor
  • Hodgson approached the organisers of the California State Fair wine competition, the oldest contest of its kind in North America, and proposed an experiment for their annual June tasting sessions.Each panel of four judges would be presented with their usual "flight" of samples to sniff, sip and slurp. But some wines would be presented to the panel three times, poured from the same bottle each time. The results would be compiled and analysed to see whether wine testing really is scientific.
  • Results from the first four years of the experiment, published in the Journal of Wine Economics, showed a typical judge's scores varied by plus or minus four points over the three blind tastings. A wine deemed to be a good 90 would be rated as an acceptable 86 by the same judge minutes later and then an excellent 94.
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  • Hodgson's findings have stunned the wine industry. Over the years he has shown again and again that even trained, professional palates are terrible at judging wine."The results are disturbing," says Hodgson from the Fieldbrook Winery in Humboldt County, described by its owner as a rural paradise. "Only about 10% of judges are consistent and those judges who were consistent one year were ordinary the next year."Chance has a great deal to do with the awards that wines win."
  • French academic Frédéric Brochet tested the effect of labels in 2001. He presented the same Bordeaux superior wine to 57 volunteers a week apart and in two different bottles – one for a table wine, the other for a grand cru.The tasters were fooled.When tasting a supposedly superior wine, their language was more positive – describing it as complex, balanced, long and woody. When the same wine was presented as plonk, the critics were more likely to use negatives such as weak, light and flat.
  • In 2011 Professor Richard Wiseman, a psychologist (and former professional magician) at Hertfordshire University invited 578 people to comment on a range of red and white wines, varying from £3.49 for a claret to £30 for champagne, and tasted blind.People could tell the difference between wines under £5 and those above £10 only 53% of the time for whites and only 47% of the time for reds. Overall they would have been just as a successful flipping a coin to guess.
  • why are ordinary drinkers and the experts so poor at tasting blind? Part of the answer lies in the sheer complexity of wine.For a drink made by fermenting fruit juice, wine is a remarkably sophisticated chemical cocktail. Dr Bryce Rankine, an Australian wine scientist, identified 27 distinct organic acids in wine, 23 varieties of alcohol in addition to the common ethanol, more than 80 esters and aldehydes, 16 sugars, plus a long list of assorted vitamins and minerals that wouldn't look out of place on the ingredients list of a cereal pack. There are even harmless traces of lead and arsenic that come from the soil.
  • "People underestimate how clever the olfactory system is at detecting aromas and our brain is at interpreting them," says Hutchinson."The olfactory system has the complexity in terms of its protein receptors to detect all the different aromas, but the brain response isn't always up to it. But I'm a believer that everyone has the same equipment and it comes down to learning how to interpret it." Within eight tastings, most people can learn to detect and name a reasonable range of aromas in wine
  • People struggle with assessing wine because the brain's interpretation of aroma and bouquet is based on far more than the chemicals found in the drink. Temperature plays a big part. Volatiles in wine are more active when wine is warmer. Serve a New World chardonnay too cold and you'll only taste the overpowering oak. Serve a red too warm and the heady boozy qualities will be overpowering.
  • Colour affects our perceptions too. In 2001 Frédérick Brochet of the University of Bordeaux asked 54 wine experts to test two glasses of wine – one red, one white. Using the typical language of tasters, the panel described the red as "jammy' and commented on its crushed red fruit.The critics failed to spot that both wines were from the same bottle. The only difference was that one had been coloured red with a flavourless dye
  • Other environmental factors play a role. A judge's palate is affected by what she or he had earlier, the time of day, their tiredness, their health – even the weather.
  • Robert Hodgson is determined to improve the quality of judging. He has developed a test that will determine whether a judge's assessment of a blind-tasted glass in a medal competition is better than chance. The research will be presented at a conference in Cape Town this year. But the early findings are not promising."So far I've yet to find someone who passes," he says.
Emilio Ergueta

Who cares what colour philosophers are? | Education | spiked - 0 views

  • ho’d be a philosopher? Once accused of interpreting the world rather than changing it, philosophers today cause embarrassment simply for existing.
  • Philosophy’s apparent problem with race refuses to go away. Most recently, Nathaniel Adam Tobias Coleman, a leading light in the Why Is My Curriculum White? campaign, has been informed he will not be offered a permanent position at University College London when his fixed-term contract expires at the end of September.
  • Coleman told Times Higher Education that his colleagues did not want him ‘turning the spotlight on to the ivory tower, putting the fear of God into many of its scholars – predominantly racialised as white – who had contented themselves hitherto to research and teach in an “aracial” – aka white-dominated – way’.
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  • Arguments about what is most important for students to know prevent academic disciplines from ossifying. There may well be books or scholars that tradition has overlooked and are deserving of a place on the curriculum. Such debates throw open the question of how and why academic judgements are made; in so doing, they also expose the tyranny of identity politics within today’s universities.
  • Knowledge itself is increasingly viewed not as objective, but as ideologically loaded and representative of the perspectives of a dominant ruling elite. The problem, academic activists argue, is that not only are philosophers such as Mill, Nietzsche and Kant white men, but their work also reflects a worldview that is exclusive to white men and has little to offer anyone else. Within a couple of centuries, criticism of philosophy has moved from a focus on what philosophers think to who they are.
Javier E

