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markfrankel18

With Naming Rights, 'Perpetuity' Doesn't Always Mean Forever - NYTimes.com - 1 views

  • “I asked him, How long is ‘in perpetuity’?”“For you, 50 years,” Mr. de Montebello, the museum director, replied.
  • “Perpetuity is usually a matter of negotiation now,” said William D. Zabel, a lawyer representing the Fisher family, who had threatened to sue on their behalf 12 years ago when Lincoln Center considered changing the name at that time without its permission.“It’s like in ‘Alice in Wonderland’: ‘When I use a word, it means just what I choose it to mean — neither more nor less,’ ” he said.
Lawrence Hrubes

Rage Against The Machines | FiveThirtyEight - 0 views

  • Computers are very, very fast at making calculations. Moreover, they can be counted on to calculate faithfully—without getting tired or emotional or changing their mode of analysis in midstream. But this does not mean that computers produce perfect forecasts, or even necessarily good ones. The acronym GIGO (“garbage in, garbage out”) sums up this problem. If you give a computer bad data, or devise a foolish set of instructions for it to analyze, it won’t spin straw into gold. Meanwhile, computers are not very good at tasks that require creativity and imagination, like devising strategies or developing theories about the way the world works. Computers are most useful to forecasters, therefore, in fields like weather forecasting and chess where the system abides by relatively simple and well-understood laws, but where the equations that govern the system must be solved many times over in order to produce a good forecast. They seem to have helped very little in fields like economic or earthquake forecasting where our understanding of root causes is blurrier and the data is noisier. In each of those fields, there were high hopes for computer-driven forecasting in the 1970s and 1980s when computers became more accessible to everyday academics and scientists, but little progress has been made since then.
markfrankel18

Schematics: A Love Story in Geometric Diagrams | Brain Pickings - 2 views

  • Schematics: A Love Story — a truly unique, in the most uncontrived sense of the word, project exploring love, memory, and time through 43 schematic diagrams drawn from old books and paired with poetic text that gleans new meaning from the geometric forms. From them emerges a layered and paradoxical narrative that is at once very personal and very universal, a kind of forlorn optimism about what it means to be human and to follow the heart’s sometimes purposeful, sometimes erratic, usually unpredictable will in pursuing the deepest of human connections.
markfrankel18

Acupuncture Doesn't Work « Science-Based Medicine - 0 views

  • Clinical research can never prove that an intervention has an effect size of zero. Rather, clinical research assumes the null hypothesis, that the treatment does not work, and the burden of proof lies with demonstrating adequate evidence to reject the null hypothesis. So, when being technical, researchers will conclude that a negative study “fails to reject the null hypothesis.” Further, negative studies do not demonstrate an effect size of zero, but rather that any possible effect is likely to be smaller than the power of existing research to detect. The greater the number and power of such studies, however, the closer this remaining possible effect size gets to zero. At some point the remaining possible effect becomes clinically insignificant. In other words, clinical research may not be able to detect the difference between zero effect and a tiny effect, but at some point it becomes irrelevant. What David and I have convincingly argued, in my opinion, is that after decades of research and more than 3000 trials, acupuncture researchers have failed to reject the null hypothesis, and any remaining possible specific effect from acupuncture is so tiny as to be clinically insignificant.
  • It is clear from meta-analyses that results of acupuncture trials are variable and inconsistent, even for single conditions. After thousands of trials of acupuncture and hundreds of systematic reviews,18 arguments continue unabated. In 2011,Pain published an editorial31 that summed up the present situation well. “Is there really any need for more studies? Ernst et al.18 point out that the positive studies conclude that acupuncture relieves pain in some conditions but not in other very similar conditions. What would you think if a new pain pill was shown to relieve musculoskeletal pain in the arms but not in the legs? The most parsimonious explanation is that the positive studies are false positives. In his seminal article on why most published research findings are false, Ioannidis32 points out that when a popular but ineffective treatment is studied, false positive results are common for multiple reasons, including bias and low prior probability.” Since it has proved impossible to find consistent evidence after more than 3000 trials, it is time to give up. It seems very unlikely that the money that it would cost to do another 3000 trials would be well-spent.
Cisco Walker

