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"The alteration of photos for propaganda purposes has been with us as long as photography itself; it is not an invention of the digital age. But while digitally altered photographs can easily fool the eye, they often leave telltale footprints that allow them to be unmasked as forgeries. There are many famous altered photographs, from a Matthew Brady photograph of Abraham Lincoln's head composited on to John Calhoun's body to the endlessly altered photographs from Soviet Russia. An entire book, "The Commissar Vanishes," by David King, is devoted to Soviet whims about who should be included (or deleted) in photographs. In the series shown above, Stalin is accompanied by three officials, then two, then one, as they successively fall out of favor and are cropped and airbrushed into non-existence. (In the end, in a painting based on the photograph, he stands alone.) We understand Stalin's intentions by removing comrades, but what is the purpose of these Iranian missile photographs? They are clearly altered. The question remains: Why, and to what end?"

"In George Orwell's "1984," that novel of totalitarian politics whose great mistake was to emphasize the villainy of society's masters while playing down the mischief of the masses, the goal of communications technology was brutal and direct: to ensure the dominance of the state. The sinister "telescreens" placed in people's homes spewed propaganda and conducted surveillance, keeping the population passive and the leadership firmly in control. In the face of constant monitoring, all people could do was sterilize their behavior, conceal their thoughts and carry on like model citizens.\n\nThis was, it turns out, a quaint scenario, grossly simplistic and deeply melodramatic. As the Internet proves every day, it isn't some stern and monolithic Big Brother that we have to reckon with as we go about our daily lives, it's a vast cohort of prankish Little Brothers equipped with devices that Orwell, writing 60 years ago, never dreamed of and who are loyal to no organized authority. The invasion of privacy - of others' privacy but also our own, as we turn our lenses on ourselves in the quest for attention by any means - has been democratized. "

"Have the latest advances in communication technology radically altered the fundamental dynamics of struggles for change in authoritarian settings? Or have cell phones and social media merely brought about small shifts in the dynamics of revolution? Is the Web a godsend to those trapped in oppressive states, as Nobel Laureate Liu Xiaobo suggests in his essay "The Internet is God's Gift to China"? Or does this thinking give in to a form of "cyber-utopianism" that glosses over the potential of new media to be used by autocrats, their propaganda ministries and security forces to massage public opinion, keep tabs on dissidents and ensure that populations stay docile and distracted, as Evgeny Morozov argues in The Net Delusion: The Dark Side of Internet Freedom? This is a fascinating moment to ponder such questions, due both to what is happening on the streets in the Middle East and in the offices of publishing, where Morozov's book is one of many to stake out bold claims about the pros and cons of the newest new media."

"As web companies strive to tailor their services (including news and search results) to our personal tastes, there's a dangerous unintended consequence: We get trapped in a "filter bubble" and don't get exposed to information that could challenge or broaden our worldview. Eli Pariser argues powerfully that this will ultimately prove to be bad for us and bad for democracy. "