Specs that see right through you - tech - 05 July 2011 - New Scientist - 0 views

  • a number of "social X-ray specs" that are set to transform how we interact with each other. By sensing emotions that we would otherwise miss, these technologies can thwart disastrous social gaffes and help us understand each other better.
  • In conversation, we pantomime certain emotions that act as social lubricants. We unconsciously nod to signal that we are following the other person's train of thought, for example, or squint a bit to indicate that we are losing track. Many of these signals can be misinterpreted - sometimes because different cultures have their own specific signals.
  • n 2005, she enlisted Simon Baron-Cohen, also at Cambridge, to help her identify a set of more relevant emotional facial states. They settled on six: thinking, agreeing, concentrating, interested - and, of course, the confused and disagreeing expressions
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  • More often, we fail to spot them altogether. D
  • it's hard to fool the machine for long
  • The camera tracks 24 "feature points" on your conversation partner's face, and software developed by Picard analyses their myriad micro-expressions, how often they appear and for how long. It then compares that data with its bank of known expressions (see diagram).
  • Eventually, she thinks the system could be incorporated into a pair of augmented-reality glasses, which would overlay computer graphics onto the scene in front of the wearer.
  • the average person only managed to interpret, correctly, 54 per cent of Baron-Cohen's expressions on real, non-acted faces. This suggested to them that most people - not just those with autism - could use some help sensing the mood of people they are talking to.
  • set up a company called Affectiva, based in Waltham, Massachusetts, which is selling their expression recognition software. Their customers include companies that, for example, want to measure how people feel about their adverts or movie.
  • To create this lexicon, they hired actors to mime the expressions, then asked volunteers to describe their meaning, taking the majority response as the accurate one.
  • In addition to facial expressions, we radiate a panoply of involuntary "honest signals", a term identified by MIT Media Lab researcher Alex Pentland in the early 2000s to describe the social signals that we use to augment our language. They include body language such as gesture mirroring, and cues such as variations in the tone and pitch of the voice. We do respond to these cues, but often not consciously. If we were more aware of them in others and ourselves, then we would have a fuller picture of the social reality around us, and be able to react more deliberately.
  • develop a small electronic badge that hangs around the neck. Its audio sensors record how aggressive the wearer is being, the pitch, volume and clip of their voice, and other factors. They called it the "jerk-o-meter".
  • it helped people realise when they were being either obnoxious or unduly self-effacing.
  • y the end of the experiment, all the dots had gravitated towards more or less the same size and colour. Simply being able to see their role in a group made people behave differently, and caused the group dynamics to become more even. The entire group's emotional intelligence had increased (
  • Some of our body's responses during a conversation are not designed for broadcast to another person - but it's possible to monitor those too. Your temperature and skin conductance can also reveal secrets about your emotional state, and Picard can tap them with a glove-like device called the Q Sensor. In response to stresses, good or bad, our skin becomes clammy, increasing its conductance, and the Q Sensor picks this up.
  • Physiological responses can now even be tracked remotely, in principle without your consent. Last year, Picard and one of her graduate students showed that it was possible to measure heart rate without any surface contact with the body. They used software linked to an ordinary webcam to read information about heart rate, blood pressure and skin temperature based on, among other things, colour changes in the subject's face
  • In Rio de Janeiro and Sao Paolo, police officers can decide whether someone is a criminal just by looking at them. Their glasses scan the features of a face, and match them against a database of criminal mugshots. A red light blinks if there's a match.
  • Thad Starner at Georgia Institute of Technology in Atlanta wears a small device he has built that looks like a monocle. It can retrieve video, audio or text snippets of past conversations with people he has spoken with, and even provide real-time links between past chats and topics he is currently discussing.
  • The US military has built a radar-imaging device that can see through walls to capture 3D images of people and objects beyond.
sissij

What does an LSD-style drug-induced 'higher state of consciousness' feel like? | Scienc... - 0 views

  • A study published this week that looked at brain scans of people on psychedelics suggested that one effect is “a mixing of the senses” – an accurate description.
  • “fountains of colour”
  • Can I see the colours begin to glow brighter, or are they humming loudly into new levels of vividness?
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  • synaesthesia
  • But tripping isn’t just about the drugs. As the shaman Julian Vayne explains in his manual for getting the best out of psychedelics, Getting Higher, all highs are products of their context.
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    I found it very interesting that LSD light patterns can actually be a kind of drug. Drugs are not limited to the ones we eat. It includes the ones that we feel. As we know, there are all kinds of addictions. Some people are addicted to certain object or certain pattern. There are even music drugs. -- Sissi (4/21/2017)
katedriscoll

Sense Perception Notes - ToK - 0 views

  • "Perception by the senses rather than by the intellect." (Dictionary.com)
  • "Perception by or based on stimulation of the senses." (Medical Dictionary)
  • We perceive the world through our five senses. (Hearing, Sight, Smell, Touch, Taste) Our sense receptors are stimulated by sensory information. The brain translates the sensory information into sensations such as sound, taste, temperature, etc. Higher centres in the brain either ignore or recognize the sensations and their meanings, based on neuronal networks of past association and expectation. (Some of this stage 3 work actually involves reasoning).  Click the video to see a coffee-taste expert discuss the intricacies of how different coffees taste.    Sense perception is an important dimension of comprehending the world around us. It allows us to gather information from the outside world, so we can then go on to hopefully make sense of it
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  • Stimuli are involuntarily being compared and contrasted with previous experiences. For example, when you see when you see stop light change from red to green, your mind perceives this change in colour, not so much as a change in colour, but more as a signal to move forward.
  • What we perceive depends on what is important and interest in at the time for each person (Cultural Influences on Perception). Our perceptions and conceptions are affected by things such as biases, motivations emotions cultural perspectives interests, expectations and background experiences (existing knowledge)
  • Optical illusions are very popular with students just starting out in ToK. They are clear evidence that we have weaknesses in terms of how our mind interprets stimuli. Often things are not as they appear. Our previous experiences with similar stimulai impairs our perception.
katedriscoll