Astronomy Detectives Reveal Origin of Monet's 'Impression' Painting - 3 views

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    By reconstructing the position of the sun, the condition of the tides and the view from Claude Monet's hotel room, researchers were able to determine the time and day Monet painted his dreamy piece "Impression, Sunrise" in Le Havre, France.Credit: Musée Marmottan Monet Astronomical clues could pinpoint the day Claude Monet painted "Impression, Soleil Levant (Impression, Sunrise)," the art piece that lent its name to the Impressionist art movement.
markfrankel18

David Byrne: "Do you really think people are going to keep putting time and effort into... - 0 views

  • I’m not saying that the artist doesn’t put their feelings into it, or any part of their biography, but that there’s a lot of constraints and considerations and templates that they work with – unconscious decisions or constraints put upon them that guide what they’re going to do.Otherwise, why didn’t people in the 14th century start writing full-blown operas with giant orchestras and whatever?” These things just weren’t available to them. Our imaginations are constrained by all these other things — which is a good thing. There’s kind of a process of evolution that goes on where the creative part of you adapts to whatever circumstances are available to you. And if you decide you want to make pop songs, or whatever, there’s a format. You can push the boundaries pretty far, but it’s still a recognized thing. And if you’re going to do something at Lincoln Center, there’s a pretty prescribed set of things you are going to do. You can push that form, but kind of from inside the genre. So I guess I’m saying that a lot of creative decisions are kind of made for us, and the trick is then working creatively within those constraints.
markfrankel18

Excerpt - 'Love and Math' - NYTimes.com - 0 views

  • What if at school you had to take an “art class” in which you were only taught how to paint a fence? What if you were never shown the paintings of Leonardo da Vinci and Picasso? Would that make you appreciate art? Would you want to learn more about it? I doubt it. You would probably say something like this: “Learning art at school was a waste of my time. If I ever need to have my fence painted, I’ll just hire people to do this for me.” Of course, this sounds ridiculous, but this is how math is taught, and so in the eyes of most of us it becomes the equivalent of watching paint dry. While the paintings of the great masters are readily available, the math of the great masters is locked away.
markfrankel18

Why Do People Persist in Believing Things That Just Aren't True? : The New Yorker - 2 views

  • One thing he learned early on is that not all errors are created equal. Not all false information goes on to become a false belief—that is, a more lasting state of incorrect knowledge—and not all false beliefs are difficult to correct. Take astronomy. If someone asked you to explain the relationship between the Earth and the sun, you might say something wrong: perhaps that the sun rotates around the Earth, rising in the east and setting in the west. A friend who understands astronomy may correct you. It’s no big deal; you simply change your belief. But imagine living in the time of Galileo, when understandings of the Earth-sun relationship were completely different, and when that view was tied closely to ideas of the nature of the world, the self, and religion. What would happen if Galileo tried to correct your belief?
markfrankel18

How 17 Equations Changed the World | Brain Pickings - 0 views

  • A good many times I have been presented at gatherings of people who, by the standards of the traditional culture, are thought highly educated and who have with considerable gusto been expressing their incredulity at the illiteracy of scientists. Once or twice I have been provoked and have asked the company how many of them could describe the Second Law of Thermodynamics. The response was cold: it was also negative. Yet I was asking something which is about the scientific equivalent of: ‘Have you ever read a work of Shakespeare’s?’
markfrankel18

Did Jesus Save the Klingons? - Scientific American - 0 views

  • Which religion will have the toughest time reconciling aliens with its beliefs?
  • Which religions are more open to the idea of alien life?
  • Let’s say you discover some aliens on some other planets and you decide that you should convert them to Christianity. A reasonable question should be why? If they live on planet Earth, they could be descendants of Adam and Eve but if they are Klingons living on planet whatever, they couldn’t suffer from original sin because they’re not descendants of Adam and Eve. Christianity would make no sense for these creatures, unless our understanding of original sin makes no sense.
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  • Or does Jesus have to separately visit their planet? Right. That’s a serious theological problem. Most theologians are pretty seriously averse to the idea that the son of God will have to visit every planet and get crucified on every planet.
markfrankel18

Let's do some math on Ebola before we start quarantining people - Quartz - 0 views

  • The magnitude of false positives for medical tests—a positive test for a condition that a patient does not actually have—is something that is not well understood, even by members of the medical community. We should remember this, as the United States prepares to lock away potential scores of individuals who test positive for Ebola. Many observers do not realize just how many people may spend some time in quarantine when they do not have the dreaded disease.
  • The cognitive psychologist Max Gigerenzer once asked 24 physicians the following hypothetical question, and only two got it right: A test for breast cancer is 90% accurate in identifying patients who actually have breast cancer, and 93% accurate in producing negative results for patients without breast cancer. The incidence of breast cancer in the population is 0.8%. What is the probability that a person who tests positive for breast cancer actually has the disease? Think you know the answer? Many of the physicians in Gigerenzer’s study said there was a 90% probability that a now-terrified patient flagged for breast cancer is an actual victim of the disease. However, the correct probability is less than 10%.
markfrankel18

