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Lawrence Hrubes

BBC - Future - The surprising downsides of being clever - 1 views

  • The first steps to answering these questions were taken almost a century ago, at the height of the American Jazz Age. At the time, the new-fangled IQ test was gaining traction, after proving itself in World War One recruitment centres, and in 1926, psychologist Lewis Terman decided to use it to identify and study a group of gifted children. Combing California’s schools for the creme de la creme, he selected 1,500 pupils with an IQ of 140 or more – 80 of whom had IQs above 170. Together, they became known as the “Termites”, and the highs and lows of their lives are still being studied to this day.
  • The harsh truth, however, is that greater intelligence does not equate to wiser decisions; in fact, in some cases it might make your choices a little more foolish. Keith Stanovich at the University of Toronto has spent the last decade building tests for rationality, and he has found that fair, unbiased decision-making is largely independent of IQ. Consider the “my-side bias” – our tendency to be highly selective in the information we collect so that it reinforces our previous attitudes. The more enlightened approach would be to leave your assumptions at the door as you build your argument – but Stanovich found that smarter people are almost no more likely to do so than people with distinctly average IQs.
  • A tendency to rely on gut instincts rather than rational thought might also explain why a surprisingly high number of Mensa members believe in the paranormal; or why someone with an IQ of 140 is about twice as likely to max out their credit card.Indeed, Stanovich sees these biases in every strata of society. “There is plenty of dysrationalia – people doing irrational things despite more than adequate intelligence – in our world today,” he says. “The people pushing the anti-vaccination meme on parents and spreading misinformation on websites are generally of more than average intelligence and education.” Clearly, clever people can be dangerously, and foolishly, misguided.
Lawrence Hrubes

A Stone for My Great-Grandmother - The New Yorker - 0 views

  • Approximately a million Jews were killed at Auschwitz, and along with them at least a hundred thousand Polish, Roma, and Soviet prisoners. According to Andreas Eichmüller, a German historian in Munich, sixty-five hundred S.S. members who served at the camp survived the war. Of these, fewer than a hundred were ever tried for their crimes in German courts, and only fifty were convicted.
Lawrence Hrubes

Reading With Imagination - NYTimes.com - 2 views

  • Fiction, which I believe suffers most from modern readership, is by definition not factual. It may be about the real world and it may try to illuminate some facts about the real world or how real people behave in it or, as is so often the case in modern literature, it may also be about the impossibility of portraying any such reality since the very nature of art is artifice. Primarily, however, fiction (and biography, essay, history, memoir only perhaps to a lesser degree) is a creative act, an act of the author’s imagination and likewise, ideally, it should be read with imagination.
markfrankel18

Why don't our brains explode at movie cuts? - Jeff Zacks - Aeon - 1 views

  • Throughout evolutionary history, we never saw anything like a montage. So why do we hardly notice the cuts in movies?
  • Simply put, visual perception is much jerkier than we realise. First, we blink. Blinks happen every couple of seconds, and when they do we are blind for a couple of tenths of a second. Second, we move our eyes. Want to have a little fun? Take a close-up selfie video of your eyeball while you watch a minute’s worth of a movie on your computer or TV.
  • Between blinks and saccades, we are functionally blind about a third of our waking life.
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  • Worse yet, even when your eyes are open, they are recording a lot less of the world than you realise.
  • Our brains do a lot of work to fill in the gaps, which can produce some pretty striking – and entertaining – errors of perception and memory.
  • That makes good evolutionary sense, doesn’t it? If your memory conflicts with what is in front of your eyeballs, the chances are it is your memory that is at fault. So, most of the time your brain is stitching together a succession of views into a coherent event model, and it can handle cuts the same way it handles disruptions such as blinks and saccades in the real world.
  • There is, however, one situation in which stitching a new view in with the previous one is a bad idea: when the new view represents a transition from one event to another.
  • So now I think we have a story about why our heads don’t explode when we watch movies. It’s not that we have learned how to deal with cuts. It’s certainly not that our brains have evolved biologically to deal with film – the timescale is way too short. Instead, film cuts work because they exploit the ways in which our visual systems evolved to work in the real world.
markfrankel18

Turkey anger at Pope Francis Armenian 'genocide' claim - BBC News - 2 views

  • Turkey summoned the Vatican ambassador over Pope Francis's use of the word "genocide" to describe the mass killing of Armenians under Ottoman rule in WW1.
markfrankel18

Setting Limits for Testing Brains - Atlantic Mobile - 0 views

  • With progress, though, comes a whole new set of ethical questions. Can drugs used to treat conditions like ADHD, for example, also be used to make healthy people into sharper, more focused versions of themselves—and should they? Can a person with Alzheimer’s truly consent to testing that may help scientists better understand their disease? Can brain scans submitted as courtroom evidence reveal anything about a defendant’s intent? Can a person with Alzheimer’s truly consent to testing that may help scientists better understand their disease?To address these questions, the Presidential Commission for the Study of Bioethical Issues, an independent advisory group, recently released the second volume of a report examining the issues that may arise as neuroscience advances. The commission outlined three areas it deemed particularly fraught: cognitive enhancement, consent, and the use of neuroscience in the legal system.
Lawrence Hrubes