Does Language Influence our View of the World? | TOKTalk.net - 2 views

  • According to the Sapir-Whorf-Hypothesis (also known as linguistic relativity) language does not only reflect our way of thinking, but is also able to shape it. This hypothesis became known in the 1950s. People from different cultures and languages view the world differently and organize their reality differently. The way that they think is influenced by the grammar and vocabulary of their language
  • ? In the Arapaho culture, for example, there is only one word for “father” and for “uncle” (2). Does this now mean that a child of this culture does not differentiate between his/her own father and the uncle? I (personally) do not think so, but this is something that the anthropologists have to answer. As so often, I think that the answer is somewhere in between. There are certainly many concepts that depend very strongly on language
  •  
    This article discusses how language can affect different things, such as space and time organization and colour perception. 
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    This article discusses how language can affect different things, such as space and time organization and colour perception. 
dicindioha

BBC - Future - The tricks being played on you by UK roads - 0 views

  • When you walk or drive in the UK, you’re being nudged by dozens of hidden messages embedded in the roads and pavements.
  • He suffers from a rare inherited condition that leaves him only able to make out vague colour contrasts around him. Yet he is able to safely pick his way through the hectic city streets, thanks to dozens of hidden messages embedded in our roads and pavements that few of us even notice are there.
  • This subtle form of communication is not just confined to the pavement, either: increasingly, motorists and cyclists are also unknowingly being told what to do.
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  • A horizontal pattern of raised lines going across the pavement tells blind pedestrians they are on the footpath side; raised lines running along the direction of travel indicate the side designated for cycles. A wide, raised line divides the two.
  • Because the raised bumps are unpleasant to ride across, cyclists instinctively are drawn toward the tramline pattern which runs in the same direction as they are traveling.
  • Elsewhere, it is possible to find raised, rounded ribs running across pavement, creating a corduroy pattern. They look like they might be there to provide additional grip; in fact, they are sending a warning to anyone who stands on them about what is ahead.
  • The idea is to guide people through busy areas and around objects by drawing them along these raised lines.
  • They found that uncertainty about the layout of the road ahead is a powerful way of getting drivers to slow down.
  • triangles painted along the edge of each road – create an impression of a narrower road for example, and make drivers more cautious.
  • They have been painting boxes onto the road that use a clever combination of white and dark paint to create the illusion of a speed hump.
  • In India, they have taken things even further by painting deliberate optical illusions to give the impression that obstacles are in the road ahead.
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    This article talks about basically human perception and pattern recognition, and how this helps people who do not have all senses, like being blind. Bumps and grooves in the roads we walk on tell us, without us realizing it, what side we should be on and where there are stairs or platforms. It is interesting that there are patterns with these, as mentioned in the article, but everyday pedestrians do not really notice these patterns, and yet they are there to help us. Another interesting thing was the use of perception, and creating illusions of speed bumps or things in the road to get drivers to slow down. Here they play with perception to create an illusion of a speed bump and make traffic safer. sometimes what we think of as our perception incapabilities actually help us without realizing it.
dicindioha

Breitbart's James Delingpole says reef bleaching is 'fake news', hits peak denial | Gra... - 0 views

  • It takes a very special person to label the photographed, documented, filmed and studied phenomenon of mass coral bleaching on the Great Barrier Reef “fake news”.
  • It also helps if you can hide inside the bubble of the hyper-partisan Breitbart media outlet, whose former boss is the US president’s chief strategist.
  • So our special person is the British journalist James Delingpole who, when he’s not denying the impacts of coral bleaching, is denying the science of human-caused climate change, which he says is “the biggest scam in the history of the world”.
    • dicindioha
       
      oh dear...
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  • When we talk about the reef dying, what we are talking about are the corals that form the reef’s structure – the things that when in a good state of health can be splendorous enough to support about 69,000 jobs in Queensland and add about $6bn to Australia’s economy every year.
  • The Great Barrier Reef has suffered mass coral bleaching three times – in 1998, 2002 and 2016 – with a fourth episode now unfolding. The cause is increasing ocean temperatures.
  • So it seems we are now at a stage where absolutely nothing is real unless you have seen it for yourself,
  • Senator Pauline Hanson and her One Nation climate science-denying colleagues tried to pull a similar stunt last year by taking a dive on a part of the reef that had escaped bleaching and then claiming this as proof that everything was OK everywhere else.
  • Corals bleach when they are exposed to abnormally high ocean temperatures for too long. Under stress, the corals expel the algae that give them their colour and more of their nutrients.
  • After the 2016 bleaching, a quarter of all corals on the reef, mostly located in the once “pristine” northern section, died before there was a chance for recovery.
  • Essentially, the study found the only measure that would give corals on the reef a fighting chance was to rapidly reduce greenhouse gas emissions.
  • Some commentators have suggested a key cause of the 2016 bleaching was the El Niño weather pattern that tends to deliver warmer global temperatures. But Hughes says that before 1998, the Great Barrier Reef went through countless El Niños without suffering the extensive mass bleaching episodes that are being seen, photographed, filmed and documented now.
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    This frustrates me enormously. When there is evidence of bleaching of the coral and the impact of global warming on this coral, I don't understand how people can say this is fake news. It seems the US, at least, will not be helping fix this problem, but the whole world is at fault for this, and we should be a part of fixing it.
Javier E