What Are You So Afraid Of? - NYTimes.com - 0 views

  • Fear, arriving in layers in which genetic legacy converges with personal experience, is vital to our survival. When we freeze, stop in our tracks or take flight, it is a biological response to what we sense as near and present danger. All the same, it observes its own absurd hierarchy, in which we often harbor an abiding anxiety for the wrong things.
  • Except that we do choose, and what we choose are generally the ordinary fears such as heights, public speaking, insects, reptiles
  • The biologist E. O. Wilson has observed that while we fear snakes, spiders, darkness, open spaces and closed spaces, we do not fear the more likely instruments of danger — knives, guns, cars, electrical sockets — because, he says, “our species has not been exposed to these lethal agents long enough in evolutionary time to have acquired the predisposing genes that ensure automatic avoidance.” Which is to say, fear, real fear, deep fear, the kind that changes our habits and actions, is not something on which we are likely to follow sensible instruction.
markfrankel18

Ink-credible: do tattoos count as art? | Art and design | The Guardian - 6 views

  • Writing on the body is as old as time. But perhaps because it was adopted by popular culture first – every sailor had a tattoo – it hasn’t been classed as art
Lawrence Hrubes

BBC - Culture - Selma and American Sniper: Is accuracy important? - 1 views

  • One of the problems is that no narrative feature is going to be able to convey the absolute truth. Characters inevitably get conflated and information omitted.“I think if you have two hours to tell a story, you have to contract things, you have to make your point in ways that a documentary would make them differently,” says David Oyelowo, the British actor who portrays Martin Luther King Jr.
  • “We’re in the service of truth. Sometimes that obliges you to take shortcuts of poetic license. You’re obliged to do it. You can take too many liberties, you have to find a line between it all,” he says.
  • The other film caught up in all the mudslinging this year has been American Sniper, the story of US Navy Seal Chris Kyle, directed by Clint Eastwood. With this picture criticism has largely broken down along political lines, with liberals arguing that the movie glorifies killing, demeans Arabs and omits some less than flattering aspects of Kyle’s life. There has also been an effort by the film’s critics to point out that the Academy shouldn’t be celebrating a film about a soldier who reportedly described killing Iraqis as “fun”.The picture, which has been a huge box office success, has been strongly embraced by many conservatives who view it as a well-crafted and very moving portrait of a troubled but patriotic US soldier.
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  • “I think it’s really a bit much to ask a film to 100% reproduce reality on screen when I think the average person in their own lives has a hard time remembering exactly how things happened even [about] lunch with someone a week ago,” says Foundas.
markfrankel18

Creativity Creep - The New Yorker - 3 views

  • How did we come to care so much about creativity? The language surrounding it, of unleashing, unlocking, awakening, developing, flowing, and so on, makes it sound like an organic and primordial part of ourselves which we must set free—something with which it’s natural to be preoccupied. But it wasn’t always so; people didn’t always care so much about, or even think in terms of, creativity.
  • It was Romanticism, in the late eighteenth and early nineteenth centuries, which took the imagination and elevated it, giving us the “creative imagination.”
  • How did creativity transform from a way of being to a way of doing? The answer, essentially, is that it became a scientific subject, rather than a philosophical one.
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  • All of this measuring and sorting has changed the way we think about creativity. For the Romantics, creativity’s center of gravity was in the mind. But for us, it’s in whatever the mind decides to share—that is, in the product. It’s not enough for a person to be “imaginative” or “creative” in her own consciousness. We want to know that the product she produces is, in some sense, “actually” creative; that the creative process has come to a workable conclusion. To today’s creativity researchers, the “self-styled creative person,” with his inner, unverifiable, possibly unproductive creativity, is a kind of bogeyman; a great deal of time is spent trampling on the scarf of the lone, Romantic genius. Instead, attention is paid to the systems of influence, partnership, power, funding, and reception that surround creativity—the social structures, in other words, that enable managers to reap the fruits of creative labor. Often, this is imagined to be some sort of victory over Romanticism and its fusty, pretentious, élitist ideas about creativity.
  • But this kind of thinking misses the point of the Romantic creative imagination. The Romantics weren’t obsessed with who created what, because they thought you could be creative without “creating” anything other than the liveliness in your own head.
  • It sounds bizarre, in some ways, to talk about creativity apart from the creation of a product. But that remoteness and strangeness is actually a measure of how much our sense of creativity has taken on the cast of our market-driven age
  • Thus the rush, in my pile of creativity books, to reconceive every kind of life style as essentially creative—to argue that you can “unleash your creativity” as an investor, a writer, a chemist, a teacher, an athlete, or a coach.
  • Among the many things we lost when we abandoned the Romantic idea of creativity, the most valuable may have been the idea of creativity’s stillness. If you’re really creative, really imaginative, you don’t have to make things. You just have to live, observe, think, and feel.
Lawrence Hrubes