Maya Angelou and the Internet's Stamp of Approval - The New Yorker - 0 views

  • his week, the United States Postal Service came in for a full news cycle’s worth of ridicule after it was&nbsp;pointed out, by the Washington&nbsp;Post, that the agency’s new Maya Angelou stamp featured a quotation that the late poet and memoirist didn’t write. The line—“A bird doesn’t sing because it has an answer, it sings because it has a song”—has been widely attributed to Angelou. And it seems like something she might have written, perhaps as a shorthand explanation for the title of her most famous book, “I Know Why the Caged Bird Sings.” But the line, in a slightly different form, was originally published in a poetry collection from 1967 called “A Cup of Sun,” by Joan Walsh Anglund. The&nbsp;Post&nbsp;reported this on Monday. By Tuesday, when such luminaries as First Lady Michelle Obama and Oprah Winfrey stood onstage in front of a giant reproduction of the Angelou stamp at the official unveiling, everyone knew that the words behind them belonged to someone else. According to the U.S.P.S., more than&nbsp;eighty million Angelou stamps were produced, and there are no plans to retract them. <!doctype html>div,ul,li{margin:0;padding:0;}.abgc{height:15px;position:absolute;right:16px;text-rendering:geometricPrecision;top:0;width:15px;z-index:9010;}.abgb{height:100%;}.abgc img{display:block;}.abgc svg{display:block;}.abgs{display:none;height:100%;}.abgl{text-decoration:none;}.cbc{background-image: url('http://pagead2.googlesyndication.com/pagead/images/x_button_blue2.png');background-position: right top;background-repeat: no-repeat;cursor:pointer;height:15px;right:0;top:0;margin:0;overflow:hidden;padding:0;position:absolute;width:16px;z-index:9010;}.cbc.cbc-hover {background-image: url('http://pagead2.googlesyndication.com/pagead/images/x_button_dark.png');}.cbc > .cb-x{height: 15px;position:absolute;width: 16px;right:0;top:0;}.cb-x > .cb-x-svg{background-color: lightgray;position:absolute;}.cbc.cbc-hover > .cb-x > .cb-x-svg{background-color: #58585a;}.cb-x > .cb-x-svg > .cb-x-svg-path{fill : #00aecd;}.cbc.cbc-hover > .cb-x > .cb-x-svg > .cb-x-svg-path{fill : white;}.cb-x > .cb-x-svg > .cb-x-svg-s-path{fill : white;} .ddmc{background:#ccc;color:#000;padding:0;position:absolute;z-index:9020;max-width:100%;box-shadow:2px 2px 3px #aaaaaa;}.ddmc.left{margin-right:0;left:0px;}.ddmc.right{margin-left:0;right:0px;}.ddmc.top{bottom:20px;}.ddmc.bottom{top:20px;}.ddmc .tip{border-left:4px solid transparent;border-right:4px solid transparent;height:0;position:absolute;width:0;font-size:0;line-height:0;}.ddmc.bottom .tip{border-bottom:4px solid #ccc;top:-4px;}.ddmc.top .tip{border-top:4px solid #ccc;bottom:-4px;}.ddmc.right .tip{right:3px;}.ddmc.left .tip{left:3px;}.ddmc .dropdown-content{display:block;}.dropdown-content{display:none;border-collapse:collapse;}.dropdown-item{font:12px Arial,sans-serif;cursor:pointer;padding:3px 7px;vertical-align:middle;}.dropdown-item-hover{background:#58585a;color:#fff;}.dropdown-content > table{border-collapse:collapse;border-spacing:0;}.dropdown-content > table > tbody > tr > td{padding:0;}Ad covers the pageStop seeing this ad.feedback_container {width: 100%;height: 100%;position: absolute;top:0;left:0;display: none;z-index: 9020;background-color: white;}.feedback_page {font-family: &quot;Arial&quot;;font-size: 13px;margin: 16px 16px 16px 16px;}.feedback_title {font-weight: bold;color: #000000;}.feedback_page a {font-weight: normal;color: #3366cc;}.feedback_description {color: #666666;line-height: 16px;margin: 12px 0 12px 0;}.feedback_closing {color: #0367ff;line-height: 16px;margin: 12px 0 12px 0;}.feedback_logo {position: absolute;right: 0;bottom: 0;margin: 0 12px 9px 0;}.feedback_logo img {height: 15px;}.survey_description {color: #666666;line-height: 17px;margin: 12px 0 10px 0;}.survey {color: #666666;line-height: 20px;}.survey_option input {margin: 0;vertical-align: middle;}.survey_option_text {margin: 0 0 0 5px;line-height: 17px;vertical-align: bottom;}.survey_option:hover {background-color: lightblue;cursor: default;}It&amp;#39;s gone. UndoWhat was wrong with this ad?InappropriateRepetitiveIrrelevantThanks for the feedback! BackWe’ll review this ad to improve your
markfrankel18