Do you want to help build a happier city? BBC - 0 views

  • With colleagues at the University of Cambridge, I worked on a web game called urbangems.org. In it, you are shown 10 pairs of urban scenes of London, and for each pair you need to choose which one you consider to be more beautiful, quiet and happy. Based on user votes, one is able to rank all urban scenes by beauty, quiet and happiness. Those scenes have been studied at Yahoo Labs, image processing tools that extract colour histograms. The amount of greenery is associated with all three peaceful qualities: green is often found in scenes considered to be beautiful, quiet and happy. We then ran more sophisticated image analysis tools that extracted patches from our urban scenes and found that red-brick houses and public gardens also make people happy.
  • On the other hand, cars were the visual elements most strongly associated with sadness. In rich countries, car ownership is becoming unfashionable, and car-sharing and short-term hiring is becoming more popular. Self-driving cars such as those being prototyped by Google will be more common and will be likely to be ordered via the kind of mobile apps similar to the ones we use for ordering taxis nowadays. This will result into optimised traffic flows, fewer cars, and more space for alternative modes of transportation and for people on foot.
  • Cities will experience transformations similar to those New York has experienced since 2007. During these few years, new pedestrian plazas and hundreds of miles of bike lanes were created in the five boroughs, creating spaces for public art installations and recreation. And it’s proved popular with local businesses too, boosting the local economy in areas where cyclists are freer to travel.
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  • it is not clear whether the rise of post-war tower dwelling is a definite improvement on the modern city sprawl. Tall buildings (with the exception of glassed-office buildings and landmarks) are often found in sad scenes.
  • In recent years, the new mayor of the Colombian capital Bogota, Enrique Penalosa, has cancelled highways projects and poured the money instead into cycle lanes, parks and open spaces for locals – undoing decades of car-centric planning that had made the streets a no-go area for the capital’s children. On the day in February 2000 when Penalosa banned cars from the street for 24 hours, hospital admissions fell by a third, air pollution levels dropped and residents said it made them feel more optimistic about living in the city.
  • are the technologies we are designing really helping its users to be happy? Take the simple example of a web map. It usually gives us the shortest walking direction to destination. But what if it would give us the small street, full of trees, parallel to the shortest path, which would make us happier? As more and more of us share these city streets, what will keep us happy as they become more crowded?
  • the share of the world’s population living in cities has surpassed 50%. By 2025, we will see another 1.2 billion city residents. With more and more of us moving to urban centres, quality of life becomes ever-more important.
Akili Dorsey-Bell

http://www.bbc.com/future/story/20120209-do-we-all-see-the-same-colours - 1 views

This is a BBC article reflecting on exactly what we were just talking about in class. What color is your valley? Hopefully this give a little more info! (super interesting)

science knowledge brain science

started by Akili Dorsey-Bell on 01 Nov 13 no follow-up yet
grayton downing

BBC News - New galaxy 'most distant' yet discovered - 0 views

  • The galaxy is about 30 billion light-years away and is helping scientists shed light on the period that immediately followed the Big Bang.
  • "This is the most distant galaxy we've confirmed. We are seeing this galaxy as it was 700 million years after the Big Bang."
  • Astronomers were able to measure how far it was from Earth by analysing its colour.
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  • The system is small: about 1-2% the mass of the Milky Way and is rich in heavier elements.
  • astronomers are likely to discover even more distant galaxies when Nasa's James Webb Space Telescope (JWST) is launched and other ground-based telescopes come online.
  • One very interesting way to learn about the Universe is to study these outliers and that tells us something about what sort of physical processes are dominating galaxy formation and galaxy evolution. "What was great about this galaxy is not only is it so distant, it is also pretty exceptional."
  • But it has a surprising feature: it is turning gas and dust into new stars at a remarkable rate, churning them out hundreds of times faster than our own galaxy can.
  • This is an important step forward, but we need to continue looking for more.
Emilio Ergueta

Thinking Straight About Curved Space | Issue 108 | Philosophy Now - 0 views

  • In earlier columns, I have defended time from the assaults of physics. With a few exceptions, physicists have not been kind to time. Relativity theory stripped it of its tenses, dismissing the difference between past, present, and future as illusory. Worse, the theory seemed to deny time an independent existence.
  • My own view, however, is that both space and time are traduced in physics. They should form a victim support group, which is why this column is devoted to a defence of space.
  • Places – habitats – are stripped down to decimal places. Much is lost in consequence. The space of the physicist has neither ‘here’ nor ‘there’, no centre or periphery, no inside or outside, except in terms of relationships between points defined mathematically with respect to a frame of reference built out of axes whose (0,0,0) point of origin is arbitrarily chosen. The inhabitants of the physicists’ space are fields and objects that have only primary qualities – size, distance, number of instances. They are void of secondary qualities – warmth, brightness, colour, texture – never mind meaning, value, and use – even though all these qualities are inseparable from the space in which we experience, enact, and suffer our lives.
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  • So long as we don’t think that the physicists’ space is more fundamental than, or is the ultimate reality of, lived space, then no harm is done.
  • in contemporary physics, space is curved, or non-Euclidean. In non-Euclidean space, the sum of the angles of a triangle may be greater than 180°; more importantly, the shortest distance between two points may not be a straight line, but a curved one.
  • When we first hear talk of ‘curved space’ we rebel. The least we should ask of something said to be curved is that it should have edges, surfaces, and parts that look or feel curved, which space itself does not. Analogies are offered to make the idea less counter-intuitive
  • Physicists will smile at taking the analogy too literally. But if it is not taken literally, it lacks explanatory force. And taken literally, it is seriously misleading. The curvature of an object such as the earth is extrinsic – evident in its surface
  • From Pythagoras onwards we have been prone to the illusion that our ways of geometrising space capture space itself – perhaps even believing that the mathematical logic of pure quantities is somehow ‘out there’. However, the immense power of mathematical physics – which requires abstracting from phenomenal reality and the reduction of experienced and experienceable reality to mere parameters to which numerical values are assigned – does not justify uncritically accepting concepts such as ‘curved space’ that attempt to re-insert phenomenal appearances into its abstractions. On the contrary, we should acknowledge that ‘unreasonably effective’ mathematics (to borrow Eugene Wigner’s phrase) can take us to places to which nothing non-mathematical corresponds. For instance, consider the assumption, central to modern cosmology, that space itself is expanding.
Javier E

