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"Any love-hate relationship must have its share of pain, so the academic world, in its obsession with college rankings, is suitably dismayed by news that an elite college, Claremont McKenna, fudged its numbers in an apparent bid to climb the charts. Claremont McKenna in California is the latest but not the only college to have admitted submitting false information in an effort to win a high rating. Dismayed, but not quite surprised. In fact, several colleges in recent years have been caught gaming the system - in particular, the avidly watched U.S. News & World Report rankings - by twisting the meanings of rules, cherry-picking data or just lying. In one recent example, Iona College in New Rochelle, north of New York City, acknowledged last fall that its employees had lied for years not only about test scores, but also about graduation rates, freshman retention, student-faculty ratio, acceptance rates and alumni giving. Other institutions have found ways to manipulate the data without outright dishonesty. In 2008, Baylor University offered financial rewards to admitted students to retake the SAT in hopes of increasing its average score. Admissions directors say that some colleges delay admission of low-scoring students until January, excluding them from averages for the class admitted in September, while other colleges seek more applications to report a lower percentage of students accepted. Claremont McKenna, according to Robert Morse, the director of data research at U.S. News, is "the highest-ranking school to have to go through this publicly and have to admit to misreporting." This year, U.S. News rated it as the nation's ninth-best liberal arts college. There is no reason to think the U.S. News rankings are rife with misinformation, and the publication makes efforts to police the data, adjust its metrics and close loopholes. But repeated revelations of manipulation show the importance of the rankings in the minds of prospective students, thei

"The alteration of photos for propaganda purposes has been with us as long as photography itself; it is not an invention of the digital age. But while digitally altered photographs can easily fool the eye, they often leave telltale footprints that allow them to be unmasked as forgeries. There are many famous altered photographs, from a Matthew Brady photograph of Abraham Lincoln's head composited on to John Calhoun's body to the endlessly altered photographs from Soviet Russia. An entire book, "The Commissar Vanishes," by David King, is devoted to Soviet whims about who should be included (or deleted) in photographs. In the series shown above, Stalin is accompanied by three officials, then two, then one, as they successively fall out of favor and are cropped and airbrushed into non-existence. (In the end, in a painting based on the photograph, he stands alone.) We understand Stalin's intentions by removing comrades, but what is the purpose of these Iranian missile photographs? They are clearly altered. The question remains: Why, and to what end?"