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What Economics Can (and Can't) Do - The New York Times - 1 views

  • It would seem that in situations like the current Greek crisis, we should be able to rely on economics to tell us which policies are most likely to work. But does the discipline have sufficient predictive power to play an important role in our debates about public policy?
  • The problems that we want economists to help us solve are more like predicting how leaves will fall on a windy day than predicting how objects will fall in a vacuum. Economic phenomena are affected by a very large number of causal factors of many different kinds.
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Don't Ban 'Bossy' : The New Yorker - 2 views

  • There are precedents for such reclaiming—pejorative words like “queer” and even “slut,” for instance, which their targets have taken over and brandished with pride. But maybe a more apt comparison would be the word “nerd.” “Nerd” used to be a put-down—and it used to cover boys more often than girls. Like “bossy,” it wasn’t really that harsh, but it wasn’t nice, either. It actually had a gender dimension, too, because it called out brainy boys who were not athletic or aggressive. It was a dis of boys who lived in their heads and wore pocket protectors and ate their lunch indoors, playing chess. Just as “bossy” might be said to undermine female leadership, “nerd” might be said to have undermined male intellectualism. But now “nerd,” and its close cousin “geek,” are words that lots of people are happy to identify with, humble-bragging about their obsessive expertise. Brainiac techies can get rich these days, and that has helped spiff up the image of nerdery. John Green, an author of young-adult novels, and his brother Hank have developed a thriving online and off-line community of “nerdfighters,” girls as well as boys, who like to say that they fight for good with their brains and hearts, calculators and trombones. They have heartthrobs like the actor Benedict Cumberbatch. They find each other on Tumblr.
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'Son of Saul,' Kierkegaard and the Holocaust - NYTimes.com - 0 views

  • There are generally two, radically different ways to relate to the world: objective and subjective. Objectivity is an orientation towards reality based on abstracting away, in various degrees, from subjective experience, and from individual points of view. A subjective orientation, on the other hand, is based on an attunement to the inner experience of feeling, sensing, thinking and valuing that unfolds in our day-to-day living. This distinction has been brought into contemporary philosophical discourse most notably by Thomas Nagel, in a number of his essays, most famously in “What Is It Like to Be a Bat?”The spectacular success of science in the past 300 years has raised hopes that it also holds the key to guiding human beings towards a good life. Psychology and neuroscience has become a main source of life advice in the popular media. But philosophers have long held reservations about this scientific orientation to how to live life. The 18th century Scottish philosopher David Hume, for instance, famously pointed out, no amount of fact can legislate value, moral or otherwise. You cannot derive ought from is. But there is another, in some way more radical concern, expressed in Western philosophy most forcefully by Kierkegaard, and in literature by Dostoyevsky — two religiously inspired thinkers — namely that our experience of life matters in ineffable ways that no objective understanding of the world can capture.
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The Price of Denialism - NYTimes.com - 1 views

  • In other words, we need to be able to tell when we believe or disbelieve in something based on high standards of evidence and when we are just engaging in a bit of motivated reasoning and letting our opinions take over. When we withhold belief because the evidence does not live up to the standards of science, we are skeptical. When we refuse to believe something, even in the face of what most others would take to be compelling evidence, we are engaging in denial. In most cases, we do this because at some level it upsets us to think that the theory is true.
  • So how to tell a fact from an opinion? By the time we sit down to evaluate the evidence for a scientific theory, it is probably too late. If we take the easy path in our thinking, it eventually becomes a habit. If we lie to others, sooner or later we may believe the lie ourselves. The real battle comes in training ourselves to embrace the right attitudes about belief formation in the first place, and for this we need to do a little philosophy.
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Are These 10 Lies Justified? - The New York Times - 0 views

  • We tell lies to one another every day. But when we commit other acts that are generally believed to be immoral, like cruelty and theft, we do not seek to justify them. We either deny that the acts we committed are appropriately described by these terms, or we feel guilt or remorse. But many of us are prepared to defend our lies: indeed, to advocate their general use.
  • Nevertheless, it is my claim that we could not lead our lives if we never told lies — or that if we could it would be a much worse life. But I would like to invite your own views on this to begin a dialog. Here is a list of lies that I believe to be either permissible, or, in some cases, obligatory. Readers will certainly disagree with me about some, perhaps many, of these cases. But such disagreement should not be the end of the discussion. I invite your reflection on why you disagree.
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When Philosophy Lost Its Way - The New York Times - 0 views