This is what your brain looks like on magic mushrooms (Wired UK) - 0 views

  • In recent years, a focus on brain structures and regions has given way to an emphasis on neurological networks: how cells and regions interact, with consciousness shaped not by any given set of brain regions, but by their interplay.
  • Understanding the networks, however, is no easy task
  • In mathematical terms, said Petri, normal brains have a well-ordered correlation state. There's not much cross-linking between networks. That changes after the psilocybin dose. Suddenly the networks are cross-linking like crazy, but not in random ways. New types of order emerge.
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  • Perhaps some aspects of consciousness arise from these meta-networks -- and to investigate the proposition, the researchers analysed fMRI scans of 15 people after being injected with psilocybin, the active ingredient in magic mushrooms, and compared them to scans of their brain activity after receiving a placebo.
  • "One possible by-product of this greater communication across the whole brain is the phenomenon of synaesthesia" -- the experience, common during psychedelic experiences, of sensory mix-up: tasting colours, feeling sounds, seeing smells, and so on.
  • A truer way of visualising it, he said, would be in three dimensions, with connections between networks forming a sponge-like topography.
  • "The big question in neuroscience is where consciousness comes from," Petri said. For now, he said, "We don't know."
anonymous

Neuroscience For Kids - stroop effect - 0 views

  • The famous "Stroop Effect" is named after J. Ridley Stroop who discovered this strange phenomenon in the 1930s.
  • TRY IT!
  • The words themselves have a strong influence over your ability to say the color. The interference between the different information (what the words say and the color of the words) your brain receives causes a problem.
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  • There are two theories that may explain the Stroop effect: Speed of Processing Theory: the interference occurs because words are read faster than colors are named. Selective Attention Theory: the interference occurs because naming colors requires more attention than reading words.
sissij

Want to Get From A to B Safer? The Color of Your Car Matters | Big Think - 2 views

  • If you’ve taken to the United States streets anytime lately, you may have noticed that most public school buses are a very particular shade of yellow. That shade is called National School Bus Glossy Yellow in Canada and the US, and it was specially designed by Dr. Frank Cyr.
  • Yellow is easy to see in the dim lights of early morning or late evening, and because it's seen across both the green and red cones in the eye, it pops in our vision faster than other colors.
  • What’s more, while the majority of those who are color blind have trouble distinguishing red from green, they can still see yellow just fine.
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  • It makes sense that yellow taxi cabs are safer than the blue ones.
  • Furthermore, the drivers tend to drive at similar speeds, so the color of the cabs isn’t attracting certain driver personalities. It is mostly linked to the color of the cab.
  • The long-standing association of yellow being the color of cabs means many people purchase cars that are specifically not yellow, because of the connection, but they will purchase blue cars. People are more careful around the yellow vehicle for the same reason they are careful around the school bus: they know what the color means.
  • Of course, this is all a short-term worry: we won't be at the mercy human error for much longer.
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    I think this is very interesting that even the color of a car can be associated with the accident rate of the taxi. The yellow color on the taxi make use of the pattern recognition in human mind as people tends to make connection between yellow and caution. I really like this idea because it shows that sometimes the fallacies in our logic can benefit us in the modern society. It is not totally useless. --Sissi (3/15/2017)
Javier E