The Moral Instinct - New York Times - 1 views

  • “Two things fill the mind with ever new and increasing admiration and awe, the oftener and more steadily we reflect on them,” wrote Immanuel Kant, “the starry heavens above and the moral law within.” These days, the moral law within is being viewed with increasing awe, if not always admiration. The human moral sense turns out to be an organ of considerable complexity, with quirks that reflect its evolutionary history and its neurobiological foundations. These quirks are bound to have implications for the human predicament. Morality is not just any old topic in psychology but close to our conception of the meaning of life. Moral goodness is what gives each of us the sense that we are worthy human beings. We seek it in our friends and mates, nurture it in our children, advance it in our politics and justify it with our religions. A disrespect for morality is blamed for everyday sins and history’s worst atrocities. To carry this weight, the concept of morality would have to be bigger than any of us and outside all of us. So dissecting moral intuitions is no small matter. If morality is a mere trick of the brain, some may fear, our very grounds for being moral could be eroded. Yet as we shall see, the science of the moral sense can instead be seen as a way to strengthen those grounds, by clarifying what morality is and how it should steer our actions.
Lawrence Hrubes

Solving an Unsolvable Math Problem - The New Yorker - 1 views

  • From Amie I first heard about Yitang Zhang, a solitary, part-time calculus teacher at the University of New Hampshire who received several prizes, including a MacArthur award in September, for solving a problem that had been open for more than a hundred and fifty years. The problem that Zhang chose, in 2010, is from number theory, a branch of pure mathematics. Pure mathematics, as opposed to applied mathematics, is done with no practical purposes in mind. It is as close to art and philosophy as it is to engineering. “My result is useless for industry,” Zhang said. The British mathematician G. H. Hardy wrote in 1940 that mathematics is, of “all the arts and sciences, the most austere and the most remote.” Bertrand Russell called it a refuge from “the dreary exile of the actual world.” Hardy believed emphatically in the precise aesthetics of math. A mathematical proof, such as Zhang produced, “should resemble a simple and clear-cut constellation,” he wrote, “not a scattered cluster in the Milky Way.” Edward Frenkel, a math professor at the University of California, Berkeley, says Zhang’s proof has “a renaissance beauty,” meaning that though it is deeply complex, its outlines are easily apprehended. The pursuit of beauty in pure mathematics is a tenet. Last year, neuroscientists in Great Britain discovered that the same part of the brain that is activated by art and music was activated in the brains of mathematicians when they looked at math they regarded as beautiful.
markfrankel18

We are more rational than those who nudge us - Steven Poole - Aeon - 3 views

  • We are told that we are an irrational tangle of biases, to be nudged any which way. Does this claim stand to reason?
  • A culture that believes its citizens are not reliably competent thinkers will treat those citizens differently to one that respects their reflective autonomy. Which kind of culture do we want to be? And we do have a choice. Because it turns out that the modern vision of compromised rationality is more open to challenge than many of its followers accept.
  • Modern skepticism about rationality is largely motivated by years of experiments on cognitive bias.
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  • The thorny question is whether these widespread departures from the economic definition of ‘rationality’ should be taken to show that we are irrational, or whether they merely show that the economic definition of rationality is defective.
  • During the development of game theory and decision theory in the mid-20th century, a ‘rational’ person in economic terms became defined as a lone individual whose decisions were calculated to maximise self-interest, and whose preferences were (logically or mathematically) consistent in combination and over time. It turns out that people are not in fact ‘rational’ in this homo economicus way,
  • There has been some controversy over the correct statistical interpretations of some studies, and several experiments that ostensibly demonstrate ‘priming’ effects, in particular, have notoriously proven difficult to replicate. But more fundamentally, the extent to which such findings can show that we are acting irrationally often depends on what we agree should count as ‘rational’ in the first place.
  • if we want to understand others, we can always ask what is making their behaviour ‘rational’ from their point of view. If, on the other hand, we just assume they are irrational, no further conversation can take place.
  • And so there is less reason than many think to doubt humans’ ability to be reasonable. The dissenting critiques of the cognitive-bias literature argue that people are not, in fact, as individually irrational as the present cultural climate assumes. And proponents of debiasing argue that we can each become more rational with practice. But even if we each acted as irrationally as often as the most pessimistic picture implies, that would be no cause to flatten democratic deliberation into the weighted engineering of consumer choices, as nudge politics seeks to do. On the contrary, public reason is our best hope for survival.
markfrankel18