Should You Watch the Walter Scott Video? - The New Yorker - 1 views

  • It is easy not to click on a video, easy to chose not to watch Walter Scott’s murder. But making that choice is now inescapable. So the questions that come with it are inescapable, too. For instance: If you’re being shown this video, what wouldn’t you be shown? And also: If you’re being shown this because black lives matter, should you decline to look because black deaths matter, too?
Lawrence Hrubes

The man who missed killing Hitler by 13 minutes - BBC News - 2 views

  • On 8 November 1939, Hitler was making his annual speech at a Munich beer hall. The event commemorated early Nazi struggles in the 1920s. This time Hitler used it to mock his international enemies, and boast about Germany's successful start to the war.But what neither Hitler nor the Nazi top brass and loyal audience realised was that, a few feet away from where the Fuehrer was standing, a bomb was about to go off . Its ticking timers carefully muffled in cork casing, it had been assembled and planted secretly over many weeks by Georg Elser. He had started making his plans the previous year, after deciding that, under Hitler, "war was unavoidable".Hitler began this speech at the same time every year, but on this occasion, eager to return to Berlin and his military planners, the Fuehrer left early.Thirteen minutes later, the bomb exploded, causing eight deaths and massive damage. The ceiling collapsed just above where Hitler had been standing.
markfrankel18

Overpopulation, overconsumption - in pictures | Global Development Professionals Networ... - 1 views

  • How do you raise awareness about population explosion? One group thought that the simplest way would be to show people
Lawrence Hrubes

Watching Them Turn Off the Rothkos - The New Yorker - 4 views

  • Mainly, I think, the restoration story gets people hooked because it raises ancient and endlessly fascinating philosophy-of-art questions. In this respect, the restored murals are really a new work, a work of conceptual art. To look at them is to have thoughts about the nature of art. When I was a student, I went to a class taught by the art historian Meyer Schapiro. There were lots of people in the room; I think it was supposed to be his last class. (This was at Columbia, where Schapiro had been, as a student and a professor, since 1920.) He devoted the entire opening lecture to forgeries. I couldn’t believe it. I wanted to hear him talk about paintings, not fakes. I didn’t go back.
  • Which shows how clueless I was, even then. Forgery is important because it exposes the ideological character of aesthetic experience. We’re actually not, or not only, or never entirely, responding to an art object via its physical attributes. What we’re seeing is not just what we see. We bring with us a lot of non-sensory values—one of which is authenticity.
  • We’re not absolutists about it. Authenticity is a relative term. Most people don’t undergo mild epistemological queasiness while they’re looking at a conventionally restored Rothko. We look at restored art in museums all the time, and we rarely worry that it’s insufficiently authentic. In the case of the Harvard Rothkos, though, the fact that the faded painting and the faked painting are in front of us at the same time somehow makes for a discordant aesthetic experience. It’s as though, at four o’clock every day, Andy Warhol’s Brillo Boxes turned into the ordinary Brillo cartons of which they were designed to be simulacra. You would no longer be sure what you were looking at.
markfrankel18

Stanford psychologist: People from different cultures express sympathy differently - 0 views

  • Stanford psychologist Jeanne Tsai found that Americans tend to focus on the positive in expressions of sympathy while Germans focus on the negative. The research showed that how much people wanted to avoid negative emotion influenced their expressions of sympathy more than how negative they actually felt.
Lawrence Hrubes

Russian Artists Face a Choice: Censor Themselves, or Else - NYTimes.com - 3 views

  • After a law went into effect last summer banning obscenities in public performances, the playwright and director Ivan Vyrypaev excised the curse words from one of his plays, “The Drunks,” for its Russian debut at the prestigious Moscow Art Theater. Some actors played the new version straight, he said, while others winked to make clear what was cut.
  • During Soviet times, “At least we knew the rules,” said Irina Prokhorova, a publisher and vocal critic of the government. “This is a little bit different, because there are no rules, no official censorship.” Ms. Prokhorova likened the climate to the 1930s, when the Nazis labeled art degenerate. “This is aesthetic fundamentalism,” she said. The law on religious believers is particularly slippery. “Who are those believers? What do they believe in? No one talks about this,” she added.
  • Unlike the average English-language expletive thrown into everyday conversation, in Russian, cursing resonates as extremely crude; it has its own grammar and is never used in polite conversation. It is not uncommon for some older theatergoers to gasp when curses are uttered onstage.
Lawrence Hrubes

Eleven Atlanta teachers in mass cheating scandal - BBC News - 1 views

  • Eleven former school teachers have been convicted for their involvement in a scheme to falsify student test scores.They changed wrong answers to demonstrate student progress, and some received performance-related bonuses.
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