The trouble with atheists: a defence of faith | Books | The Guardian - 1 views

  • My daughter has just turned six. Some time over the next year or so, she will discover that her parents are weird. We're weird because we go to church.
  • This means as she gets older there'll be voices telling her what it means, getting louder and louder until by the time she's a teenager they'll be shouting right in her ear. It means that we believe in a load of bronze-age absurdities. That we fetishise pain and suffering. That we advocate wishy-washy niceness. That we're too stupid to understand the irrationality of our creeds. That we build absurdly complex intellectual structures on the marshmallow foundations of a fantasy. That we're savagely judgmental.
  • that's not the bad news. Those are the objections of people who care enough about religion to object to it. Or to rent a set of recreational objections from Richard Dawkins or Christopher Hitchens. As accusations, they may be a hodge-podge, but at least they assume there's a thing called religion which looms with enough definition and significance to be detested.
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  • the really painful message our daughter will receive is that we're embarrassing. For most people who aren't New Atheists, or old atheists, and have no passion invested in the subject, either negative or positive, believers aren't weird because we're wicked. We're weird because we're inexplicable; because, when there's no necessity for it that anyone sensible can see, we've committed ourselves to a set of awkward and absurd attitudes that obtrude, that stick out against the background of modern life, and not in some important or respectworthy or principled way, either.
  • Believers are people who try to insert Jee-zus into conversations at parties; who put themselves down, with writhings of unease, for perfectly normal human behaviour; who are constantly trying to create a solemn hush that invites a fart, a hiccup, a bit of subversion. Believers are people who, on the rare occasions when you have to listen to them, like at a funeral or a wedding, seize the opportunity to pour the liquidised content of a primary-school nativity play into your earhole, apparently not noticing that childhood is over.
  • What goes on inside believers is mysterious. So far as it can be guessed at it appears to be a kind of anxious pretending, a kind of continual, nervous resistance to reality.
  • to me, it's belief that involves the most uncompromising attention to the nature of things of which you are capable. Belief demands that you dispense with illusion after illusion, while contemporary common sense requires continual, fluffy pretending – pretending that might as well be systematic, it's so thoroughly incentivised by our culture.
  • The atheist bus says: "There's probably no God. So stop worrying and enjoy your life."
  • the word that offends against realism here is "enjoy". I'm sorry – enjoy your life?
  • If you based your knowledge of the human species exclusively on adverts, you'd think that the normal condition of humanity was to be a good-looking single person between 20 and 35, with excellent muscle-definition and/or an excellent figure, and a large disposable income. And you'd think the same thing if you got your information exclusively from the atheist bus
  • The implication of the bus slogan is that enjoyment would be your natural state if you weren't being "worried" by us believers and our hellfire preaching. Take away the malignant threat of God-talk, and you would revert to continuous pleasure
  • What's so wrong with this, apart from it being total bollocks? Well, in the first place, that it buys a bill of goods, sight unseen, from modern marketing. Given that human life isn't and can't be made up of enjoyment, it is in effect accepting a picture of human life in which those pieces of living where easy enjoyment is more likely become the only pieces that are visible.
  • But then, like every human being, I am not in the habit of entertaining only those emotions I can prove. I'd be an unrecognisable oddity if I did. Emotions can certainly be misleading: they can fool you into believing stuff that is definitely, demonstrably untrue. Yet emotions are also our indispensable tool for navigating, for feeling our way through, the much larger domain of stuff that isn't susceptible to proof or disproof, that isn't checkable against the physical universe. We dream, hope, wonder, sorrow, rage, grieve, delight, surmise, joke, detest; we form such unprovable conjectures as novels or clarinet concertos; we imagine. And religion is just a part of that, in one sense. It's just one form of imagining, absolutely functional, absolutely human-normal. It would seem perverse, on the face of it, to propose that this one particular manifestation of imagining should be treated as outrageous, should be excised if (which is doubtful) we can manage it.
  • suppose, as the atheist bus goes by, you are povertystricken, or desperate for a job, or a drug addict, or social services have just taken away your child. The bus tells you that there's probably no God so you should stop worrying and enjoy your life, and now the slogan is not just bitterly inappropriate in mood. What it means, if it's true, is that anyone who isn't enjoying themselves is entirely on their own. What the bus says is: there's no help coming.
  • Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion. To say that life is to be enjoyed (just enjoyed) is like saying that mountains should only have summits, or that all colours should be purple, or that all plays should be by Shakespeare. This really is a bizarre category error.
  • A consolation you could believe in would be one that wasn't in danger of popping like a soap bubble on contact with the ordinary truths about us. A consolation you could trust would be one that acknowledged the difficult stuff rather than being in flight from it, and then found you grounds for hope in spite of it, or even because of it
  • The novelist Richard Powers has written that the Clarinet Concerto sounds the way mercy would sound, and that's exactly how I experienced it in 1997. Mercy, though, is one of those words that now requires definition. It does not only mean some tyrant's capacity to suspend a punishment he has himself inflicted. It can mean – and does mean in this case – getting something kind instead of the sensible consequences of an action, or as well as the sensible consequences of an action.
  • from outside, belief looks like a series of ideas about the nature of the universe for which a truth-claim is being made, a set of propositions that you sign up to; and when actual believers don't talk about their belief in this way, it looks like slipperiness, like a maddening evasion of the issue.
  • I am a fairly orthodox Christian. Every Sunday I say and do my best to mean the whole of the Creed, which is a series of propositions. But it is still a mistake to suppose that it is assent to the propositions that makes you a believer. It is the feelings that are primary. I assent to the ideas because I have the feelings; I don't have the feelings because I've assented to the ideas.
  • what I felt listening to Mozart in 1997 is not some wishy-washy metaphor for an idea I believe in, and it's not a front behind which the real business of belief is going on: it's the thing itself. My belief is made of, built up from, sustained by, emotions like that. That's what makes it real.
  • I think that Mozart, two centuries earlier, had succeeded in creating a beautiful and accurate report of an aspect of reality. I think that the reason reality is that way – that it is in some ultimate sense merciful as well as being a set of physical processes all running along on their own without hope of appeal, all the way up from quantum mechanics to the relative velocity of galaxies by way of "blundering, low and horridly cruel" biology (Darwin) – is that the universe is sustained by a continual and infinitely patient act of love. I think that love keeps it in being.
  • That's what I think. But it's all secondary. It all comes limping along behind my emotional assurance that there was mercy, and I felt it. And so the argument about whether the ideas are true or not, which is the argument that people mostly expect to have about religion, is also secondary for me.
  • No, I can't prove it. I don't know that any of it is true. I don't know if there's a God. (And neither do you, and neither does Professor Dawkins, and neither does anybody. It isn't the kind of thing you can know. It isn't a knowable item.)
  • let's be clear about the emotional logic of the bus's message. It amounts to a denial of hope or consolation on any but the most chirpy, squeaky, bubble-gummy reading of the human situation
  • It's got itself established in our culture, relatively recently, that the emotions involved in religious belief must be different from the ones involved in all the other kinds of continuous imagining, hoping, dreaming, and so on, that humans do. These emotions must be alien, freakish, sad, embarrassing, humiliating, immature, pathetic. These emotions must be quite separate from commonsensical us. But they aren't
  • The emotions that sustain religious belief are all, in fact, deeply ordinary and deeply recognisable to anybody who has ever made their way across the common ground of human experience as an adult.
  • It's just that the emotions in question are rarely talked about apart from their rationalisation into ideas. This is what I have tried to do in my new book, Unapologetic.
  • You can easily look up what Christians believe in. You can read any number of defences of Christian ideas. This, however, is a defence of Christian emotions – of their intelligibility, of their grown-up dignity.
Javier E

