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One of the few Palestinians who has tried to teach the Holocaust, Muhammad S. Dajani Daoudi, included it in a course at Al Quds University, in Jerusalem, and took twenty-seven Palestinian students to visit Auschwitz last year. He was vilified and hounded into resigning.

I am a theoretical neuroscientist. I study models of brain circuits, precisely the sort of models that would be needed to try to reconstruct or emulate a functioning brain from a detailed knowledge of its structure. I don’t in principle see any reason that what I’ve described could not someday, in the very far future, be achieved (though it’s an active field of philosophical debate). But to accomplish this, these future scientists would need to know details of staggering complexity about the brain’s structure, details quite likely far beyond what any method today could preserve in a dead brain.

My sister is the greatest blessing in my life. My parents and I were at the hospital when her birth mother went into labor, so she has been with us for her entire life. My parents never told her that she was adopted, and they asked me not to say anything. They planned on telling her when she was old enough to understand, but they kept putting it off. They know that I believe they have done her a serious disservice.

Peter Godfrey-Smith, the author of “Theory and Reality: An Introduction to the Philosophy of Science,” has been thinking about how people can avoid the misunderstanding embedded in the phrase, “It’s only a theory.” Advertisement Continue reading the main story It’s helpful, he argues, to think about theories as being like maps.“To say something is a map is not to say it’s a hunch,” said Dr. Godfrey-Smith, a professor at the City University of New York and the University of Sydney. “It’s an attempt to represent some territory.”A theory, likewise, represents a territory of science. Instead of rivers, hills, and towns, the pieces of the territory are facts.“To call something a map is not to say anything about how good it is,” Dr. Godfrey-Smith added. “There are fantastically good maps where there’s not a shred of doubt about their accuracy. And there are maps that are speculative.”To judge a map’s quality, we can see how well it guides us through its territory. In a similar way, scientists test out new theories against evidence. Just as many maps have proven to be unreliable, many theories have been cast aside.But other theories have become the foundation of modern science, such as the theory of evolution, the general theory of relativity, the theory of plate tectonics, the theory that the sun is at the center of the solar system, and the germ theory of disease.“To the best of our ability, we’ve tested them, and they’ve held up,” said Dr. Miller. “And that’s why we’ve held on to these things.”

First, there is nothing special or magical about ten thousand hours. Gladwell could just as easily have mentioned the average amount of time the best violin students had practiced by the time they were eighteen — approximately seventy-four hundred hours — but he chose to refer to the total practice time they had accumulated by the time they were twenty, because it was a nice round number.

And the number varies from field to field.

Third, Gladwell didn’t distinguish between the type of practice that the musicians in our study did — a very specific sort of practice referred to as “deliberate practice” which involves constantly pushing oneself beyond one’s comfort zone, following training activities designed by an expert to develop specific abilities, and using feedback to identify weaknesses and work on them — and any sort of activity that might be labeled “practice.”

the reason you are not seeing the yellow dots is due to a phenomenon called sensory overload. As the grid around the green dot rotates, and the yellow dots remain unmoving and unchanging, the brain processes the yellow dots as unnecessary information and blanks them out. The brain, after all, does not automatically process all information, visual or otherwise, that the body’s sensory systems encounter. If it did, it would overload, so it tends to filter out information that it has repeatedly encountered without change. The Yale study suggests something else. Instead of the brain automatically removing pieces of unchanging information from view due to sensory overload, the mind is in fact perceiving the objects as contrary to the logic of real-life perceptions. The brain simply does not accept that the object can logically exist based on what information it has. Thus, they disappear from view – they become perceptual scotomas.

Melissa McCracken grew up with a neurological condition that means she processes songs as colors—a gift that translates into paintings inspired by her favorite musicians.

A new artwork painted by artist Banksy on the treatment of people in the Calais camp known as the Jungle has been removed from a site in Knightsbridge, London opposite the French Embassy. Before its removal, Google decided to preserve it digitally for its Cultural Institute Project and Street View to allow other people to see the work.

Just as the Industrial Revolution spurred the creation of powerful and destructive machines like airplanes and tanks that diminished the role of individual soldiers, artificial intelligence technology is enabling the Pentagon to reorder the places of man and machine on the battlefield the same way it is transforming ordinary life with computers that can see, hear and speak and cars that can drive themselves.

Mathematics and art are generally viewed as very different disciplines – one devoted to abstract thought, the other to feeling. But sometimes the parallels between the two are uncanny. From Islamic tiling to the chaotic patterns of Jackson Pollock, we can see remarkable similarities between art and the mathematical research that follows it. The two modes of thinking are not exactly the same, but, in interesting ways, often one seems to foreshadow the other. Does art sometimes spur mathematical discovery? There’s no simple answer to this question, but in some instances it seems very likely.

The air of machine precision casts doubt on what our eyes—or the eyes of referees—can process. As viewers, they argue, our instinct is to assume that all forms of assistance are equally effective, or that they do what they claim in the first place. But what we see on television is usually just a representation, or a calculated guess, based on thermal imaging, sound, or the work of cameras tracking an object’s velocity through air.