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"Miller eloquently encapsulates the combinatorial nature of creativity and the constant borrowing and repurposing that takes place as we build upon what came before and recombine existing bits of knowledge and ideas to create what we call "our" ideas. And your way, is it really your way? […] What, moreover, can you call your own? The house you live in, the food you swallow, the clothes you wear - you neither built the house nor raised the food nor made the clothes. […] The same goes for your ideas. You moved into them ready-made."

"Since humankind first put brush to canvas, artists have played with the mind and the senses to create sublime atmospheres and odd impressions. It is only recently, with a blossoming understanding of the way the brain deconstructs images, that neuroscientists and psychologists have finally begun to understand how these tricks work. "

To illustrate what a growing number of literary scholars consider the most exciting area of new research, Lisa Zunshine, a professor of English at the University of Kentucky, refers to an episode from the TV series "Friends." (Follow closely now; this is about the science of English.) Phoebe and Rachel plot to play a joke on Monica and Chandler after they learn the two are secretly dating. The couple discover the prank and try to turn the tables, but Phoebe realizes this turnabout and once again tries to outwit them. As Phoebe tells Rachel, "They don't know that we know they know we know." This layered process of figuring out what someone else is thinking - of mind reading - is both a common literary device and an essential survival skill. Why human beings are equipped with this capacity and what particular brain functions enable them to do it are questions that have occupied primarily cognitive psychologists.

"A new 24-page fashion spread in the September issue of Italian Vogue features model Kristen McMenamy wearing oil-soaked black feathered outfits, withering away on a beach. Famed photographer Steven Meisel shot the controversial Gulf disaster-inspired images of McMenamy caught in nets, spitting up oil, and flopping like a dying seal on rocks. But while the images are powerful and striking, we're left wondering whether they were done in good taste. What do you think about the Italian Vogue spread? Do you find these images exploitative, glamorizing, or thought-provoking?"

I think it's good, although it slightly mixes up our nice distinction between sense perception and perception in general, and she actual says "we see things not as they are but as we are" at one point. The title "The Truth in the Lie" evokes one of the current essay titles, and it has a lot to say about ethics 'n stuff.

"One of our most innovative, popular thinkers takes on-in exhilarating style-one of our key questions: Where do good ideas come from? With Where Good Ideas Come From, Steven Johnson pairs the insight of his bestselling Everything Bad Is Good for You and the dazzling erudition of The Ghost Map and The Invention of Air to address an urgent and universal question: What sparks the flash of brilliance? How does groundbreaking innovation happen? Answering in his infectious, culturally omnivorous style, using his fluency in fields from neurobiology to popular culture, Johnson provides the complete, exciting, and encouraging story of how we generate the ideas that push our careers, our lives, our society, and our culture forward. Beginning with Charles Darwin's first encounter with the teeming ecosystem of the coral reef and drawing connections to the intellectual hyperproductivity of modern megacities and to the instant success of YouTube, Johnson shows us that the question we need to ask is, What kind of environment fosters the development of good ideas? His answers are never less than revelatory, convincing, and inspiring as Johnson identifies the seven key principles to the genesis of such ideas, and traces them across time and disciplines. Most exhilarating is Johnson's conclusion that with today's tools and environment, radical innovation is extraordinarily accessible to those who know how to cultivate it. Where Good Ideas Come From is essential reading for anyone who wants to know how to come up with tomorrow's great ideas."

"Where is my mind? The question - memorably posed by rock band the Pixies in their 1988 song - is one that, perhaps surprisingly, divides many of us working in the areas of philosophy of mind and cognitive science. Look at the science columns of your daily newspapers and you could be forgiven for thinking that there is no case to answer. We are all familiar with the colorful "brain blob" pictures that show just where activity (indirectly measured by blood oxygenation level) is concentrated as we attempt to solve different kinds of puzzles: blobs here for thinking of nouns, there for thinking of verbs, over there for solving ethical puzzles of a certain class, and so on, ad blobum. (In fact, the brain blob picture has seemingly been raised to the status of visual art form of late with the publication of a book of high-octane brain images. ) There is no limit, it seems, to the different tasks that elicit subtly, and sometimes not so subtly, different patterns of neural activation. Surely then, all the thinking must be going on in the brain? That, after all, is where the lights are. As our technologies become better adapted to fit the niche provided by the biological brain, they become more like cognitive prosthetics. But then again, maybe not. We've all heard the story of the drunk searching for his dropped keys under the lone streetlamp at night. When asked why he is looking there, when they could surely be anywhere on the street, he replies, "Because that's where the light is." Could it be the same with the blobs?"

"An online poll conducted in the '90s set Vitaly Komar, Alex Melamid and David Soldier on a quest to create the most annoying song ever. After gathering data about people's least favorite music and lyrical subjects, they did the unthinkable: they combined them into a single monstrosity, specifically engineered to sound unpleasant to the maximum percentage of listeners. The song is not new, but it resurfaced on Dial "M" for Musicology. Amazingly, this "most unwanted music" contains little dissonance - that would have been too easy. For the most part, they seem to have tried to assemble these elements in a listenable way. Komar & Melamid and David Soldier's list of undesirable elements included holiday music, bagpipes, pipe organ, a children's chorus and the concept of children in general (really?), Wal-Mart, cowboys, political jingoism, George Stephanopoulos, Coca Cola, bossanova synths, banjo ferocity, harp glissandos, oompah-ing tubas and much, much more. It's actually a fascinating listen, worthwhile for the opera rapping alone. (We didn't think that was possible either.)"