Accelerationism: how a fringe philosophy predicted the future we live in | World news |... - 1 views

  • Roger Zelazny, published his third novel. In many ways, Lord of Light was of its time, shaggy with imported Hindu mythology and cosmic dialogue. Yet there were also glints of something more forward-looking and political.
  • accelerationism has gradually solidified from a fictional device into an actual intellectual movement: a new way of thinking about the contemporary world and its potential.
  • Accelerationists argue that technology, particularly computer technology, and capitalism, particularly the most aggressive, global variety, should be massively sped up and intensified – either because this is the best way forward for humanity, or because there is no alternative.
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  • Accelerationists favour automation. They favour the further merging of the digital and the human. They often favour the deregulation of business, and drastically scaled-back government. They believe that people should stop deluding themselves that economic and technological progress can be controlled.
  • Accelerationism, therefore, goes against conservatism, traditional socialism, social democracy, environmentalism, protectionism, populism, nationalism, localism and all the other ideologies that have sought to moderate or reverse the already hugely disruptive, seemingly runaway pace of change in the modern world
  • Robin Mackay and Armen Avanessian in their introduction to #Accelerate: The Accelerationist Reader, a sometimes baffling, sometimes exhilarating book, published in 2014, which remains the only proper guide to the movement in existence.
  • “We all live in an operating system set up by the accelerating triad of war, capitalism and emergent AI,” says Steve Goodman, a British accelerationist
  • A century ago, the writers and artists of the Italian futurist movement fell in love with the machines of the industrial era and their apparent ability to invigorate society. Many futurists followed this fascination into war-mongering and fascism.
  • One of the central figures of accelerationism is the British philosopher Nick Land, who taught at Warwick University in the 1990s
  • Land has published prolifically on the internet, not always under his own name, about the supposed obsolescence of western democracy; he has also written approvingly about “human biodiversity” and “capitalistic human sorting” – the pseudoscientific idea, currently popular on the far right, that different races “naturally” fare differently in the modern world; and about the supposedly inevitable “disintegration of the human species” when artificial intelligence improves sufficiently.
  • In our politically febrile times, the impatient, intemperate, possibly revolutionary ideas of accelerationism feel relevant, or at least intriguing, as never before. Noys says: “Accelerationists always seem to have an answer. If capitalism is going fast, they say it needs to go faster. If capitalism hits a bump in the road, and slows down” – as it has since the 2008 financial crisis – “they say it needs to be kickstarted.”
  • On alt-right blogs, Land in particular has become a name to conjure with. Commenters have excitedly noted the connections between some of his ideas and the thinking of both the libertarian Silicon Valley billionaire Peter Thiel and Trump’s iconoclastic strategist Steve Bannon.
  • “In Silicon Valley,” says Fred Turner, a leading historian of America’s digital industries, “accelerationism is part of a whole movement which is saying, we don’t need [conventional] politics any more, we can get rid of ‘left’ and ‘right’, if we just get technology right. Accelerationism also fits with how electronic devices are marketed – the promise that, finally, they will help us leave the material world, all the mess of the physical, far behind.”
  • In 1972, the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari published Anti-Oedipus. It was a restless, sprawling, appealingly ambiguous book, which suggested that, rather than simply oppose capitalism, the left should acknowledge its ability to liberate as well as oppress people, and should seek to strengthen these anarchic tendencies, “to go still further … in the movement of the market … to ‘accelerate the process’”.
  • By the early 90s Land had distilled his reading, which included Deleuze and Guattari and Lyotard, into a set of ideas and a writing style that, to his students at least, were visionary and thrillingly dangerous. Land wrote in 1992 that capitalism had never been properly unleashed, but instead had always been held back by politics, “the last great sentimental indulgence of mankind”. He dismissed Europe as a sclerotic, increasingly marginal place, “the racial trash-can of Asia”. And he saw civilisation everywhere accelerating towards an apocalypse: “Disorder must increase... Any [human] organisation is ... a mere ... detour in the inexorable death-flow.”
  • With the internet becoming part of everyday life for the first time, and capitalism seemingly triumphant after the collapse of communism in 1989, a belief that the future would be almost entirely shaped by computers and globalisation – the accelerated “movement of the market” that Deleuze and Guattari had called for two decades earlier – spread across British and American academia and politics during the 90s. The Warwick accelerationists were in the vanguard.
  • In the US, confident, rainbow-coloured magazines such as Wired promoted what became known as “the Californian ideology”: the optimistic claim that human potential would be unlocked everywhere by digital technology. In Britain, this optimism influenced New Labour
  • At Warwick, however, the prophecies were darker. “One of our motives,” says Plant, “was precisely to undermine the cheery utopianism of the 90s, much of which seemed very conservative” – an old-fashioned male desire for salvation through gadgets, in her view.