Psychiatry's Mind-Brain Problem - The New York Times - 1 views

  • Recently, a psychiatric study on first episodes of psychosis made front-page news. People seemed quite surprised by the finding: that lower doses of psychotropic drugs, when combined with individual psychotherapy, family education and a focus on social adaptation, resulted in decreased symptoms and increased wellness.
  • Recently, a psychiatric study on first episodes of psychosis made front-page news. People seemed quite surprised by the finding: that lower doses of psychotropic drugs, when combined with individual psychotherapy, family education and a focus on social adaptation, resulted in decreased symptoms and increased wellness. But the real surprise — and disappointment — was that this was considered so surprising.
  • But the real surprise — and disappointment — was that this was considered so surprising.
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  • Unfortunately, Dr. Kane’s study arrives alongside a troubling new reality. His project was made possible by funding from the National Institute of Mental Health before it implemented a controversial requirement: Since 2014, in order to receive the institute’s support, clinical researchers must explicitly focus on a target such as a biomarker or neural circuit. It is hard to imagine how Dr. Kane’s study (or one like it) would get funding today, since it does not do this. In fact, psychiatry at present has yet to adequately identify any specific biomarkers or circuits for its major illnesses.
  • Unfortunately, Dr. Kane’s study arrives alongside a troubling new reality. His project was made possible by funding from the National Institute of Mental Health before it implemented a controversial requirement: Since 2014, in order to receive the institute’s support, clinical researchers must explicitly focus on a target such as a biomarker or neural circuit. It is hard to imagine how Dr. Kane’s study (or one like it) would get funding today, since it does not do this. In fact, psychiatry at present has yet to adequately identify any specific biomarkers or circuits for its major illnesses.
markfrankel18

What We Really Taste When We Drink Wine : The New Yorker - 2 views

  • Salzman first became interested in wine when he was a graduate student at Stanford University studying neuroscience (Ph.D.) and psychiatry (M.D.). “I was corrupted by some people who were very serious about wine,” he told me. Together, they would host wine tastings and travel to vineyards. Over time, as his interest in wine grew, he began to think about the connections between his tastings and the work he was doing on the ways in which emotion colors the way our brains process information. “We study how cognitive and emotional processes can affect perception,” he said. “And in the case of something like wine, you have the perfect example: even before you open a bottle to experience the wine itself, you already have an arbitrary visual stimulus—the bottle and the label—that comes with non-arbitrary emotional associations, good and bad.” And those emotional associations will, in turn, affect what we taste.
  • In one recent study, the Caltech neuroscientist Hilke Plassman found that people’s expectations of a wine’s price affected their enjoyment on a neural level: not only did they report greater subjective enjoyment but they showed increased activity in an area of the brain that has frequently been associated with the experience of pleasantness. The same goes for the color and shape of a wine’s label: some labels make us think that a wine is more valuable (and, hence, more tasty), while others don’t. Even your ability to pronounce a winery’s name can influence your appreciation of its product—the more difficult the name is to pronounce, the more you’ll like the wine.
  • For experts, though, the story is different. In 1990, Gregg Solomon, a Harvard psychologist who wrote “Great Expectorations: The Psychology of Expert Wine Talk,” found that amateurs can’t really distinguish different wines at all, but he also found that experts can indeed rank wines for sweetness, balance, and tannin at rates that far exceeded chance. Part of the reason isn’t just in the added experience. It’s in the ability to phrase and label that experience more precisely, a more developed sensory vocabulary that helps you to identify and remember what you experience. Indeed, when novices are trained, their discrimination ability improves.
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