  • Having adopted the same structural form as the sciences, it’s no wonder philosophy fell prey to physics envy and feelings of inadequacy. Philosophy adopted the scientific modus operandi of knowledge production, but failed to match the sciences in terms of making progress in describing the world. Much has been made of this inability of philosophy to match the cognitive success of the sciences. But what has passed unnoticed is philosophy’s all-too-successful aping of the institutional form of the sciences. We, too, produce research articles. We, too, are judged by the same coin of the realm: peer-reviewed products. We, too, develop sub-specializations far from the comprehension of the person on the street. In all of these ways we are so very “scientific.”
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You Are What You Read | ART21 Magazine - 8 views

  • What are the ethical implications of using live animals in art?
  • The use of live animals in art has raised many ethical questions regarding what art is and what art should be. Should live animals be used as art objects at all? An art object may have aesthetic value regardless of whether it is ethical or not, but an artist should be held accountable if it can be proved that his or her actions deliberately caused inhumane suffering.
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What Is Economics Good For? - NYTimes.com - 2 views

  • It’s easy to understand why economics might be mistaken for science. It uses quantitative expression in mathematics and the succinct statement of its theories in axioms and derived “theorems,” so economics looks a lot like the models of science we are familiar with from physics.
  • But economics has never been able to show the record of improvement in predictive successes that physical science has shown through its use of harmless idealizations. In fact, when it comes to economic theory’s track record, there isn’t much predictive success to speak of at all.
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Why People Mistake Good Deals for Rip-Offs : The New Yorker - 5 views

  • Last Saturday, an elderly man set up a stall near Central Park and sold eight spray-painted canvases for less than one five-hundredth of their true value. The art works were worth more than two hundred and twenty-five thousand dollars, but the man walked away with just four hundred and twenty dollars. Each canvas was an original by the enigmatic British artist Banksy, who was approaching the midpoint of a monthlong residency in New York City. Banksy had asked the man to sell the works on his behalf. For several hours, hundreds of oblivious locals and tourists ignored the quiet salesman, along with the treasure he was hiding in plain sight. The day ended with thirty paintings left unsold. One Banksy aficionado, certain she could distinguish a fake from the real thing, quietly scolded the man for knocking off the artist’s work.
  • What makes Banksy’s subversive stunt so compelling is that it forces us to acknowledge how incoherently humans derive value. How can a person be willing to pay five hundred times more than another for the same art work born in the same artist’s studio?
  • Some concepts are easy to evaluate without a reference standard. You don’t need a yardstick, for example, when deciding whether you’re well-rested or exhausted, or hot or cold, because those states are “inherently evaluable”—they’re easy to measure in absolute terms because we have sensitive biological mechanisms that respond when our bodies demand rest, or when the temperature rises far above or falls far below seventy-two degrees. Everyone agrees that three days is too long a period without sleep, but art works satisfy far too abstract a need to attract a universal valuation. When you learn that your favorite abstract art work was actually painted by a child, its value declines precipitously (unless the child happens to be your prodigious four-year-old).
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  • We’re swayed by all the wrong cues, and our valuation estimates are correspondingly incoherent. Banksy knew this when he asked an elderly man to sell his works in Central Park. It’s comforting to believe that we get what we pay for, but discerning true value is as difficult as spotting a genuine Banksy canvas in a city brimming with imitations.
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Trading One Bad Map for Another? - Atlas Obscura - 0 views

  • “News of Boston public schools’ decision to go with the Peters projection has gone viral over the past week, and my teeth have not stopped itching,” Jonathan Crowe writes on his blog, The Map Room. “It is incredibly short-sighted and narrow-minded to say it should be one or the other,” says Mark Monmonier, author of Rhumb Lines and Map Wars: A Social History of the Mercator Projection. Even Ronald Grim, curator of the Norman B. Leventhal Map Center at the Boston Public Library, had concerns: “In my mind, both the Mercator and the Peters are controversial projections,” he says in a phone interview. “But we were not asked to be part of the decision.” Choosing between map projections is a necessarily difficult task. The Earth is resolutely three-dimensional, and any attempts to smooth it out are going to add a certain amount of warping. It’s a balancing act: the more accurate you make the continents’ relative area, the more you have to distort their shapes, and vice versa. The art of cartography lies in choosing to privilege one or another of these accuracies—or finding a sweet spot between them that serves your particular purpose.
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