  • The CCRU gang formed reading groups and set up conferences and journals. They squeezed into the narrow CCRU room in the philosophy department and gave each other impromptu seminars.
  • The main result of the CCRU’s frantic, promiscuous research was a conveyor belt of cryptic articles, crammed with invented terms, sometimes speculative to the point of being fiction.
  • The Warwick accelerationists saw themselves as participants, not traditional academic observers
  • K-punk was written by Mark Fisher, formerly of the CCRU. The blog retained some Warwick traits, such as quoting reverently from Deleuze and Guattari, but it gradually shed the CCRU’s aggressive rhetoric and pro-capitalist politics for a more forgiving, more left-leaning take on modernity. Fisher increasingly felt that capitalism was a disappointment to accelerationists, with its cautious, entrenched corporations and endless cycles of essentially the same products. But he was also impatient with the left, which he thought was ignoring new technology
  • lex Williams, co-wrote a Manifesto for an Accelerationist Politics. “Capitalism has begun to constrain the productive forces of technology,” they wrote. “[Our version of] accelerationism is the basic belief that these capacities can and should be let loose … repurposed towards common ends … towards an alternative modernity.”
  • What that “alternative modernity” might be was barely, but seductively, sketched out, with fleeting references to reduced working hours, to technology being used to reduce social conflict rather than exacerbate it, and to humanity moving “beyond the limitations of the earth and our own immediate bodily forms”. On politics and philosophy blogs from Britain to the US and Italy, the notion spread that Srnicek and Williams had founded a new political philosophy: “left accelerationism”.
  • Two years later, in 2015, they expanded the manifesto into a slightly more concrete book, Inventing the Future. It argued for an economy based as far as possible on automation, with the jobs, working hours and wages lost replaced by a universal basic income. The book attracted more attention than a speculative leftwing work had for years, with interest and praise from intellectually curious leftists
  • Even the thinking of the arch-accelerationist Nick Land, who is 55 now, may be slowing down. Since 2013, he has become a guru for the US-based far-right movement neoreaction, or NRx as it often calls itself. Neoreactionaries believe in the replacement of modern nation-states, democracy and government bureaucracies by authoritarian city states, which on neoreaction blogs sound as much like idealised medieval kingdoms as they do modern enclaves such as Singapore.
  • Land argues now that neoreaction, like Trump and Brexit, is something that accelerationists should support, in order to hasten the end of the status quo.
  • In 1970, the American writer Alvin Toffler, an exponent of accelerationism’s more playful intellectual cousin, futurology, published Future Shock, a book about the possibilities and dangers of new technology. Toffler predicted the imminent arrival of artificial intelligence, cryonics, cloning and robots working behind airline check-in desks
  • Land left Britain. He moved to Taiwan “early in the new millennium”, he told me, then to Shanghai “a couple of years later”. He still lives there now.
  • In a 2004 article for the Shanghai Star, an English-language paper, he described the modern Chinese fusion of Marxism and capitalism as “the greatest political engine of social and economic development the world has ever known”
  • Once he lived there, Land told me, he realised that “to a massive degree” China was already an accelerationist society: fixated by the future and changing at speed. Presented with the sweeping projects of the Chinese state, his previous, libertarian contempt for the capabilities of governments fell away
  • Without a dynamic capitalism to feed off, as Deleuze and Guattari had in the early 70s, and the Warwick philosophers had in the 90s, it may be that accelerationism just races up blind alleys. In his 2014 book about the movement, Malign Velocities, Benjamin Noys accuses it of offering “false” solutions to current technological and economic dilemmas. With accelerationism, he writes, a breakthrough to a better future is “always promised and always just out of reach”.
  • “The pace of change accelerates,” concluded a documentary version of the book, with a slightly hammy voiceover by Orson Welles. “We are living through one of the greatest revolutions in history – the birth of a new civilisation.”
  • Shortly afterwards, the 1973 oil crisis struck. World capitalism did not accelerate again for almost a decade. For much of the “new civilisation” Toffler promised, we are still waiting
katedriscoll

Memory Notes - ToK - 0 views

  • "We can invent only with memory." (Alphonse Karr) “Memory and imagination help [a man] as he works. Not only his own thoughts, but the thoughts of the men of past ages guide his hands; and, as a part of the human race, he creates.” (William Morris) “Memory feeds imagination.” (Amy Tan) “Memory is imagination in reverse.” (Stephen Evans) "Memory is deceptive because it is coloured by today’s events." (Albert Einstein)
  • Memory is the faculty of the mind by which information is encoded, stored, and retrieved (Atkinson & Shiffrin, 1968).
  • A very basic explanation would say that memory is a process of: Perceiving something Information from your perception is sent to your working memory. Information can be retrieved from here (remembered).  A fraction of the informati
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  • People tend to trust their memories more than they should. This comes up a lot in discussions about eye witness testimonies in court. People can be absolutely sure they saw or heard something, which they didn't.
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